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Important explanation from A Midsummer Night's Dream
A midsummer night's dream themes essay
Jealousy in Othello by Shakespeare
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In act 2 scene 1, there is a lot of jealousy, and a sense of selfishness. In contrast to a way that a couple generally behaves, Oberon and Titania are feuding over a child that Titania has taken as her own. Because of their disagreements, there is a disturbance in the nature of things. Nature needs the both of them in order to keep its balance. I see this as an unspoken comparison to the events that take place between two human lovers. Speaking generally, I’ve come to understand that the ongoing conflict between them represents the reality of lovers. Titania refusing to give up the little boy under any circumstances, shows her fortitude that all women should have. Oberon displays a form of persistence when he does not give up on trying to obtain …show more content…
She is aware of the causes, the effects, and the solutions. Generally a person who has the motive to do well would always seek out a way of doing things that will result in positivity, so why didn’t Titania act in a different way? Her actions characterize her as stubborn. Standing her ground and being determined to keep the little boy, she forgot about what really mattered. In a way, she was blind and putting the spell in her eyes somehow “awakened” her and she was able to see clearly again. Which is why, as I stated earlier, I don’t think that Titania would have been able to make good decision hadn’t Oberon put the spell in her eyes to fall in love with an …show more content…
This is exactly who he turns out to be in the end of the play. “Why should Titania cross her Oberon?” is a short line where it’s easy to see the possession that Oberon believes that he has over Titania. This is another way of seeing his selfishness. In his mind, no matter what the circumstances are, Titania shouldn’t disagree with him. The only reason he believes that he has a power over her is because he is her husband. All throughout their conflict, they hint around that they are very well
Oberon is making a spectacle of Titania and Bottom. It is ridiculous that she is in love with him because he is from such a lower class than her, he is human and she is a fairy, and he has the head of an ass. She is also a queen and he is an uneducated working man and a match like this would never happen. Bottom has such a problem with language.
Later on, he says that “Thou shalt not from this grove till I torment thee for this injury” (151). Referring to Titania’s defiance as an “injury” to him makes it seem that her unwillingness to submit to his power was intended to hurt him. The word “torment” has a really strong connotation; it means to voluntarily make someone suffer. These two words in the same sentence show that Oberon intends to make Titania pay for threatening his pride and power, showing how willing he is to exhibit his power over people who stand in his way. In explaining his plan further, he also notes that “And ere I take this charm from off her sight...I’ll make her render up her page to me” (190). To “make” someone do something in itself is manipulative and forceful. Here, Oberon is explicitly stating that his drugging her with the flower to embarrass Titania is all to force her to give him the boy. While he isn’t as directly malicious to the lovers, he still displays his power over the mortal world by messing with them and their affairs, righting the chaos caused by Puck’s mistakes in the end: “And back to Athens shall the lovers wend, with league whose date till death shall never
Which is more important, happiness or loyalty? In the play, A Midsummer Night’s Dream, written in 1595, William Shakespeare explores this question through the intense emotions of his characters. One example of this is when Hermia, a maiden, chooses to run away with her forbidden lover, Lysander, instead of marrying the man of her father’s choice, Demetrius, or picking one of the two harsh consequences. Another example is when Titania, the fairy queen of the forest near Athens, disobeys her husband Oberon, the fairy king, who demands Titania hand over an infant that she loves extremely. Through this play, Shakespeare implies that it is more important to follow your heart than to be allegiant and loyal to someone if the loyalty keeps you from
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
In the play, Titania once had a mistress that was a great friend to her and before she died, she had a young indian boy. When discussing their relationship to Oberon, Titania stted that “Full often hath she gossiped by my side, And sat with me on Neptune's yellow sands.” (Shakespeare 2.1.125) In the quote, Titania describes that she and her servant would often
This also relates to Hermia and Lysander when they speak of leaving at moonlight for hope of freedom to love. “Helen, to you our minds we will unfold. Tomorrow night when Phoebe doth behold Her silver complexion in the watery glass, Decking with liquid pearl the bladed grass (A time that lovers'flights doth still conceal),Through Athens'gates have we devised to steal ”(Mid.1.1.213 -218). “Moon, take thy flight!” ( Mid.5.1.321), is stated by Pyramus when he is dying in the Craftsmen's play, this shows a form of freedom given by the moon.
Even Titania is afraid of a forceful brawl taking place over the Indian boy. In A Midsummer Night’s Dream, Titania attests to this when she states, “Not for thy fairy kingdom.—Fairies, away! We shall chide downright, if I longer stay” in response to Oberon’s remark, “Give me that boy. . .” (2.1.128-130). When Oberon demands the boy and tensions seem to escalate, then Titania decides it is time to leave in order to prevent further conflict.
Love can be quite chaotic at times. As much as poets and songwriters promote the idea of idyllic romantic love, the experience in reality is often fraught with emotional turmoil. When people are in love, they tend to make poor decisions, from disobeying authority figures to making rash, poorly thought-out choices. In the play A Midsummer Night’s Dream, Shakespeare uses various motifs to illustrate how love, irrationality, and disobedience are thematically linked to disorder.
