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In the first half of the classic novel One Flew Over the Cuckoos Nest, author Ken Kesey uses many themes, symbols, and imagery to illustrate the reality of the lives of a group of mental patients. The story takes place during the 1950s in an Oregon psychiatric hospital and is narrated by a patient on the ward named Chief Bromden. When the novel’s protagonist, Randle P. McMurphy enters the confines of a mental institution from a prison farm, the rules inflicted by the Big Nurse begin to change. Chaos and disruption commence throughout the standard and regular flow of the hospital life, altering the well-established routines due to the threat that McMurphy opposes on the ward. Obviously, it becomes evident that Kesey will convey many viewpoints throughout the course of the story, however, I strongly believe that a recurring theme can be singled out. The main theme behind One Flew Over the Cuckoo's Nest is the idea of freedom and confinement and how it affects human behaviour. As aforementioned, Kesey utilizes many symbols that represent the amount of control enforced within the facility, compared to the freedom that is “the outside.” For example, McMurphy makes a bet that he can lift the control panel, a very large and heavy …show more content…
Kesey portrays laughter as a parallel to freedom through various literary symbols to exemplify how the power of laughter can free a man who is under the control of an unjust authority. As McMurphy enters the ward in the beginning of the story, Chief Bromden takes note of his boisterous laugh. He notices that his laugh is “…free and loud…sounds real [it]…it’s the first [real] laugh I’ve heard in years” (12, Kesey). This illustrates that McMurphy, even from the beginning, has the intentions to uphold his own control. Before him, no one laughed on the ward, but it is apparent that nobody will take away his ability to
In Ken Kesey’s, One Flew Over the Cuckoo’s Nest there are many recurring motifs and images. One very prominent motif is laughter. Following the motif of laughter throughout the novel, it is mostly associated with McMurphy and power/control. McMurphy teaches the patients how to laugh again and with the laughter the combine loses control and the patients gain their power back.
Ken Kesey's experiences in a mental institution urged him to tell the story of such a ward. We are told this story through the eyes of a huge red Indian who everyone believes to be deaf and dumb named Chief in his novel "One Flew Over The Cuckoo's Nest". Chief is a patient in an Oregon psychiatric hospital on the ward of Mrs Ratched. she is the symbol of authority throughout the text. This ward forms the backdrop for the rest of the story. The men on the ward are resigned to their regime dictated by this tyrant who is referred to as 'the Big Nurse', until McMurphy arrives to disrupt it. He makes the men realise that it is possible to think for themselves, which results in a complete destruction of the system as it was. Randle P. McMurphy, a wrongly committed mental patient with a lust for life. The qualities that garner McMurphy respect and admiration from his fellow patients are also responsible for his tragic downfall. These qualities include his temper, which leads to his being deemed "disturbed," his stubbornness, which results in his receiving numerous painful disciplinary treatments, and finally his free spirit, which leads to his death. Despite McMurphy being a noble man, in the end, these characteristics hurt him more than they help him. He forms the basis to my study of rebellion.
In Ken Kesey’s novel One Flew Over the Cuckoo’s Nest the struggle for power is conveyed in the passage using visual imagery, parallelism, and conflict between McMurphy and Nurse Ratched.
McMurphy’s initial view of the mental hospital, is that he sees it as a new opportunity to take control and become the leader of the place. This desire of his is seen almost immediately when he enters the
Ken Kesey’s “One Flew Over the Cuckoo’s Nest” is a unique fiction novel about oppression and rebellion in an American 1950’s Mental Hospital. In this highly distinctive novel, setting definitely refers to the interior, the interiors of the Institution. It also refers to the period this novel this was set in, the 50’s, 60’s where McCarthyism was dominant. Furthermore, it has great symbolic value, representing issues such as the American struggle of freedom and conformity. This essay shall discuss the ‘setting’ & its significance towards Ken Kesey’s “One Flew over the Cuckoo’s Nest”.
