Themes of Freedom and Confinement in “The Cask of Amontillado” by Edgar Allan Poe

Humans have always struggled against confinement and toward freedom. However, they choose not to recognize that history has proved time and again that too much freedom incites anarchy and too much confinement invites tyranny. It’s the nature of all animals to desire freedom and resist confinement. Many times the animal struggles so blindly it does not recognize it is destroying itself or condemning itself to further confinement. In “The Cask of Amontillado” Fortunato and Montresor are symbols of how human nature manifests differently in different people in varying combinations of psychological and physical freedom and confinement. As the story begins, Fortunato believes he and Montresor are friends or at the very least friendly. However, Montresor is secretly plotting Fortunato’s murder. Montresor believes that Fortunato has given a “thousand injuries” and it is not until he “insults” Montresor that Montresor springs into action. Unfortunately, it is never explained if these injuries and insults really happened or if they are a delusion. Montresor makes an unreliable narrator and one gets the feeling he suffers from a psychological disorder, such as delusional paranoid personality disorder. This disorder causes the victim to become obsessed with a delusion “involving a phenomenon that the person’s culture could conceivably regard as plausible.” They often believe “they have been injured by friends or strangers, and they tend to see other persons as enemies.” Montresor gives the impression he and Fortunato have known each other for an extended amount of time. Montresor knows more about Fortunato than Fortunato knows about Montresor; possibly because Fortunato is constantly drunk. Montresor is cunning, sinister, and cautious... ... middle of paper ... ...m were less desperate in their search, the story would very likely have a completely different outcome. Montresor and Fortunato both thought they were finding their freedom but were actually running straight into true confinement. It was not until it was too late that either of them realized their mistake. They madly rushed into a dead end with no possible escape to freedom left. Works Cited Bayer, Linda. Personality Disorders. Philadelphia: Chelsea House Publishers, 2000. Hess, Julie R. "Poe's Use of Irony in "The Cask of Amontillado"." Writing for the Arts and Humanities. December 2, 2005. http://www.webpages.shepherd.edu/jhess02/TheCaskofAmontilladobyPoe.htm (accessed January 30, 2014). Poe, Edgar Allen. "The Cask of Amontillado." In An Introduction to Literature, by Sylvan Barnet, William Burto and William E. Cain, 180-185. New York: Pearson Longman, 2006.