There Are as Many Readings of Othello as There Are Readers.

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There are as many readings of a text as there are readers; Every text has a myriads versions of different critical "readings", such as "Feminist", "Liberal Humanist" or "Deconstructionist" readings depending how each readers perceives its meanings. In each of the readings, the audience is given an ideologically determined text, which incorporates aspects of the original, but rejects or understates other aspects that might contradict these particular readings. In Othello, there are likewise also many different readings, for example, Feminist, Postcolonial and Aristotelian. It is possible to suggest two readings which perhaps may link to audiences psychologically and ideologically more successfully - the Aristotelian and Feminist reading, and this is evident through the plot, characterization language, and themes underpinning the text Othello.

Aristotle, the famous Greek philosopher first captured the Aristotelian reading. This reading in general perceives the text as a serious tragedy with the possession of certain tragic characteristics, such as progressing from harmony to chaos. Shakespeare had written many famous tragedies, and being one of the most famous and heartbreaking, the play Othello, written in the Elizabethan times targeting mature audiences who would empathize with the human emotions of its tear-jerking storyline, could certainly be considered with Aristotelian reading, especially when examining its upsetting plot, extraordinary characters, unusual context, emotions-evoking style of language and its society-related themes.

The plot of Othello may be considered as a plot of a typical tragedy is various senses. In almost all tragedies ever written, for example, Hamlet and King Lear, the play begins with harmony an...

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... may unquestionably be perceived from a feminist viewpoint as it controversially challenges the definition of gender and the role of woman.

Here we have looked at two readings of Othello, Aristotelian and Feminist, each ignoring the other's arguments and values. However, every reader may perceive Othello in their own way depending on their experiences in life, cultural surroundings, personal interest, gender, religion, the period of the time they lived at, and so much more. A heartbroken audience may be more supportive of the Aristotelian readings while a female character may support the feminist reading, all relying on their paradigms. Since every individual is unique in his or her own way, correspondently, there must be a vast range of reading also being unique. So therefore, it is rather acceptable that there are as many readings of Othello as there are readers.

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