Without a doubt, one of the main themes that runs throughout William Shakesphere’s tragic play, Othello, manipulates honesty. In the play, from whence spring honesty the most interesting character Iago reveals himself further from the truth. He reveals his manipulative ability through the use of common men language that tells men what they want to hear, which benefits Iago and leads him to his goals.
As the scene trans-parents, Roderigo is pouting, and bellows, "Tush! never tell me; I take it much unkindly / That thou, Iago, who hast had my purse / As if the strings were thine, shouldst know of this.” The "this" broadcasts the departure of Othello and Desdemona. Roderigo loves Desdemona, and wants her so bad that he’s using Iago as a wing man to deliver gifts and messages to Desdemona. He also subsidizes Iago money for his trouble. Iago portrays Roderigo's opposite; self-possessed, cynical, and very smart. Iago becomes one of Shakespeare's most frightening villains, because he can look at someones eyes, lie through his teeth, and make a person believe he possesses good intentions. At the moment Iago holds little difficulty with Roderigo, who assumes that Iago must have known about Othello's plans, but Iago quickly talks his way out of the difficulty and takes jurisdiction of the situation. Iago declares that the departure comes a complete surprise, and Roderigo answers, "Thou told'st me thou didst hold him in thy hate" giving Iago a chance to talk about himself, which he loves. To prove his hatred of Othello, Iago tells the story of how he was passed over for promotion to lieutenant. He discloses that three very important Venetians very humbly asked Othello to give the job to him. Maybe these three "great ones" just happen to t...
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... that Iago is going to let the matter drop. To make sure that Othello is found by Desdemona's angry father, Iago tells Roderigo to lead Brabantio to the Sagittary, an inn. And in the end Brabantio learns that his daughter has indeed run away. Brabantio sends out search parties and then asks Roderigo if he knows where Desdemona and Othello might be. Roderigo replies that if Brabantio will get together a party of armed men, he can probably lead them to the place. Brabantio, a man of power and influence, is sure he can do that, and so off they go to hunt down Othello.
In conclusion, as you can see Iago has characterized himself as an evil, sneaky, and untruthful person who is only interested in the well being and success of himself and no one else. He will do everything in his power to get his way and to make himself look like the good guy when in actuality he isn't.
Iago, Othello’s ensign, and the villain of the play, performs his monstrous acts in a complex way by deceiving others to believe that he is honest and reliable while using this reputation to manipulate others. In this section, Iago says very little to deceive Othello into thinking that he has information that he would want to know. Iago’s clever use of silence and intimacy
	The first scene of Act I illustrates Iago's use of manipulation. Iago knows that Roderigo is upset about losing Desdemona to Othello. Iago himself is angry at Othello for being passed over for promotion to lieutenant for Michael Cassio. Realizing that by playing on Roderigo's jealousy he can gain an ally to work against Othello. Iago does this in a subtle manner. He explains to Roderigo that he was passed up for promotion by Othello. While doing this he makes Othello look inferior by reinforcing the fact that he is a Moor. By pointing out that Othello is a Moor Iago causes Roderigo to become even more jealous, because of the fact that he lost Desdemona to someone who he feels is of a lesser race. It even seems that Iago is toying with Roderigo when he reveals that he is a fraud when he says, "I am not what I am." (I.i.62) By using these tactics, Iago has almost gained total control of Roderigo.
Like with many evil personalities in history and literature the question is always asked did he really plan to make this happen or was it just luck and convenient circumstances, was it intentional or just circumstantial. To determine how good Iago really is at plotting and whether it is really his own influence or just lucky circumstances that cause events I will examine his asides, soliloquies and interaction with key characters because they give an extra insight into his character.
From the very beginning of Shakespeare’s Othello, Iago is held in very high regard within the community in Venice. He is often called “honest Iago” by many people, including his superior, Othello. There is a large juxtaposition between Iago’s character in the beginning of the play, and the general perception at the end of the play, due to Iago’s many character flaws that cause him to create devious plans and a web of deception and lies, spun by his intense anger and hatred. The exposition of Othello holds many indications of the negative traits Iago possesses, and they escalate quickly as the play progresses. There are many points within the play that present Iago falling prey to his issues and therefore lets them control him. Iago’s anger and hatred kept him from dealing with these character flaws and lead to his descent into moral
Roderigo has a desire for Desdemona but the lady is already married to Othello. Roderigo asked his friend Iago to help him. Iago is Othello’s trusted but jealous and traitorous ensign since Othello promotes a younger man named Cassio above him. Iago convinced Roderigo to ask Brabantio and tell him about his daughter’s elopement. Brabantio went to Cyprus to know about her daughter Desdemona being married to Othello. News has arrived in Venice that Turks are going to attack
There exists a kind of person who can be called by no other name than by “Magnificent Bastard”. They are masters of deception, bloody brilliant, unstoppable in achieving their goals even when it means grinding others into the dust, and yet they have such a flair, such a charming disposition, that they are often admired by even those who are wronged by them. Iago in Shakespeare’s play Othello is one such character. The audience may love or hate him, but either way they must admit that he commands the spot-light. In spite of this, the reason why Iago acts as he does is shrouded in mystery. Even when directly speaking to the audience about his motivations, Iago is not always truthful. In reality, while Iago derives great pleasure from manipulating others, his driving motivation throughout the entire play is his own jealousy; from being unrecognized for his greatness, to an impossible love for Desdemona, and of the virtuous characters all around him.
