Growing up is something that everyone experiences, and along with growing up comes the loss of innocence. In J. D. Salinger’s The Catcher in the Rye, the protagonist Holden Caulfield wishes to be the “catcher in the rye” so that he can preserve the innocence of individuals. As Holden travels the streets of New York City, he realizes how ugly the adult world really is. As a troubled teenage boy, Holden does not want to grow up but soon concludes that he cannot stop himself from this process. Because of Holden’s belief that the adult world is full of phonies, his brother Allie’s death, and the loss of his own innocence, Holden feels compelled to protect the innocence of the people around him. Holden’s belief that the adult world is full of phonies makes him compelled to protect the innocence of the people around him. As the novel begins, Holden finds out he is getting kicked out of another preparatory school because of his pitiful grades. Retelling his journey from Pencey Preparatory School to New York City, Holden recalls many phonies he encounters on that trip. At Pencey Prep, Holden lives in the “Ossenburger Memorial Wing of the new dorms, [which] was named after this guy Ossenburger that went to Pencey” (Salinger 16). Later on, Holden discovers that Ossenburger made a great deal of money after he left Pencey, because “what he did, he started these undertaking parlors all over the country that you could get your family members buried for five bucks apiece” (Salinger 16). Holden states that Ossenburger is a phony because he is infatuated with making money by burying people with cheap funerals. After getting loads of money, Ossenburger gives a speech in a chapel that “lasted about ten hours… telling us we should always pray to God... ... middle of paper ... ...ck of it” (Salinger 172). Lying, drinking underage, smoking, and cursing are all factors that prove that Holden does not have his purity anymore. Holden is not innocent; he is in fact being sucked into the cruel adult world and does not even recognize it. Because of Holden’s opinion that the adult world is filled with phonies, his younger brother Allie’s death, and the deprivation of his own innocence, Holden feels the urge to protect the innocence of the important people in his life. From his weekend long journey from Pencey to New York City, Holden tries to discover the difference between the child world and the adult world. As his trip ends, Holden comes to the realization that growing up is a part of life that everyone experiences. In conclusion, growing up is a life process that every single person has to go through and which he cannot stop it from happening.
Despite the many experiences Holden has, Allie’s death with stay with him for the rest of his life. Because of his young age, he was unable to fully process what happened, and he is still unable to process it, so he holds the stigma surrounded with the tragedy with him. Holden realizes that adulthood is filled with harsh truths, that are a part of life. Because of this, he prevents himself from growing older, and tries to prevent others from growing older as well.
In essence, Holden’s individual loss of innocence from his own experiences leads to his desire to prevent it from happening to other children. The deaths of Allie and James give Holden a new perspective of the world and also introduce the concept of suicide, which he deliberates over multiple times. Holden’s view on death causes him to slowly mature into adulthood, making him to leave his ideal of living forever in his childhood. Nevertheless, Holden does not want things around him to change in order to preserve the innocence in children and tries to rid messages that would cause children to worry and mature. Yet, the change and descent into maturity is inevitable, and Holden learns of the importance of encountering the harsh realities of life.
Have you ever pondered about when growing up, where does our childlike innocence go and what happens to us to go through this process? It involves abandoning previous memories that are close to our hearts. As we can see in The Catcher in the Rye by J.D. Salinger, we listen to what the main character; Holden Caulfield has to say about it. Holden is an average teenager dealing with academic and life problems. He remains untouched over his expulsion from Pencey Prep; rather, he takes the opportunity to take a “vacation.” As he ventures off companionless in New York City, we are able to observe many things about him. We see that Holden habitually states that he is depressed and undoubtedly, wants to preserve the innocence of others.
Growing up is not easy. The desire to slow down or stop the process is not unusual for adolescents. Resisting adulthood causes those who try to run away from it to eventually come to terms with the reality of life: everyone has to grow up, and fighting against it makes it much harder to accept in the end. In The Catcher in the Rye, Holden Caulfield often tries to resist the process of maturity in an effort to avoid the complicated life he might face as an adult, making him an unusual protagonist for a bildungsroman; this struggle, however, opens Holden’s eyes to the reality and inevitability of growing up, helping him realize that innocence does not last forever.
He begins to own up to his mistakes and starts to build stable relationships with his peers. In a conversation with Phoebe Holden mentions that he wants to be a catcher in the rye, and save children from falling off the cliff. Being a catcher in the rye is a metaphor that represents Holden's dream of saving people and leaving a lasting mark on the world. “ I have to come out from somewhere and catch them. That's all I'd do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be. I know it's crazy”(186). When we enter this point in the book we can really get a feel for how much Holden has matured as he has begun thinking about others and not just focusing on himself. Although Holden has progressed in his track towards maturity he still tends to sway away from maturity. Holden continues to impolitely disagree with others and argue his way to the top in order to achieve what he desires, “Daddy's going to kill you.” Phoebe suggests, then Holden comes right back and states “I don't give a damn if he does” (186). This example shows that Holden still has a fixed mindset on his ideas and doesn't allow for new thoughts to persuade him to change his opinions. This forces us to view him as immature as we do not see a man who is incapable of interchanging ideas with others and therefore unable to interact with his
Holden Caulfield, - notorious for either being kicked out of schools or as he simply describes it “quitting”- having just been kicked out of yet another school for his lack of motivation, views life through a cynical lens as he deems those different from him as “phony”. Holden justifies his annoyance towards everything as he intermittently cuts off his tale to share some random pet peeve or irrelevant story, such as when he describes his roommate Stradlater as a “secret slob” (Salinger, 35) and continues on to critique his grooming habits, in an effort to validate how “phony” things really are. However, these tactics only further show his immaturity as Holden’s judgment of being a “phony” symbolizes his fear of growing up. Moreover, Holden’s greatest defense mechanism is pushing others away, this is seen as Holden visits his history teacher, Mr. Spencer and while he tries to
Holden uses the word phony to identify everything in the world that he rejects. He always sees something wrong with everybody. People are too talkative, too quiet, or just weird. He thinks that he is the perfect person but no one believes that he is. With this, Holden believes that he is surrounded by "phoniness." Holden lives in Ossenburger Hall, which is named after a wealthy Pencey graduate who made a fortune in the discount funeral home business. Ossenburger went to the chapel and made a speech that lasted about "ten hours." Holden goes on to say that he cracked about fifty corny jokes and then Ossenburger emphasizes that "he talked to Jesus all the time, even when he was driving his car." Holden thinks this is a load of crap and asserts, "'that killed me. I just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs" (17). Holden can't believe what he just heard. He sees this big "phony" praying to Jesus to send him some...
