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Count dracula character analysis
Bram stokers dracula gothic review essay
Bram stokers dracula gothic review essay
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Strength Through Power
A. AGFS: Do you believe the power of any emotion can drive a person to do the impossible?
A. Bram Stoker’s Dracula has many themes in it, more specifically, power is a main theme in the gothic novel.
B. All the characters are controlled by a certain emotion and use that particular emotion to defeat Dracula.
1. When Jonathan first discovers Dracula’s true nature, he is teeming with fear, as do many of the characters they encounter the true Dracula.
2. Jonathan Harker said: “What kind of man is this, or what manner of creature is it in the semblance of man? I feel the dread of this horrible place overpowering me; I am in fear-in awful fear- and there is no escape for me; I am encompassed about with terrors that I dare not
Dracula realizes his affect on his country and that they have figured ways out to stop his exploitation, therefore, he must move to London.
III. BP2/Topic Sentence: Love is a major motivator all through the Dracula.
A. When the four men find that Lucy is Un-Dead they feel a tremendous amount of anguish.
1. Lucy is the person that connects all the characters
2. They find Lucy, the Un-Dead creature, a foul being
1. “But there was no love in my own heart, nothing but loathing for the foul Thing which had taken Lucy’s shape without her soul” (183).
B. Although Lucy was not present for most of Dracula, she is loved dearly by many and is a major motivation through the emotion of love.
1. The three men who proposed to Lucy are battling Dracula because of their love for her.
2. The reader sees the emotions that run rampant when Mina, Jonathan, Arthur Holmwood, Dr. Seward, Dr. Van Helsing, and Quincey Morris find that Lucy is truly dead.
C. The love the characters experience is the main component to Dracula’s downfall.
1. Mina’s devotion to Jonathan helps her against Dracula’s forbidding prowess.
2. Arthur announces that he and Lucy shared blood, so they are married.
1. Arthur vows to cleanse the world of Dracula’s damned
Lucy, who is considered promiscuous by Victorian standards, becomes a vampire because she is scandalous, which is what Bram Stoker is trying to say. If you are “loose” and have four different men’s fluids running through you, you become un-pure, which is appalling in the Victorian people’s minds.
1. Lucy has four blood trasnfusions.
V. BP5/Topic Sentence: Good Vs. Evil has always been a constant battle in every tale, but good always prevails in the end.
A. Mina is portrayed as pure, while Lucy is seen as the seductress with three suitors
1. Her heart is completely devoted to Jonathan Harker.
2. Mina is completely truthful and sincere in everything she does.
B. Van Helsing, Quincey Morris, Dr. Seward, Mina, and Jonathan Harker are all on the good side
C. These 6 companions remain on a quest to kill the wicked.
D. Van Helsing has knowledge on how to defeat Dracula, even with his nefarious powers.
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E. The remaining characters have good intentions toward each other.
1. “Generally, eating with another is a way of saying, ‘I’m with you, I like you, we form a community together.’ And that is a form of communion” (Foster 8).
2. Mina and the other men either have dinner, or the men have drinks together which is still forming a bond through communion.
3. BP6/Topic Sentence: Religion is a major theme in
The first and foremost example of danger is with purity, impurity, and magical thinking. Before interacting with Dracula, Lucy is described as physically attractive by Mina in her journal entries, stating “Lucy met me at the station looking sweeter and lovelier
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
Dracula can turn humans into the Undead. An example is the three women whom he has turned into vampires, creatures of the night. Renfield desires to be made into a creature of the night. He views Dracula as his master and seeks only to serve him. Lucy is made into a vampire by Dracula. However, the most memorable person he has given birth t...
Life is a cruel. It, will attempt to take one down; it will humble one; it will attempt to break many down. In moments one may not know what to do, instead he/she must a find a way to use what they have around them as an advantage to defeat the problems that stands their way. Throughout dark fiction, authors utilise different elements as a tool to defeating the antagonist. the story Dracula uses completely different approaches in taking down the mighty Dracula. In the novel Dracula, Bram Stoker effectively employs the different elements that are used to defeat Dracula. Stoker effectively demonstrates the elements that are used to destroy Dracula through act of Religion, the aspect of Science and the setting.
...are depicted in many instances in order to draw upon a source of superstition for added affirmation. Finally, original narrative elements are conceived in order to bring together a central theme of unity, which stresses the teamwork by which the protagonists defeated the vampires. Bram Stoker applies these elements to create an enriching, compelling plot in the novel Dracula.
Throughout many types of literature, violence exists to enhance the reader’s interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it were lacking violence. So to holds true to that of the movie. The movie bares different characteristics then that of the book. First off, the whole ordeal with the wolf escaping and jumping into Lucy’s, room and Lucy’s mom having a heart attacked is never even mention in the movie. Second, The night when the four men go to Lucy’s grave and find it empty is stated both in the book and in the movie however what unfolds after this is different. Finally, the end of the book differs severely from what Francis Ford Copolas rendition and that of the Bram Stoker see it to be. The differences are as follows…
Once Jonathan arrives at the castle, he is met by the mysterious Count Dracula, a man described as strong and pale, with bright ruby lips and sharp white teeth. Although Jonathan is unaware of what Dracula truly is, he can already sense that something is amiss, and he gets worr...
