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Different kinds of love in twelfth night
Different kinds of love in twelfth night
Different kinds of love in twelfth night
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Most people will fall in love within their lifetime. Whether it is with their Brother, their Mother, their Father, their Girlfriend or their Boyfriend most people will fall in love with someone, it is human nature. In the play, Much Ado About Nothing, by William Shakespeare, many different types of love are displayed. The way that the different characters behave when in love can affect how the reader views the characters and how they feel about them and what the character is like. In ‘Much Ado About Nothing’ different types of love are used to help give the reader a deeper understanding of what the character is like.
One type of love that is displayed in ‘Much Ado About Nothing’ is family love. For example the love between Leonato and Hero and between Hero and Beatrice. Leonato’s love for Hero is outrightly spoken when he says
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Throughout the play Beatrice and Benadick are constantly insulting eachother. However, they eventually both confess their love for eachother. Beatrice says “I love you with so much of my heart that none is left to protest” (4.1.279-280). The fact that they took s long to confess their love shows us that their love is more genuine. It also shows that they are slightly scared of love especially since earlier in the play Benadick talked about how he never wanted to marry (1.1) The other main couple in the play is Claudio and Hero. This type of romantic love is very different to that of Beatrice and Beanadick. After Heros chastity is once again confirmed Claudio says “Sweet Hero, how thy image doth appear in the rare sepalane that I loved it first” (5.1.262-263). This shows that Claudio’s love for Hero may not be as genuine as we first thought as he did not love her while he thought that she was unfaithful. This is how romantic love teaches us about the characters in ‘Much Ado About
The difference between Beatrice,Benedick,and the other two Claudio and Hero though is that, these two are very headstrong characters with a different outlook on love, but have very much love for one another. Benedick believes in just being a bachelor and spending the rest of his life messing with as many women as he pleases, well as for Beatrice she believes there is no man good enough and willing to show her the love she wants so she much rather be left alone. But the fact that they honestly want to believe what they say is what makes this get way more interesting. What they don’t know is that they are going to soon become curious trying to figure out what they truly feel for one
William Shakespeare (1564-1616) was a Renaissance poet and playwright who wrote and published the original versions of 38 plays, 154 sonnets, two long narrative poems, and several other poems. He is widely regarded as the greatest writer in the English language, and often called England’s national poet. Several of his works became extremely well known, thoroughly studied, and enjoyed all over the world. One of Shakespeare’s most prominent plays is titled The Tragedy of Romeo and Juliet. In this tragedy, the concept that is discussed and portrayed through the characters is love, as they are recognized as being “in love”. The general umbrella of love encompasses various kinds of love such as romantic love, the love of a parent for a child, love of one’s country, and several others. What is common to all love is this: Your own well-being is tied up with that of someone (or something) you love… When love is not present, changes in other people’s well being do not, in general, change your own… Being ‘in love’ infatuation is an intense state that displays similar features: … and finding everyone charming and nice, and thinking they all must sense one’s happiness. At first glance it seems as though Shakespeare advocates the hasty, hormone-driven passion portrayed by the protagonists, Romeo and Juliet; however, when viewed from a more modern, North-American perspective, it seems as though Shakespeare was not in fact endorsing it, but mocking the public’s superficial perception of love. Shakespeare’s criticism of the teens’ young and hasty love is portrayed in various instances of the play, including Romeo’s shallow, flip-flop love for Rosaline then Juliet, and his fights with Juliet’s family. Also, the conseque...
Shakespeare’s introduction of the other couple in question is in stark contrast to the way in which Beatrice and Benedick were introduced. Claudio and Hero are amorously receptive to one and other from the very start. Upon laying eyes on Hero, Claudio remarks of her to Benedict “is she not a modest young lady?” (1.1.125). Clearly, by having Claudio express his fondness of Hero to Benedick, the playwright directly compares the older and more cynical to the more young and naive, allowing the reader to see the contrasting personas of the two men. This is reinforced by Benedick, who after finishing listening to Claudio’s rhetoric on the charms of the young Hero (“in m...
Beatrice asks, Does it make any sense to write and tell him I love you when I have always treated him with scorn?” (2.3.31-34). In this quote all Claudio was saying was that Hero had told him that Beatrice had confessed to her that she was in love with Benedick but was not sure how to let him know That all changed when family and friends helped them both realized they have always been in love with one another. As for Claudio and Hero they are a couple who see eye to eye knowing they are perfect for one another. Even though they had an antagonist that did not want to see them happily married such as Don John, they were able to let it pass and end up happily
In Shakespeare's Much Ado About Nothing, Beatrice and Benedict rant about marriage for most of the beginning of the play, while Claudio raves about how wonderful it will be being married to Hero. Yet in the end, Claudio exchanges his marriage to Hero for an opportunity to bash her in public, while Beatrice and Benedick marry despite that they were mortal enemies for most of the first three acts. How did the situation swing around to this degree? Beatrice and Benedick had been using the most extreme metaphors to demonstrate their scorn of each other and of marriage, and Claudio had been doing the same to demonstrate his love of Hero. Not only did none of these three characters mean what they were saying, but meant the reverse, and the people that plotted to bring them together or pull them apart plotted because they understood on some level what each really wanted.
