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Cruelty in works of literature
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Deeply embedded within Tartuffe, the concept and act of cruelty enhances and flourishes throughout the lives of the developing characters. Cruelty is a concept that is usually associated with negativity and often seen as degrading to one’s mental and/or physical stability. However, it is an illuminative key element of life that divulges the dormant aspect of oneself and guides them to truly see “how far they will go.” In other words, it will bring out the side that not even oneself could have ever imagined, thus raising awareness of one’s primal nature and labelling cruelty as a necessity. Portraying its significant development through the appalling yet essential strifes of the dynamic characters in Tartuffe, Molière reinforces the absolute …show more content…
Fed up with Tartuffe’s unnecessary amount of influence upon Orgon and the household, Elmire decides to play fire against fire; she plans to captivate Tartuffe and his lust to expose the dirty sleaze he truly is in front of Orgon. She asks of Orgon to hide under the table and warns him in advance of the “sweet speeches in the task of making that imposter drop his mask” (Molière 121) that she will say. As Elmire meets with Tartuffe, she takes advantage of the women’s stereotype back in that era and excuses herself as another “poor proof of woman’s modesty” (Molière 123) in order to convince him of this “love,” for Tartuffe was skeptical of it at first. Alas, Tartuffe allows his emotions to take control and his guard down, saying that “each day [Orgon] grows more gullible” (Molière 128) and, thus angering Orgon greatly. Contrary to women’s stereotype, Elmire is quick and witty to recognize such a devious tactic, taking advantage of Tartuffe’s undeniable infatuation with her to draw out the truth from the source of …show more content…
Cruelty, therefore, is necessary in unveiling and raising the understanding of the truths of the authenticity of emotions, the dangers of how powerful emotions are, and how extreme one can yield to the primal nature. In order to accurately perceive every aspect of oneself, do not completely obscure from cruelty, for it is a necessity that influences how one discerns
Jean-Baptiste Poquelin Moliere wrote Tartuffe during the beginning of the Age of Enlightenment. One of the main characteristics of the Age of Enlightenment was a push towards using reason over emotions to make decisions. The leaders of the enlightenment truly believed that the world could be made a better place if people did this. In Tartuffe, when the characters use their emotions to make their decisions they find themselves in undesirable situations. While those who let their emotions rule them find their lives spinning out of control, there are other characters in the play who try to approach them with reason and logic. Out of these characters the lady’s maid Dorine stands out as the voice of reason.
Orgon refuses to see the fact that Tartuffe is a hypocrite and won't believe it until he sees it with his own eyes near the end of the play. To see how dedicated to Orgon is to Tartuffe, just look at page 319. When Dorine is telling him about the sickness his wife had, Orgon's only concern is Tartuffe, who was doing very well.
The play "Tartuffe", by Moliere, is a work that was created to show people a flaw in their human nature. There are two characters who portray the main flaw presented in the play. Both Madame Pernelle and Orgon are blinded to the farces of Tartuffe and must be coaxed into believing the truth. The fact that Orgon and Madame Pernelle are too weak to see the truth is an important theme of the play.
If anything, Madame Pernelle and Orgon are incredibly gullible. One author suggests that this gullibility is a shared family trait, stating that “his mother shares his capacity for self-delusion even after Tartuffe has been found out (we cannot always judge by what we see)” (Weals). Orgon foolishly believes that Tartuffe is a man of God, and, because of this, he should put everything he has into Tartuffe's hands. He proves how much he believes this after Damis tells him that Tartuffe was flirting with Elmire. From this accusation Orgon replies to Damis: "I disinherit you; an empty purse / Is all you'll get from me - except my curse!" (III, vii , 68). Madame Pernelle shows the family trait that she shares with her son when she states: "He's a fine man, and should be listened to."(I, i ,44), while speaking of Tartuffe. Although they share this trait throughout the play, Orgon's eyes are finally opened at the end of the play while his mother is still held by the farce of Tartuffe.
As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As much of this has already been considered, concerning Les Misérables, the purpose of this paper is to compare, contrast, and evaluate Victor Hugo’s use of themes and characterization in his novel, Les Misérables.
Literature is often used to convey messages to their audience, through art, play or poetry. Whether it is intentional or not, an author can not help to include some aspect of the political events that happened during that time period. Two movements discussed in this essay are Enlightenment (17th – 18th Century) and Romanticism (18th – 19th Century) and through literature, we come to acknowledge the presence and representation of evil and how they shape society. Enlightenment thinkers value reason, rationality and moderation, whereas Romanticism encouraged imagination, emotion and individual sensibility. Tartuffe by Moliere demonstrates all of the Enlightenment values in his play, whereas Frankenstein by Mary Shelley emphasizes emotion, passion and the natural world. This essay will explore ways in which human reason and society can be evil and deceiving; although some individuals may think that evil is instilled in us from the day we were born.
