Through the use of various literary devices in The Picture of Dorian Gray by Oscar Wilde the main character, Dorian Gray, is eventually led to his inadvertent suicide because the portrait changes to show all of Dorian’s sins.
One sin troubling Dorian Gray is cruelty. Wilde demonstrates the sin of cruelty by using personification when “the picture before him [had gained] the touch of cruelty in its mouth” (Wilde 95). Wilde chooses personification to demonstrate how the picture takes on the human characteristics that are hidden in the person, but should be shown. In order to make Dorian more accessible to the readers, Wilde uses personification to show what he is actually like, so the reader doesn’t fall into the tricks and charms of Dorian. The readers will be able to know what Dorian is actually like, and may even be able to see a little bit of themselves coming alive in the portrait. When Dorian feels no remorse for Sybil Vane’s death, but only fear that he could be implicated in her death, cruelty is showing. Instead of being upset with the loss of his great love, he only worries about himself and is insensitive toward how her family may be handling the loss. Dorian is cruel because his harsh words had been the tipping point that causes her suicide. When "the quivering, ardent sunlight showed him the lines of cruelty round the mouth as clearly as if he had been looking into a mirror after he had done some dreadful thing,” Dorian becomes very concerned with how his argument with Sybil could get him into trouble (Wilde 102). Wilde uses a simile to represent how the portrait is a representation of Dorian’s soul. The mirror image of the soul is exposed in the portrait as to how Dorian is going downhill with his morals. Whi...
... middle of paper ...
... he aged, all he had accomplished was going into a cycle that brought him back where he started. This realization leads Dorian to want to destroy the portrait, in essence his own corrupt soul. As Dorian slashes the portrait he dies, and thus accomplishes his goal of not having boredom and monotony and being the same person he originated as. Wilde choses to end the book and Dorian’s life this way to represent how if you want something to happen, you must take the action yourself or you will only fall into a never ending unhappy pattern that just gets worse as time goes.
In The Picture of Dorian Gray, Oscar Wilde employs a plethora of literary devices to show how the portrait of Dorian Gray, painted by Basil Hallward, represents the sins of Gray. These sins eventually become so strong, and the picture so altered, that Dorian Grays only escape is through suicide.
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
Wilde says that Dorian’s journey begins with Ordinary World. He is a young and good looking male. He has a normal life till he met Basil and Lord Henry. He now receives the Call of Adventure. When he met Basil at a party, they become friends and everything is still good until he met Lord Henry. He captured the imagination of Basil and for Lord Henry is how he knows that Dorian can do anything with his looks and perfection. Basil made a portrait of Dorian. Lord Henry made Dorian realize that he is not doing anything wrong and he is perfect no matter what. This is how
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
Wilde, Oscar. The Picture of Dorian Gray. Michael Patrick Gillespie, Editor. Norton Critical Edition. New York: W.W. Norton & Company, Inc., 2007.
In this novel, Oscar Wilde displays Dorian’s moral corrosion negatively in order to convince his audience of the detrimental effects of aestheticism. As Dorian descends deeper into the depths of his depravity, the audience loses faith in him. His innocent, childlike and charitable qualities, seen in his philanthropy and petulance when he is first introduced, are lost, and he acts cruelly and selfishly. For example, when his lover, Sibyl Vane, performs on stage and fails to meet Dorian’s expectations, Wilde fashions Dorian’s reaction to be callous and bitter to her so that the reader sympathizes with Sibyl.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
The novel, The Picture of Dorian Gray, by Oscar Wilde shows the life of three men who are affected by art in the Victorian society. In Victorian times men were expected to provide for himself and his family, accumulate wealth, exemplify good morals and prove his masculinity. If a man did not show one of these qualities in the Victorian time his masculinity would be questioned. In the novel these men show three different sides to masculinity. Each character finds himself unhappy with the role he is forced to play in order to prove his masculinity. For them it seems in order to be successful or achieve happiness they must push past the gender roles society has placed on them. Basil Hallward represents the artist, Dorian
In this novel, we see the corruption of Dorian’s unscathed innocence and his beauty by various outside sources. Dorian first meets Basil, who values Dorian’s beauty so much that he is Basil’s muse for art, his way of living. Basil wants to cherish Dorian forever, and wants to keep him for himself. Additionally, at first, he cherishes Dorian’s beauty more than he does his personality. As an artist, Basil is completely enamored by Dorian’s beauty, and he says, “what the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me” (Wilde 12).
Dorian Gray inflicts his first and most important act of evil upon Sibyl Vane, a third rate actress he falls in love with, when he confronts her about the performance. His reaction towards Sibyl demonstrates his the lack of care towards what women have to say and their opinions. Dorian claims of Sibyl to be shallow and stupid as regards to her feelings towards him and her reason for the careless performance. The realization of Dorian finally recognizing his love for her acting rather than her as a person reveals the frequent ill treatment of women in the Victorian Era. Due to his first real infliction of evil towards another person, his soul alters and reflects in the painting. As Davis recalls, “His rejection of Sibyl is cruel, and it is this cruelty that he first notices on the alerting portrait,” (Davis 214). Because he did not care about how Sibyl felt at the moment, he becomes selfish and would later become evil. The treatment of Sibyl results in her committing suicide but rather than Dorian grieving, Lord Henry teaches him ...
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...
The reason behind the Dorian 's degradation is never explicitly mentioned in Wilde 's novel, which begs the question of whether literature has the ability to degrade a person. The influence of literature has the potential to corrupt one 's mind, but whether it does is dependant on the state of the reader. Wilde demonstrates this point to counter claims that art, including, literature can be regarded as corruptive.
Wilde, O. (1945). The picture of Dorian Gray. The Electronic Classics Series, The Pennsylvania State University. p. 3/ Retrieved January 3, 2014 from http://www2.hn.psu.edu/faculty/jmanis/oscar-wilde/dorian-gray.pdf
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Set in the late 19th Century, Oscar Wilde wrote his only novel The Picture of Dorian Gray, which is a story about debauchery and corruption of innocence and well known as a "Gothic melodrama." Violent twists and a sneaky plot make this novel a distinct reflection of human pride and corrupt nature.