While Lucy is overjoyed with planning her nuptials and daydreaming of her soon to be married life, her happiness quickly turns to restlessness as Arthur must leave to look after his ailing father.... ... middle of paper ... ... Stoker displays this struggle in the main character of Dracula.
While the character of Renfield is ostensibly extraneous to the central plot of Dracula, he fulfils an important role in Stoker’s exploration of the central themes of the novel. This paper will examine how Renfield character is intertwined with the three central themes of invasion, blood, and otherness. Firstly, through Renfield’s inner struggle we learn that he is ‘not his own master’ (Stoker, 211). The theme of invasion is revealed by the controlling and occupying powers of Count Dracula. Secondly, the reoccurring theme ‘the Blood is the Life’ (Stoker, 121), is portrayed throughout the novel and has been interpreted through Stoker’s character Renfield.
Lucy?s friends decide to join together to combat what ever is ailing Lucy. In hopes of some help, Lucy?s friend Dr. Seward asks an old mentor of his by the name of Dr. Van Helsing to come to London and solve this puzzling illness. When Dr. Van Helsing arrives in London and sees Lucy, he is the only one that knows almost immediately what has happened and what they are up against. The character of Dracula rarely appears in the story because this creates suspense and magnifies the fear of the unknown. The theme of good versus evil is developed throughout the book in many ways.
evil, where a young woman loses her youth when she encounters the wicked Dracula. The vampire story essentials always include a victim of Dracula, that is a young women. In this novel there are two women that are victims of Dracula’s actions. The first lady is Lucy who is not very innocent as she is secretly married to three men, but chooses one, Arthur Holmwood to live with forever. Lucy starts sleepwalking and is caught by Dracula in the night. The other victim Mina, sees Lucy in the dark and says “There was undoubtedly something, long and black, bending over the white figure…I could see a white face and red, gleaming eyes” (Stoker 98). Mina sees Dracula bending over Lucy and that’s when he bites her. Lucy now becomes a victim of Dracula and turns into a vampire. The other victim stated before is Mina, who is innocent and married to Jonathan Harker. Dracula goes to hunt her and Jonathan, and when he sees them he makes Mina drink blood from his chest and makes her a victim. Mina is the real victim in this novel because of her past by displaying the values of a Victorian woman more than Lucy. The theme of good versus evil is apparent throughout the whole novel and is the main theme of the book. Dracula represents all evil in the novel and has become a main villain in many other novels and movies. The other characters in the novel represent the good. Jonathan is the first to encounter Dracula and brings Mina and
“Dracula, in one aspect, is a novel about the types of Victorian women and the representation of them in Victorian English society” (Humphrey). Through Mina, Lucy and the daughters of Dracula, Stoker symbolizes three different types of woman: the pure, the tempted and the impure. “Although Mina and Lucy possess similar qualities there is striking difference between the two” (Humphrey). Mina is the ideal 19th century Victorian woman; she is chaste, loyal and intelligent. On the other hand, Lucy’s ideal Victorian characteristics began to fade as she transformed from human to vampire and eventually those characteristics disappeared altogether. Lucy no longer embodied the Victorian woman and instead, “the swe...
Dracula, a gothic novel by Bram Stoker, prominently displays three gothic motifs -- the supernatural, entrapment, and nightmares. Throughout the entirety of the novel, the main characters were being harmed or attempting to destroy the vampire, Count Dracula. Without this supernatural character there would not have been a plot line to the story. Count Dracula makes his victims feel physically entrapped as well as entrapped in their own mind. The characters in the novel that had direct interaction with Dracula seem to confuse reality with nightmares, making it hard for them to understand what was happening to them. Without these three main gothic motifs Dracula would not portray the same message.
Count Dracula’s wives are the first women to be properly described in the narrative, and they seem to fall straightforwardly enough into Bertens’ “dangerous seductress” category, for Jonathan defines them almost purely on their sexuality. Everything from their “voluptuous lips” to their “honey-sweet breath” seems dedicated to portraying Jonathan’s “burning desire” towards them, and Stoker’s choice of language in Jonathan’s narrative clearly depicts the fervent salaciousness with which Jonathan perceives them. This objectification of Dracula’s wives continues throughout the novel right up until their deaths, where they continue to be described as “exquisitely beautiful”. The deaths themselves seem to be quite systematic and mechanical, with the last two being considered in a single sentence, and none of them are given the same gravity as Lucy’s death.... ... middle of paper ...
In Bram Stoker’s Dracula, Dracula is representative of the superhuman ideal that man is striving to achieve. Dracula is a strong willed, powerful, brilliant masculine figure, and through these characteristics, he appeals to the contemporary reader. By the late 20th and early 21st century, vampires have been transformed into creatures that offer endless happiness and immortality on earth. Such a transformation can be seen in Francis Ford Coppola’s 1992 production of Bram Stoker’s Dracula. Instead of viewing the Faustian dream of endless self-gratification and fulfillment as potentially evil, popular culture depicts these satanic creatures as morally justified, and actually good.