""The Art of Cruelty"" The New York Times Book Review, 31 July 2011. Web. 27 Nov. 2011.
The ideals of the Enlightenment can be found in many of the writings from this time period. There are a few characteristics that are commonly associated with the Enlightenment.
In Tamburlaine the Great, the Song of Roland, and Othello, the protagonists face a myriad of external trials to test them, yet some of their most challenging struggles relate to the clash between their self-perceived and externally recognized identities. Each of these characters must reconcile their own self-perception with their projected image recognized by the world at large. For Tamburlaine, his outward projections of divinity played counter to his ever growing, driving awareness of his own essential mortality. For Othello, the composed and confident demeanor he presented would crumble and shatter under to reveal the fragile core that lay within. For Roland, the circumstances of his birth consigned him to a live of vassalage, and imposed boundaries on his achievements that he could never break through, though he was never tempted to. In the end, the trials and tribulations facing these protagonists are manifestations of these internal battles, defining not only the experiences of the characters but also their essential being. These veiled conflicts compose the heart of these stories, from which the rest of the narrative flows. In each of these tales the reader’s are given glimpses of these hidden sides only through constant observation, but it is especially these brief windows of vulnerability that offer us true understanding of the characters portrayed.
Accordingly, Poe is well responsive to this psychological trait of the human brain. Likewise, Poe employs the perception of perversity and remorse in “The Cask of Amontillado.” The reason of burying Fortunato is not only vengeance, but also a robust reaction that is described in “The Black Cat”. There is a passionate yearning in Montresor to hurt Fortunato even if he has not made any harm to him. Although Montresor asserts that he has been injured several times by Fortunato, he cannot defy calling him “respected, admired, beloved,” admitting his “good nature,” and also calling him “noble” (Little 212). These expressions confirmed that Fortunato is a good quality person and the expression “injuries” used in the first phase of the story is simply a hyperbole that Montresor’s psyche has fabricated. Furthermore, wickedness does not come unaccompanied, but it carries itself a sense of remorse. Even if Montresor reflects himself as the diplomat of his family for deafening down rivals, he suffers remorse while walling up Fortunato. Consequently, Poe’s clasp of unreasonableness and culpability of the human mind is
It is in the duality of Orgon, the believing subject, and Tartuffe, the manipulating hypocrite (or impostor), that Moliere takes his digs at the extremes of enthusiastic belief. Tartuffe plays the role of a man whose greedy actions are cloaked by a mask of overwhelming piety, modesty and religious fervor. Orgon is the head of a household who has taken Tartuffe in. We laugh at Orgon because everyone else (except his mother) knows that Tartuffe is a fake. All of Orgon's relatives warn him of Tartuffe's gluttony and of the false nature of his pious proclamations. When Dorine tries to tell Orgon about Elmire's illness, all Orgon can say is,
Tartuffe is a satirical comedic play written by Molière in 1664. It is focused around the family of Orgon and the character of Tartuffe, who has become Orgon’s personal holy man. Before being brought into Orgon’s home, Tartuffe was nothing more than a common beggar who learned how to act pious. Throughout this play, we see Orgon give everything he owns to Tartuffe: his love, his money, his daughter, and even the deed to his house. While everyone else in the household sees Tartuffe for who he really is, Orgon remains blind to it throughout most of the play. Orgon is warned many times by different members of the household, including his own son, yet he only chooses to lash out against those speaking. From early on in the play we as readers are able to recognize that Tartuffe is no more than a hypocrite and Orgon is a blind fool. In the play Tartuffe by Molière there are several different important themes that impact this work,
Imagine the Paris home of Orgon, who meets Tartuffe at church and is completely taken in by him...so much so, that he foolishly not only invites this relative stranger, Tartuffe, to live in his home, but also promises his daughter (Mariane) in marriage to the man, though she has promised her heart to Valère.
Elmire understands that she is a woman and that men see her as a sexual object. She actually uses this to her favor. She uses Tartuffe’s affection for her against him. She makes him look like a fool after she seduces him. This woman understands that gender roles for men and women are very different and that she can use men to get her way. This gives Elmire a type of freedom. Elmire is an independent woman that knows how to get what she wants. In the play Elmire wants Tartuffe out of her husband’s house. She does not understand why everyone likes him so much. Elmire has an idea; she decides she will seduce Tartuffe. When...
With full diction such as “violent and aggressive “and “feelings of exclusivity” he appeals to our deepest emotions for the sake of conveying the importance of humanism and the things we are able to feel. However, with feelings as options instead of something everyone has whether liked or not, society would overlook the importance of experiencing these emotions because of the invincibility we would have above the sense of heartbreak or grief. Although we would all love to skip the arduous times, enduring them is not only what makes us human, but also what makes us grow. We may not realize that feeling makes up society today, which is why the author reaches out at these emotions to show how Transhumanist views may make us feel better as individuals but as a whole, the social aspects of the world will