The struggle for independence begins in the resistance against the system and its rules; Kesey uses characterisation of McMurphy and his gang to show this shift in power and the fight for freedom, while Weir utilises the symbolism of the Dead Poets Society. McMurphy's arrival to the ward muddles the Big Nurse's "outfit from running like a smooth , accurate, precision-made machine" (p. 25). McMurphy encourages the other patients to support his revolt against Nurse Ratched and her "modern matriarchy" (p. 67). By the end of the novel, Kesey develops his characters to be able to even "to pop and snort to keep from laughing" (p. 296) in "a place where the men won't let themselves loose and laugh" (p. 45) to express the development of their revolt. Weir,
The dominant discourse of conformity in the novel is characterised predominantly by obeying the rules described by Kesey. At the start of the novel, all the acute and the silenced chronic patients conform to the rules of Nurse Ratched, the main antagonist, before the arrival of McMurphy. This is demonstrated by the following quote: “…she blows up bigger and bigger, big as a tractor...” (p.5). McMurphy is portrayed as a Jesus figure in the novel. After he arrives, he begins to take control of the patients. He begins to take the role of leader. Kesey has foregrounded the character of McMurphy to be different thus creating a binary opposite that is represented in the novel. Kesey shows the binary opposites as being good versus evil. The former is represented by the con-man, McMurphy, and the latter is represented by the Head Nurs...
Ken Kesey in his novel One Flew Over the Cuckoo 's Nest question a lot of things that you think almost everyday. With this famous portrait of a mental institute its rebellious patients and domineering caretakers counter-culture icon Kesey is doing a whole lot more than just spinning a great yarn. He is asking us to stop and consider how what we call "normal" is forced upon each and every one of us. Stepping out of line, going against the grain, swimming upstream whatever your metaphor, there is a steep price to pay for that kind of behavior. The novel tells McMurphys tale, along with the tales of other inmates who suffer under the yoke of the authoritarian Nurse Ratched it is the story of any person who has felt suffocated and confined by our
...s a time where the people were not afraid to uproar against controlling institutions. During this time period, a common hatred against conformity was shared throughout the public- these people were later to be known as beatniks ("Beatniks and Hippies"). Kesey himself being considered one of these “hippies” tries to portray his radical views through the character McMurphy. He represents the leader of the psychiatric ward, and has the ability to actually see the corruption occurring in the institution. He seeks to rally up the other patients through rebellious acts in order to break free of their oppression of Nurse Ratched (Kesey). Kesey is able to incorporate the anti-conformists ideology through McMurphys’ rebellious nature in the mental ward, and therefore is able to truly capture the anti-materialistic and anti-government tone of the time period of the 1960’s.
The cartoon symbolism demonstrated in One Flew Over The Cuckoo's Nest helps create dynamic features and traits in each character. Bromden indicates early that the ward is "Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys..."( 31). Technicians in the hospital speak with voices that "are forced and too quick on the comeback to be real talk - more like cartoon comedy speech" (33). Kesey chooses to describe some of his characters as symbolic caricatures, and others as stock figures who outgrow their black outlines (Twayne). The Big Nurse remains a cartoon villain, funny in her excessive frustration and hateful in her manipulations towards the patients.
Ken Kesey’s One Flew Over the Cuckoo’s Nest explores the dysfunctions and struggles of life for the patients in a matriarch ruled mental hospital. As told by a schizophrenic Native American named Chief Bromden, the novel focuses primarily on Randle McMurphy, a boisterous new patient introduced into the ward, and his constant war with the Big Nurse Ratched, the emasculating authoritarian ruler of the ward. Constricted by the austere ward policy and the callous Big Nurse, the patients are intimidated into passivity. Feeling less like patients and more like inmates of a prison, the men surrender themselves to a life of submissiveness-- until McMurphy arrives. With his defiant, fearless and humorous presence, he instills a certain sense of rebellion within all of the other patients. Before long, McMurphy has the majority of the Acutes on the ward following him and looking to him as though he is a hero. His reputation quickly escalates into something Christ-like as he challenges the nurse repeatedly, showing the other men through his battle and his humor that one must never be afraid to go against an authority that favors conformity and efficiency over individual people and their needs. McMurphy’s ruthless behavior and seemingly unwavering will to protest ward policy and exhaust Nurse Ratched’s placidity not only serves to inspire other characters in the novel, but also brings the Kesey’s central theme into focus: the struggle of the individual against the manipulation of authoritarian conformists. The asylum itself is but a microcosm of society in 1950’s America, therefore the patients represent the individuals within a conformist nation and the Big Nurse is a symbol of the authority and the force of the Combine she represents--all...
