Criticism of hypocrisy in Woman at Point Zero
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The oppression of women in the Middle East and North Africa was commonplace, with women often beaten and deprived of fundamental rights. Entrapped by social constraints, there was little hope for opposition, as the patriarchal perspectives of society were enforced by everyone, even women themselves. One of the most prevalent ways was through the use of hypocrisy and double standards to cast an illusion of justice and equality, when in reality, women were disadvantaged in nearly every aspect. The hypocrisy of society is demonstrated in Nawal El Saadawi’s novel Woman at Point Zero, where women such as Firdaus are dominated by double standards. She finds both initial hope and consequent
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Sharifa, an empathetic woman, is first met in an area where “the air which entered [Firdaus’] lungs was pure and free of dust” (54), representing her apparent purity. The green of her shawl, eyes, and makeup symbolize the movement of Firdaus into a new stage, and the peace, hope, and growth accompanying it. The setting of a spotless apartment on the tree-lined bank of the Nile River further sets the atmosphere of safety and comfort, a substantial change from her confinement in Bayoumi’s flat. Vivid imagery and concrete diction also establish the empathy of Sharifa: Firdaus describes how Sharifa’s “fingers too were soft” (56), her clothes as being “soft . . . with a lovely smell of perfume” (56), and how “everything around [Firdaus] had this smooth, soft quality about it” (56). Firdaus embraces Sharifa’s attitude, feeling “born again with a new body, smooth and tender as a rose petal” (57). The association of Sharifa with softness and Firdaus’ transfer into a smooth body shows Firdaus’ rapid alignment with Sharifa’s purported character. However, Firdaus eventually realizes that Sharifa is exploiting her when she expresses her desire to feel pleasure, but is shut down by Sharifa, who invokes that Firdaus is being greedy, when it is the definite opposite. Firdaus observes that Sharifa would “count the pound notes, and stack them quickly in some secret recess the …show more content…
He asserts himself to be a revolutionary looking to change the status quo, “speak[ing] about justice and the abolition of privileges enjoyed by management as compared to the workers” (86). His subversive spirit engulfs Firdaus, who believes that Ibrahim is “fighting for [the workers] and for all of those who are deprived of a decent life” (90). Metaphorically, his fight for the workers can be likened to the fight for gender equality against the dogma of powerful officials. However, much like Bayoumi and Sharifa, his actions do not uphold his beliefs when he becomes engaged to the chairman’s daughter instead of remaining loyal to the workers, significantly contradicting his outward beliefs. Firdaus is deeply affected, having “never experienced suffering such as this” (93). Her perception of men is shattered as she loses faith in society and succumbs to a life of dissent and isolation. Saadawi depicts the detrimental use of hypocrisy to oppress
We cannot deny the imperfection of the world today; poverty, violence, lack of education, and the general overwhelming deficiency of basic daily necessities are among some of the most troubling issues on the agenda. By carefully selecting our critical lens, we can gather that there are many aspects of today’s issues where we can focus our attention and begin the quest for solutions to these pervasive problems. Authors Nicholas Kristof and Sheryl WuDunn (2009) utilize their book Half the Sky: Turning Oppression into Opportunity for Women Worldwide to emphasize the particular struggle of women in the world today and how by addressing three particular abuses of sex trafficking and forced prostitution, gender-based violence (including honor killings and mass rape), and maternal mortality, we may begin “unlocking an incipient women’s movement to emancipate women and fight global poverty” (p. xxii). However, we must first understand the difficulty of addressing such complex issues by a proposing a “one-size fits all” solution and take into consideration the varying feminist perspectives that currently contemplate the oppression of women in societies around the world. To be able to critically digest Kristof and WuDunn’s book we must explore the types of stories and evidence included and how they’re presented, and the generalized theories behind the insight and solutions regarding the women in need around the world. The authors alienate their audience by ignoring the complexity of building a singular feminist movement. Kristof and WuDunn’s book Half the Sky further contributes to the oppression of women because they objectify Third World women by portraying them as victims in need of outside rescue and suggest that an overarching solution...
As Rafaela, Mamacita, and Sally’s examples show, the men living in the Mango Street neighborhood persecute their women. The men force their women to stay home. They also restrict their women’s rights by making them speak a new language, and in the extreme case, they beat their women. Although many negative aspects of gender may have lessened over the past few decades, the society should still work toward lessening more of these negative aspects around the world, and especially in the Middle East and North Africa, because extreme gender inequalities still exist today. Treating women inhumanely should be considered as extremely immoral, since we’re all human beings and born to be equal.
Trofin, Liliana and Madalina Tomescu. “Women’s Rights in the Middle East”. Contemporary Readings in Law and Social Justice Vol. 2(1). 1948-9137 (2010): 152-157.
Perhaps the main reason I liked this book was the unfaltering courage of the author in the face of such torture as hurts one even to read, let alone have to experience first-hand. Where men give in, this woman perseveres, and, eventually, emerges a stronger person, if that is even possible. The book’s main appeal is emotional, although sound logical arguments are also used. This book is also interesting as it shows us another face of Nasir – the so-called “champion of Arab nationalism” – who is also the enemy of pan-Islamism. The book is also proof of history repeating itself in modern-day Egypt.