that he is trying to hide his true identity. He does not want people to know who he really is or that he was kicked out of his fourth school. Holden is always using fake names and tries speaking in a tone to persuade someone to think a cretin way. He does this when he talks to women. While he is talking to the psychiatrist he explains peoples reactions to his lies like they really believe him, when it is very possible that he is a horrible liar and they are looking at him with a “what are you talking a bout?” expression. Holden often lies to the point where he is lying to him self.
In the modern world, everyone must make the transition, no matter how scary or daunting it may be, into adulthood at some point in their lives. Most individuals are gradually exposed to more mature concepts, and over time, they begin to accept that they can no longer posses the blissful ignorance that they once had as a child. Others, however, are violently thrown from their otherwise pure and uncorrupted adolescent lives through a traumatic event that hurls them into adulthood before they are ready. The novel The Catcher on the Rye written by J.D. Salinger, explores the struggle children face to adapt to adult society through the main character Holden Caulfield, a teen that lost his innocence, and is still attempting to cope with the fact that everyone grows up.
Holden cannot accept the loss of innocence as a step into the growing up process. The ones that he loves most, are those who are younger to him, they are innocent, and untouched by society’s truths. Holden says, “…I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody’s around-nobody big. I mean – except me.
Growing up and becoming mature can be an intimidating experience; it is difficult to let go of one’s childhood and embrace the adult world. For some people, this transition from youthfulness to maturity can be much more difficult than for others. These people often try to hold on to their childhood as long as they can. Unfortunately, life is not so simple. One cannot spend their entire life running from the responsibilities and hardships of adulthood because they will eventually have to accept the fact that they have a role in society that they must fulfill as a responsible, mature individual. The novel “The Catcher in the Rye” by J.D. Salinger follows the endeavours of Holden Caulfield, a sixteen-year-old teenage boy who faces a point in his life where he must make the transition from childhood to adulthood. In an attempt to retain his own childhood, he begins hoping to stop other young children from growing up and losing their innocence as well. As indicated by the title, “The Catcher in the Rye” is a book that explores a theme involving the preservation of innocence, especially of children. It is a story about a boy who is far too hesitant to grow up, and feels the need to ensure that no one else around him has to grow up either. His own fear of maturity and growing up is what leads to Holden’s desire to become a “catcher in the rye” so he can save innocent children from becoming part of the “phoniness” of the adult world.
Innocence lies within everyone in at least one point in their lives, but as reality consumes them, that purity begins to vanish slowly as they learn new experiences. In the coming of age novel set in the nineteen-forties, J.D Salinger writes about a sixteen-year-old boy named Holden Caulfield who stands between a road that separates childhood from adulthood and is confused about which path to take. On a three-day trip in New York away from his family and fellow peers at school, Holden encounters many situations in which lead him to think twice about who he wants to become and how he wants to guide others who are in the same situation he is in. In The Catcher in the Rye, J.D Salinger utilizes symbolism, vivid imagery, and slangy diction to expose Holden’s struggle to preserve the innocence of the people that he loves while alienating himself from the adult world he calls “phony.”
All children must one day grow and emerge from childhood into adolescence. In the novel, The Catcher in the Rye, Holden Caulfield embarks on a quest for knowledge. Throughout his journey, Holden attempts to save innocent children from maturing through preventing them from adult subjects such as profanities and death. However, at the end of his odyssey, Holden realizes how nothing can withstand change and growth hence, he accepts reality as he falls into a state of unconsciousness. The experiences and situations Holden comes across throughout his journey allows him to divert from a state of innocence to the retainment of knowledge.
In J.D. Salinger’s The Catcher in the Rye, the main character, Holden, cannot accept that he must move out of childhood and into adulthood. One of Holden’s most important major problems is his lack of maturity. Holden also has a negative perspective of life that makes things seem worse than they really are. In addition to Holden’s problems he is unable to accept the death of his brother at a young age. Holden’s immaturity, negative mentality, and inability to face reality hold him back from moving into adulthood.
In The Catcher in the Rye, Holden’s vision of nature of childhood and adulthood are not as separate as Holden believes them to be. Holden tries to battle through the pressures of adulthood while staying in his childish frame of mind. He feels that if he acts childish, he can go back to that. He also feels the need to be an adult and do his own thing. Holden is at war with himself trying to see what he really is- a child or an adult. Although, Holden thinks he is being an adult by drinking and smoking, he is actually becoming more childish.