Honesty is one of the most important factors in Othello. And although there is very little honesty actually present in the play the term is most commonly applied to Iago, who also happens to be the most dishonest character in Othello. Due partly to the other characters naiveté, Iago is capable of manipulating, brainwashing, and molding the other characters to satisfy his need for revenge against Othello.
Iago takes on many different persona’s to enact his plan of revenge upon Othello. He plays the friend, a trustworthy and credible source of information for Othello in his feat of drama with his innocent wife, Desdemona. He also plays the wingman for Roderigo who is madly in love with Desdemona, encouraging him to make advances towards her to woo Desdemona away from Othello. Iago even persuades Roderigo to kill Cassio with his lies about Cassio and Desdemona’s affair. “...you may take him at your pleasure: I will be near to second your attempt, and he shall fall between us.” Iago promises to assist Roderigo in the murder of Cassio and he will be rewarded with Desdemona’s love (Navigators.) Iago’s true persona, though, is a heartless, woman-hating villain who would go to great lengths to get revenge against Othello for preferring Cassio over him for the military promotion.
The Tragedy of Othello, written by William Shakespeare, is a play about a Moor of Venice and his downfall by deception and love. The themes of two-facedness, narcissism, and honor are all prominent in this play; the theme overarching these, however, is loyalty. Similar to a satirist, Shakespeare shows that the true nature of a person’s loyalty is not always as it appears. Othello’s loyalty to his own honor exposes his false loyalty to his wife. Iago, the antagonist, is deceptive in portraying himself as honest and committed to those he supposedly loves, but at the same time he plans their downfall. Honor, narcissism, and deception are each concepts Shakespeare uses to convey the ambiguity of loyalty in people.
Othello is a man who is respected as a General in the Army. Brabanzio even considered him a friend. Thanks to Iago planting a seed in Brabanzio ear about his daughter, Desdemona, Brabanzio accused Othello of taking his daughter away from him by means of drugs or poision. Othello has fought on the battle-field and now finds himself on a very different kind of battle-field. He finds himself in a position of being forced to defend his honor, friendship and his love. There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way. He tells the Duke to send for Desdemona, “Send for the lady to the Sagittary, And let her speak of me before her father” (1.3-115-116).
Despite the negative foregrounding of Othello’s character by Iago, our first impressions of Othello in Act 1 are of a noble and well-spoken man, his nobility is conveyed through his speech ‘most potent grave and reverend signiors’(1.3.76) to his future father-in-law Brabantio of Othello’s love for his daughter Desdemona in Act 1 Scene 3. This is a very different character to what we expect from Iago’s preparation for the introduction of Othello. Where we are expecting an angry and possibly violent character, we instead are met with something completely surprising, a quiet and calm man who dismisses Roderigo’s insult and even avoids the prospect of a conflict.
In front of Othello, who he has manipulated and exploited, he says “From this time forth I never will speak word”(5.2.356), hurting Othello with words for the last time, not speaking the reason for his revenge against him. Iago, shown through his manipulation of Roderigo, Cassio, and Othello, illustrates his mastery of language by manipulating them to let them be exploited for his revenge plan. Iago’s usage of words to make use of their naïveté and unknowingly let themselves be backstabbed, portrays his mastery of “power of language” and just how convincing and amiable he can sound to make them
Without a doubt, one of the main themes that runs throughout William Shakespeare’s tragic play, Othello, is that of honesty. In the play, the most interesting character is Iago, who is commonly called and known as "Honest Iago." However, this could not be farther from the truth. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits and moves him closer to his own goals. He is smart and an expert at judging the characters of others. Because of this, Iago pushes everyone to their tragic end.
His plan is to continue giving Roderigo unfulfilled promises. Iago continues to manipulate Roderigo. He convinces him that Desdemona will soon grow tired of Othello and begin to search for a younger, handsome man to fulfill her desires. Continuing to build on Roderigo’s rationality, Iago tells him that Desdemona will fall for Cassio, and the only way to win Desdemona is by taking Cassio out of the picture.... ...
The word “honesty” has been mentioned in Othello many times, each representing a different meaning of the word, the first use of the word is to describe chastity, the question of whether a women is honest or if she is loose. Iago uses his personal dishonesty to convince Othello that his wife is sexually dishonest, at the same time pretending to be looking out for his best interest, as...