People often find themselves as part of a collective, following society's norms and may find oneself in places where feeling constrained by the rules and will act out to be unconstrained, as a result people are branded as nuisances or troublemakers. In the novel One Flew Over The Cuckoo's Nest, the author Ken Kesey conveys the attempt McMurphy makes to live unconstrained by the authority of Nurse Ratched. The story is very one sided and helps create an understanding for those troublemakers who are look down on in hopes of shifting ingrained ideals. The Significance of McMurphy's struggles lies in the importance placed on individuality and liberty. If McMurphy had not opposed fear and autocratic authority of Nurse Ratched nothing would have gotten better on the ward the men would still feel fear. and unnerved by a possibility of freedom. “...Then, just as she's rolling along at her biggest and meanest, McMurphy steps out of the latrine ... holding that towel around his hips-stops her dead! ” In the novel McMurphy shows little signs like this to combat thee Nurse. His defiance of her system included
The novel that Kesey wrote is focused on how Bromden’s past memories should not let him down, but to gather his strength and let go of the past to start anew. Kesey builds up the encouragement through the help on McMurphy in order for Bromden to face reality with the hallucinations, to Nurse Ratched’s authorities, and the use of symbolism.
Throughout the novel, McMurphy cheers up the other inmates by telling jokes and getting their minds off of the mental institution, yet the serious issues and problems of the institution often still prevail. During a fishing trip with everyone from the institution, the patients begin to feel awkward and out of place as they are not used to living in the real world and in a normal society. McMurphy soon realizes everyone around him is struggling to act normal and he attempts to cheer everyone up as the comedic hero. Kesey writes, “McMurphy saw how uneasy we were and tried to work us into a better mood by joking and teasing the girl, but this made us feel worse somehow. Everybody was thinking how easy it would be to return to the ward, go back and say they decided the nurse had been right; with a wind like this the sea would’ve been just too rough”(201). McMurphy initially tries to make everyone feel normal in this outside society by picking on a little girl but the inmates feel worse afterward. In some ways, McMurphy’s humor is shown as he knows it’s his job to cheer everyone up and he takes this role with pride acting as a comedic hero. Yet, the satirical aspect of the novel is more prevalent. All the patients know they will never be like anyone outside of society they see on the fishing trip because the institution has ruined their lives. Kesey writes how everyone understands it is so much easier to go back to the mental institution because they are not used anything else and they cannot act or function like normal people. In the institution, the inmates are treated inhumanely and abused by the guards so there is no possible way any of them could operate in a normal society. This idea that the institution has ruined everyone's lives so much they they cannot function in normal society pushes fits Ken Kesey’s own beliefs. Being part of Counterculture groups Kesey disagreed with
In the novel, Kesey suggests that a healthy expression of sexuality is a key component of sanity and that repression of sexuality leads directly to insanity. For example; by treating him like an infant and not allowing him to develop sexually, Billy Bibbet's mother causes him to lose his sanity. Missing from the halls of the mental hospital are healthy, natural expression of sexuality between two people. Perverted sexual expressions are said to take place in the ward; for example; Bromden describes the aides as "black boys in white suites committing sex acts in the hall" (p.9). The aides engage in illicit "sex acts" that nobody witnesses, and on several occasions it is suggested that they rape the patients, such as Taber. Nurse Ratched implicitly permits this to happen, symbolized by the jar of Vaseline she leaves the aides. This shows how she condones the sexual violation of the patients, because she gains control from their oppression. McMurphy's sanity is symbolized by his bold and open insertion of sexuality which gives him great confidence and individuality. This stands in contrast to what Kesey implies, ironically and tragically, represents the institution.