The source of Oberon and Titanias argument is an orphan boy. He was a child of a human friend of Titania whom she made a promise to look after. This situation represents a power struggle between the two couples because they are equally matched. Oberon is powerful while Titania is not docile. At the end of the day, Oberon is a man that is willing to help others and a husband that wants his wife all to himself. He is jealous that the boy has the full attention of his wife and this jealousy allows Titania to be in control of the relationship. Obviously by not giving up on the boy, she has the upper hand in the relationship, but a hard headed man who knows what he wants always finds a way to get it and there is no boundary. This is why Oberon
Love causes the line between reality and fantasy to blur making characters question if it is all just a dream. This situation is clearly depicted in Shakespeare's a Midsummer Night’s Dream when Robin places the four lovers asleep and they wake up wondering if they have experienced a twisted fantasy. With vivid dreams that often feel real it is impossible to determine if one is awake or actually dreaming. Shakespeare's character Robin Goodfellow stretches this even further by playing countless tricks on mortals making them question the reality they live in, “That you have but slumbered here, while these visions did appear. And this weak and idle theme, No more yielding but a dream.” (V.1.171) Robin believes he has just pulled off his biggest scheme by convincing the mortal lovers that their entire quarrel never happened. He realizes the true cleverness of his scheme by putting the lovers back to sleep and he knows they will question if they were ever truly awake. With no one there to witness these events, there is no proof that they occurred. Robin and the fairies are the main source of confusion regarding reality as they have their own goals leading mortals to easily fall prey as pawns to their games. Bottom the Weaver for example is given an ass’s head thanks to Oberon and Robin. In addition, the potion the fairy queen receives causes her to fall in love with Bottom. However they put him asleep and in a matter of minutes he goes from a fairy king to wondering if it was all just a dream, stating “Man is but an ass if he go about expound this dream. Methought I was-there is no man can tell what.” (IV.1.135) Bottom is hopelessly confused as the fairies play a nasty trick on him, however you can see that Bottom does re...
Throughout the events which unfold in A Midsummer Night’s Dream, Shakespeare delivers several messages on love. Through this play, one of the significant ideas he suggests is that love is blind, often defying logic and overriding other emotions and priorities. Helena loves Demetrius unconditionally and pursues him despite knowing that he loathes her; conflict arises between Helena and Hermia, childhood best friends, over Demetrius and Lysander; and because she is in love, Queen Titania is able to see beauty and virtue in the ass-headed Nick Bottom.
Unpleasant as Oberon's methods are, we can only judge them by Titania's response. When she wakes up, she is not bitter, but quick to love, 'My Oberon!'. And, to obey, when he asks for music she immediately cries, 'Music, ho! Music, such as charmeth sleep!'
William Shakespeare’s writings are famous for containing timeless, universal themes. A particular theme that is explored frequently in his writings is the relationship between men and women. A Midsummer Night’s Dream contains a multitude of couplings, which are often attributed to the fairies in the play. Each of these pairings has positive and negative aspects, however, some relationships are more ideal than others. From A Midsummer Night’s Dream the optimal pairings are Lysander and Hermia, Demetrius and Helena, and Oberon and Titania; while the less desirable pairings are Theseus and Hippolyta, Hermia and Demetrius, Lysander and Helena, and Titania and Bottom. Throughout A Midsummer
William Shakespeare’s A Midsummer Night’s Dream is a romantic play about love-struck relationships that deal with lust, jealousy, and revenge. Key characters are Theseus, Hippolyta, Lysander, Hermia, Egeus, Demetrius, Helena, Oberon, Titantia, Puck, and Nick Bottom. Theseus is the king of Athens, who is engaged with his fiancé, Hippolyta, the queen of Amazon. Lysander is an Athenian man who is in love with Hermia, the daughter of Egeus. Hermia is also in love with Lysander. Demetrius is an Athenian man who also loves Hermia, and wishes to wed with her. Helena is Demetrius’s old lover, and a close friend of Hermia. Oberon is the king of fairies, and Titantia is the queen of fairies. Puck, or Robin Goodfellow, is a fairy who makes love potions for Oberon. Lastly, Nick Bottom is a weaver whose head is turned into an ass for his ridiculous mistakes and foolishness. The setting takes place in Athens and in the forest. The time period is approximately around ancient Greece.
This shows that Oberon will not give in to his wife's will and is only interested what he wants. Once he realizes that he will not get his way, he decides to get his way by force. He uses a potion to poison his wife. While thinking to himself, he says “I'll watch Titania when she is asleep/ And drop the liquor of it in her eyes” (2.1.181-182). This shows that he does not care if he loses his wife, he only wants to “win” the argument. This is something an Id would do because Id’s do not consider the consequences of their actions. Oberon might lose his wife because of his actions, but he is blinded by his desire to get his way. Oberon does not only represent an Id, ...