Theme Of Feminism In Things Fall Apart

Things Fall Apart, a novel by Nigerian author Chinua Achebe is a story about an Igbo village in Nigeria and a man that once was a powerful influence in the tribe, but begins to lose his influence as Nigeria is colonized and Christian missionaries come to evangelize. A deeper look at the novel, with a feminist critics point of view, tells a lot about the Igbo people as well as the author’s thoughts about women in the novel. Feminist critics look at female authors, and female characters and their treatment as well as women’s issues in society. Since Achebe is a male, the main focus of feminist literary criticism for Things Fall Apart is the women in the novel and their issues as well as the Igbo view of gender identity. Many issues that women

“Polygyny is the marriage of one man to more than one woman at the same time” (Powell 167). This structure of marriage is prevalent among the families of Okonkwo’s village, and Okonkwo himself has three wives. A man with many wives was looked upon in a better light than a man with only one wife or no wife at all. In the novel, Okonkwo is said to have had a hard start as a young man because “he neither inherited a barn, nor a title, nor even a young wife” (Achebe 18). Men view wives as a means to gain titles and respect as well as extra labor power for thier combines. Women bring a number of benefits to a man: sexual services, reproductive power, labor, farms for women’s crops, in-laws with goods, land, and livestock. Men typically have only one wife if they lacked wealth (Amadiume 30-31). This is a feminist issue because the people of the village treat women as property that can be inherited. A feminist critic sees how polygyny devalues women and treats them the same as animals. According to Nigerian law, a woman is categorized “as an object who is not quite human” (Bazza 176). In Nigeria, if a woman is involved in polygyny and her husband divorces her for whatever reason, she cannot remarry and often turns to prostitution or extreme poverty for herself and her children (Kunhiyop 44). There is no good that comes from polygyny for

Okonkwo sees his father’s gentleness as a feminine trait. He works hard to be as masculine as possible so that he will be the opposite of his father and overcome the shame his father brought to his family. Okonkwo deals with this struggle throughout the entire book, hiding the intense fear of weakness behind a masculine façade (Nnoromele 149). In order to appear masculine, he is often violent. In his desire to be judged by his own worth and not by the worth of his effeminate father, Okonkwo participates in the killing of a boy he sees as a son, even though his friends and other respected tribe members advise him against it. (Hoegberg 71). Even after the killing of Ikamefuna, Okonkwo hides his feelings of sadness because the emotions are feminine to him. He goes so far as to ask himself, “when did you become a shivering old woman” (Achebe 65), while he is inwardly grieving. The dramatic irony of the secret fears that Okonkwo has will open the reader’s eyes to how important gender identity is to him. This theme is also presented among Okonkwo’s children. He sees his oldest son, Nwoye, as feminine because he does not like to work as hard as his father (Stratton 29). When Nwoye eventually joins the Christian church, Okonkwo sees him as even more feminine. On the other hand, Okonkwo’s