Cultures throughout the world encompass a diverse array of lifestyles by which societies are led by. These cultures, in a typical sense, are created by the subset of a population that follows a particular set of morals and ideals. An individual’s own identity, as a result, is dependent on many varying factors of their lifestyle in these culturally regulated regions. In the stories, “Selections from Reading Lolita in Tehran,” by Azar Nafisi, and “The Naked Citadel,” by Susan Faludi, the authors depict the impact made on an individual’s identity by male-dominated communities prejudiced against women. The discriminations described in these stories contribute to the creation of cultures that oppose the idea of seeing women as equals to men. Hence,
Marjane Satrapi in her memoir, “The Complete Persepolis” enlightens readers with the reality of living in Iran, as she tells her journey through her life of becoming a woman during the Islamic Revolution. Iran similar to other countries has made different prescribed roles for their women and men based on their cultures religious and traditional set of laws. Society to them was a depiction of what their people were expected to look, and act like when in public. When trying to understand the importance of gender along with their roles in society, it’s crucial to acknowledge outside factors, for instance things like culture and social class. The characters throughout her memoir illustrate how their
Middle Eastern women need to stand up for their rights and get educated to reverse the notion that they are servants and properties of their men. Furthermore, they need to rise up to their potentials and prove beyond doubt that they are equal to men. This practice would lead the path for future generations to follow and protect the inalienable rights of women. Finally, these women need to break the cycle of oppression by addressing these deeply rooted beliefs, gaining the tools to fight back, and joining forces to make lifelong changes.
Khaled Hosseini’s novel, A Thousand Splendid Suns, tells the stories of women in Afghanistan in the late twentieth century. Hosseini shows the women’s strengths, weaknesses, tribulations and accomplishments through their own actions, and how they are treated by other characters in the book, particularly the male characters. Hosseini portrays men in A Thousand Splendid Suns to create themes of justice and injustice within the novel. The justice, or lack thereof, served to the male characters is a result of their treatment and attitudes toward the female characters in the book and towards women in general.
The Women of the Middle East have played substantial roles for their corresponding countries since the advent of colonialism in the region. Middle Eastern women have worked in all types of fields including medicine, education, agriculture, government, private sector, and even defense. They have kept roofs over their family’s heads while their husbands were away in wars, or even in foreign countries to work in jobs that they could not find in their own countries. The roles of women in the countries of Yemen and Oman are no exception, but while they still find ways to contribute to their country, they care constantly stereotyped, discriminated, and ridiculed by men who are known and unknown to them. This paper will discuss the individual contributions of the women living in Yemen and Oman, and will discuss in further state laws and cultural norms that are affecting the women living in these countries today.
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
works by many woman writers can be read as feminist in the context of Arab
Both el Saadawi and Al-Shaykh both show how perception and expression are both affected within the confines of politics, social opportunities, and male privilege depicted in their stories. Whether the reader is a follower of the feminist movement or not, it is very clear and easy to see that these women are not being treated with the respect that any human being deserves. The misogynistic stranglehold on society, especially in this part of the world, is excessive and avoidable in today’s world but it is very likely that the traditional, conservative ways of the past will continue to control and inhibit women from being able to be fully treated as equals for many years to come, perhaps even after this generation has
...t of Firdaus and also allows better understanding of her motives and desperation to be free, having been surveilled and captive all her life. The theme of captivity is significant in making readers question their own lifestyles as Firdaus does, either making us count our blessings or query as to if we are all captive in some smaller way. By repeating the theme of captivity in a variety of ways throughout, El Saadawi furthermore ensures it is brought to the readers full attention, provoking us either into action to ensure less captivity for women like Firdaus or into guilt over our assumedly freer lives. The continually captive and oppressed Firdaus is symbolic of any woman today subject to captivity and injustices from their societies, and in a world where this continually occurs this theme is both universally significant and relevant in the modern societies today.
The novel Woman at Point Zero by Nawal El Saadawi and the article “With Tasers and placards, the women of Egypt are fighting back against sexism” by Laurie Penny can be connected both internally in regards to the text and outwardly to the time and place surrounding the novel and article. Although Woman at Point Zero provides a fictional journey, one that is at heart and by inspiration very genuine, the ideas incorporated into this novel are just as authentic as those provided by the first hand account given by Laurie Penny. Woman at Point Zero follows the story of one woman, Firdaus, who is forcibly raped on numerous occasions. Firdaus later finds security by means of prostitution, which leads her to be targeted on a more authoritative scale. Ultimately Firdaus finds strength to retaliate against the men who have harmed her, as can be seen when she defends herself, killing her pimp. Penny documented her experience at a women’s march in Egypt, after interviewing after obtaining views of the social injustices occurring in this region. The very similar infrastructure for these texts allows one to easily draw connections. Both article and novel can be connected through the familiar settings of the authors, the techniques used to convey the situation of Egypt, and the direct intentions that the authors held and ultimately saw into fruition.
In the novel Woman at Point Zero the author, Nawal El Saadawi, retells the life story of Firdaus, the main character, a tragic hero who rebels against the social norms within her oppressive culture seeking the same respect and prestige that is bestowed upon her male oppressors, only to be executed for her attempt to obtain the same privileges as men. This essay will demonstrate how the aspects and expectations of Egyptian culture influence Firdaus’s decisions as she struggles to be her own woman in a society controlled by dictatorial political and patriarchal structures all while exposing the evident discontentment she has with the way Egyptian society views women, and the glorification of things that go against ideal societal structures.