From the beginning of society, men and women have always been looked at as having different positions in life. Even in the modern advanced world we live in today, there are still many people who believe men and women should be looked at differently. In the work field, on average women are paid amounts lower than men who may be doing the exact same thing. Throughout the novel, Their Eyes Were Watching God, Zora Neale Hurston brings about controversy on a mans roles. Janie Crawford relationships with Logan, Joe and Tea Cake each bring out the mens feelings on masculine roles in marital life.
Logan sticks to the masculine stereotype roll. He believes that women are in the relationship to cater to any need of their husband. Being the male and the superior one in the relationship, he should be able to live an easy life without much worry. In the beginning of chapter 4, Janie has a flashback of what Logan told her about his last wife a couple months prior. “..."If Ah kin haul de wood heah and chop it fuh yuh, look lak you oughta be able tuh tote it inside. Mah fust wife never bothered me ‘bout choppin’ no wood nohow. She’d grab dat ax and sling chips lak uh man. You done been spoilt rotten." So Janie had told him, "Ah’m just as stiff as you is stout. If you can stand not to chop and tote wood Ah reckon you can stand not to git no dinner. ‘Scuse mah freezolity, Mist’ Killicks, but Ah don’t mean to chop de first chip." “(Hurston 25). Janie believes that marriage consists of both husband and wife doing a little of everything to get the work done. Later in chapter four, Logan calls Janie outside to help her out in the barn. “..."You don’t need mah help out dere, Logan. Youse in yo’ place and Ah’m in mine." "You ain’t got no particular ...
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...women he has seen walk seven full miles. But at the same time he still wants to feel like the man. In chapter 13, nstead of hitting her to show that, he just wants to be able to support his wife. "Put dat two hundred back wid de rest, Janie. Mah dice. Ah no need no assistance tuh help me feed mah woman. From now on, you gointuh eat whutever mah money can buy uh and wear de same. When Ah ain’t got nothin’ you don’t git nothin’." Tea Cake demonstrates his strong sense of masculinity by making "his woman," Janie, financially dependent on him. He takes pride in being able to provide for a woman who has lived such a privileged life. Although Janie never seems conflicted about living a poor life with Tea Cake, she kind of has to agree to live by what he provides or severely damage his pride. Also Janie likes that feeling of finally having someone who wants to support her.
Logan feels that if they are both going to live together and share their lives then they should do an equal amount of work. Logan soon puts Janie to work and treats her more like a mule than a wife. Logan didn't want a wife out of marriage; he wanted a pack animal. Also, love. doesn't seem to be incorporated in Logan's definition of marriage. As. Janie said, "Ah know ‘tain't nothin' dere. Logan didn't see marriage in.
All three husbands are similar in the way that they all have expectations of Janie as a wife. Logan Killicks, Janies first husband, has expectations of Janie. His motives for his expectations though, are because he wants her to help out on the farm. Logan shows this expectation by saying, “ Naw Ah needs two mules dis yeah. Taters is goin’ tuh be taters in de fall. Bringin’ big prices. Ah aims tuh run two plows, and dis man Ah’m talkin’ ‘bout is got uh mule all gentled up so even uh woman kin handle ‘im” (21). He has the idea that Janie can work with him, Logan makes her carry wood to the house, cut seeds from potatoes, and even move piles of manure. In the same way, Joe Starks expects much from Janie as well. He is motivated by improving his image however, by making Janie Mrs. Mayor Starks she is now Joe’s eye candy. His vision for being a big voice is mainly in Janie’s perfect looks, like in this quote that states, “ Everybody was coming sort of fixed up, and he didn’t mean for nobody else’s wife to rank with her” (34). He expected Janie to be his trophy wife and just look better than everyone else. Tea Cake Woods’ expectations of Janie as a wife is the same as well. He had a different approach on it though, all Tea Cake wanted is for Janie to be his equal and nothing more. His motivation, is love. Tea Cake loves Janie and the way he expresses this is when he says, “Put dat two hundred back wid de rest, Janie. Mah dice. Ah...
