Theme Of Equality In Harrison Bergeron

1018 Words3 Pages

Lack of Equality in the Homogeneous Society of “Harrison Bergeron” Kurt Vonnegut Jr.’s “Harrison Bergeron” demonstrates that equality is not synonymous with homogeneity. This can be seen by the fact that the handicaps actually accentuate the differences between people rather than make them equal, as they are intended to. The differing sizes or absence of the weights indicate who is stronger or more graceful. The reactions to the mental handicaps (or lack of reactions) signify to people which of their neighbors are smarter. The varying degrees of ugliness on the masks allow everyone to determine who is more beautiful under those masks. People can still easily identify the differences between people; using the handicaps as a way to artificially …show more content…

In a society where everyone is completely and truly equal, no one should have a heightened status above anyone else. Diana Moon Glampers exhibits a higher than average mental capacity with her ability to calmly and efficiently shoot Harrison and his dance partner dead then turn the gun on the musicians and threaten their death if they do not don their handicaps again. To contrast this, Hazel cannot process the sarcasm in George’s comment of “You can say that again” (Vonnegut). She does not have the mental capacity to recognize her son when she sees him on the television and she cannot remember that anyone was even shot after the television shut off; all she could remember was that she saw something sad happen. There are very obvious differences in the mental states of these two women. Diana Moon Glampers has mental superiority in a society that claims every citizen is perfectly average. Despite the introductory claim that everyone was “equal in every which way,” a comparison of Hazel and Diana Moon Glampers disproves that (Vonnegut). The homogeneous society is not truly equal like they preach to …show more content…

When it comes to the dance scene near the end of the story, the writing style becomes poetic, as opposed to the bland, straight to the point language used to describe George and Hazel. Rather than objectively and mechanically describe the dancing pair’s movements, he describes them as “leaping like deer on the moon” and “kiss[ing] the ceiling” with their leaps (Vonnegut). The artful way the dance scene is written compared with the bland descriptions of George and Hazel’s interaction shows the difference in the experience of the two moments. When Harrison and the dancer are twirling around the room in each others’ arms, without handicaps, to music played beautifully by un-handicapped musicians, they are truly happy. They are experiencing the pure joy in living life without the control of the Handicapper General. The bland, HG controlled lives of Hazel and George are monotonous and unenjoyable. The few moments of happiness experienced by that the dancing pair are more joy than Hazel and George have probably experienced in their entire government regulated

Open Document