Both of them despise marriage, are witty, and are each their own people. These, however, are not the reasons why they come together. They are brought together by their respective companions who conspire to tell each of them that the one loves the other as the two misdirected lovers listen in. In his speech directly after this, Benedick is swayed to a life that he previously would have avoided at all costs. In hearing of Beatrice’s supposed affection, he immediately changes his entire outlook on perpetual bachelorhood and pronounces a love that is not real or his own, but comes secondhand from trickery.
All of the characters in Much Ado About Nothing seemed to develop a personality of their own from the very first scene. It also helped that I saw the movie version of Much Ado About Nothing before we read the play so I could almost get a picture in my head as to what each character looked like. As the character's had their own personality, so did the two love relationships in the play. Benedick and Beatrice seemed to hate each other so much from the very start of the play that as the play carried on it almost seemed like the two went full circle in their relationship. But their relationship might not have changed for the better without help from Claudio, Don Pedro, Leonato, Ursula or Hero. In Claudio's and Hero's relationship seemed to be much more conventional in the way they came together. Claudio first saw Hero and instantly fell in love with her, while Hero stood by and took orders from her father, Leonato. Only when Don John devised his deception to break Claudio and Hero apart that I felt the relationship was in trouble, but even then I felt there was hope.
In Much Ado About Nothing Shakespeare depicts different kinds of loving relationships - romantic love, family support and loyal friendship - and shows how various characters react to love and marriage. By exploring the effects of this powerful emotion Shakespeare highlights its universal relevance, a relevance that transcends time.
When Benedick hears that Claudio has fallen in love for Hero, he is enraged. He thought that Claudio would live a bachelor’s life like him. Benedick tells him that men who are in love are not masculine. Near the end of Act IV, Benedick’s complete change is evident when Benedick chooses love over friendship. Benedick challenges Claudio, previously his closest friend in the world, to duel to the death over Claudio’s accusation as to Hero’s unethical behavior. After Beatrice complains to him about Claudio’s mistake, Benedick gives in, “Enough, I am engaged. I will challenge him.” At this point, there is no doubt that Benedick has switched his allegiances entirely over to Beatrice. But then again, Benedick was relieved that Hero was proved guilty so he would not have to fight his close friend Claudio.
"Much Ado About Nothing" is a play intertwining two love stories. One story follows the romance of a young woman Hero (daughter of Leonato, governor of Messina) and a young officer Claudio. When Claudio returns from war, he realizes he's deeply in love with Hero. With the help of his commander, Don Pedro, Claudio proposes to her. The other is a less likely couple, Beatrice (Hero's cousin) and Bene*censored* (another officer). Both being witty, strong-willed and outspoken, the two seem to bare distaste for each other. However, when their friends arrange for them to overhear conversations revealing how much each is loved by the other, it doesn't take long before they declare their love for one another. Meanwhile, self...
In Shakespeare’s Much Ado about Nothing, there are the usual characters that show up in most of Shakespeare’s pieces. For instance the characters Hero and Claudio could easily be compared to Romeo and Juliet. Both Hero and Juliet are innocent, quite, and beautiful young women who fall in love instantly without conversing with the other person. Likewise, Claudio and Romeo decide to marry these women within twenty-four hours. Because of these characters’ lack of unique and interesting qualities, I am intrigued by Beatrice.
The main difference between these two couples involves how they learn the art of love. At the beginning of the play, Claudio is the first one out of all the lovers to express his affections for someone else; however, he seems to have the weakest grasp on the concept of love compared to everyone else. Claudio hints of his growing feelings for Hero when he asks Benedick what he thinks of her (I.i.161). Benedick, who has a disdain for marriage, is not very helpful to Claudio. However, he does manage to draw out of Claudio the reason for his inquiry: “In mine eye, she is the sweetest lady that ever I look’d on” (I.i.188).
themes is Love. There can be many facets of love found in the play. It
Throughout the tragedy of Romeo and Juliet, by William Shakespeare, various types of love are portrayed. According to some of the students of Shakespeare, Shakespeare himself had accumulated wisdom beyond his years in matters pertaining to love (Bloom 89). Undoubtedly, he draws upon this wealth of experience in allowing the audience to see various types of love personified. Shakespeare argues that there are several different types of love, the interchangeable love, the painful love and the love based on appearances, but only true love is worth having.
Have you ever been in love before? Many would say that love is hard to come by, and even harder to maintain, while some would say the opposite. In Shakespeare’s play, The Tragedy of Romeo & Juliet, he explores similar concepts related to love and infatuation. Although the reader never directly hears from Shakespeare, one could infer that his own thoughts are similarly mirrored in his characters, with the play serving as a warning tale of sorts, and the various roles echoing different dangers when it comes to love, which there are many. More specifically, Romeo Montague and his actions in the play are very intentional, as they help explain Shakespeare’s intentions and his own personal thoughts on the topic of love and its hazards, as well as its ups, too, which there are many.