If Ah ever gits tuh messin’ round another woman it won’t be on account of her age. It’ll be because she got me in de same way you got me—so Ah can’t help mahself." Tea Cake professes his love to Janie by saying that she is the only woman he thought of marrying. Tea Cake knows that he will be loyal to Janie, but can not control other women's urges to flirt with him. When Tea Cake tells Janie that he is the man in her life he says:"You don’t have tuh say, if it wuzn’t fuh me, baby, cause Ah’m heah, and then Ah want yuh tuh know it’s uh man heah." (Ch.18). Tea Cake wants Janie to know that he is nothing like her other husbands, but is perfect for her. Tea Cake is essentially perfect for Janie because he helped her accomplish her her ultimate dream of love. Janie and Tea Cake’s marriage is the key to a good marriage because they treat each other with equality and
To begin with, a husband needs to be honest with his wife. Out of all of Janie’s husbands Tea Cake is the least honest one, but one of the times he does lie to her, but he makes it better. Tea Cake is going everyday and working then spending some nights till late with his friends. Janie wakes up one day finding out that her
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
I believe Janie depended on her past husbands for financial security, and protection from the outside world that she could not make a mends with. Janie's dependence on Tea Cake was a dependence on love, Tea Cake treats her the way she has always wanted to be treated, like the blossom to the bee. When Joe died, he left Janie with money and the store, but she had no one to love nor anyone to keep her company. She needed Tea Cake to fill this void in her life, I believe Janie realizes this when she says, "Tea Cake ain't no Jody Starks...but de minute Ah marries `im gointuh be makin' comparison. Dis ain't no business proposition...
Zora Neale Hurston an early twentieth century Afro-American feminist author, was raised in a predominately black community which gave her an unique perspective on race relations, evident in her novel, Their Eyes Were Watching God. Hurston drew on her on experiences as a feminist Afro-American female to create a story about the magical transformation of Janie, from a young unconfident girl to a thriving woman. Janie experiences many things that make her a compelling character who takes readers along as her companion, on her voyage to discover the mysteries and rewards life has to offer.
Janie married Logan Killicks for protection rather than love. He seemed to feel that he
In Zora Neale Hurston’s novel Their Eyes Were Watching God, the character of Janie Crawford experiences severe ideological conflicts with her grandmother, and the effects of these conflicts are far-reaching indeed. Hurston’s novel of manners, noted for its exploration of the black female experience, fully shows how a conflict with one’s elders can alter one’s self image. In the case of Janie and Nanny, it is Janie’s perception of men that is altered, as well as her perception of self. The conflict between the two women is largely generational in nature, and appears heart-breakingly inevitable.
From Janie’s first relationship with Logan Killicks, she learns about marriage. Janie is forced to marry Logan by Nanny, Janie’s grandmother. Janie was really young and she did not have any plans on getting married, but Nanny wants Janie to marry someone soon: “Tain’t Logan Killicks Ah wants you to have, baby, it’s protection. Ah ain’t gittin’ ole, honey, Ah’m done ole. One mornin’ soon, now, de angel wid de sword is gointuh stop by here. De day and de hour is hid from me, but it won’t be long. Ah as de Lawd when you was uh infant in mah arms to let me stay here till you got grown.
The book, Their Eyes Were Watching God by Zora Neale Hurston is about Janie Crawford and her quest for self-independence and real love. She finds herself in three marriages, one she escapes from, and the other two end tragically. And throughout her journey, she learns a lot about love, and herself. Janie’s three marriages were all different, each one brought her in for a different reason, and each one had something different to teach her, she was forced into marrying Logan Killicks and hated it. So, she left him for Joe Starks who promised to treat her the way a lady should be treated, but he also made her the way he thought a lady should be. After Joe died she found Tea Cake, a romantic man who loved Janie the way she was, and worked hard to provide for her.
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
Zora Hurston was an African American proto-feminist author who lived during a time when both African Americans and women were not treated equally. Hurston channeled her thirst for women’s dependence from men into her book Their Eyes Were Watching God. One of the many underlying themes in her book is feminism. Zora Hurston, the author of the book, uses Janie to represent aspects of feminism in her book as well as each relationship Janie had to represent her moving closer towards her independence.
Zora Neale Hurston’s Their Eyes Were Watching God describes the life of Janie, a black woman at the turn of the century. Janie is raised by her Grandmother and spends her life traveling with different men until she finally returnes home. Robert E. Hemenway has said about the book, “Their Eyes Were Watching God is ... one of the most revealing treatments in modern literature of a woman’s quest for a satisfying life” I partially disagree with Hemenway because, although Janie is on a quest, it is not for a satisfying life. I believe that she is on a quest for someone on whom to lean. Although she achieves a somewhat satisfying life, Janie’s quest is for dependence rather than satisfaction.
Janie and the Pear Tree in Their Eyes Were Watching God by Zora Neale Hurston