Since animals, usually pets, are sometimes an essential part of one’s life, it is not surprising that we find frequent references to its role in works of social realism, such as Wislawa Szymborska’s Poems New and Collected and Milan Kundera’s Unbearable Lightness of Being. Animals in literature could be used to symbolize all sorts of things, but in particular, animals may represent the personality of a character. This is because as humans and animals co-exist in the same atmosphere, certain aspects of a character reveal themselves in the compassion or even hatred towards the animal. Since animals are often known to trigger the interests of humans, the attitude of the humans towards the animals contributes much to character revelation. Both Szymborska and Kundera use animals to symbolize character personality in their works. Therefore, through looking at animals, although it does seem to be a very commonplace topic, we may gain insight to what the writers are trying to convey about the character. This paper will compare the ways the writers use animals to determine a character’s personality or characteristics. A recurring character in Kundera’s Unbearable Lightness of being is Karenin, a dog saved from death by one of the novel’s protagonists, Tomas. He had wanted some sort of a distraction that would keep Tereza’s attention off him so that he could persist with his life that he believed he had control over: At last he made his choice: a bitch whose body seemed reminiscent of the German shepherd and whose head belonged to its Saint Bernard mother. He took it home to Tereza, who picked it up and pressed it to her breast.¹ Through the novel, Karenin, the ‘ugly dog’ Tomas brings home for Tereza, develops a bond between Tereza, which grows throughout the novel. Tereza is portrayed as a ‘heavy’ individual with considerably heavy burdens on both her shoulders. One other burden Tereza carries is, essentially, Karenin. It takes the place of Tomas when Tereza is alone, therefore – Tereza is bound, with love, to it. Kundera shows here, how Karenin affects Tereza’s personality by being next to her and being a comfort to her at times when heaviness settles in. Furthermore, with no baby between Tereza and Tomas’ marriage, Karenin acts as Tereza’s responsibility, both emotionally and financially. It seems that Tereza can make decisions only... ... middle of paper ... ...tion by executing government opposition – an example how humanity acted in ‘other’ moral situations. The last chapter, ’Karenin’s Smile’, is counting up to Karenin’s death, while ‘between the lines’, Tereza and Tomas dies. Their death is outweighed by their dog’s death and its funeral. This shows how humanity seems to be condemned by their moral actions towards animals, the ‘test’ mentioned above. The way that the role of animals can be used as a literary effect is evident in both Kundera and Szymborska’s works. The two contrast eachother, Kundera suggests that the role of animals in his novel is that they become their owner’s peaceful character builder by having characters of their own. In Szymborska’s works, we see quite the opposite; she portrays the role of animals as people’s irritation, a vexation – where characters are rather barbaric and careless towards the animals. The two works show the same superiority of human over animals, yet the human attitudes towards them entirely dissimilar. We may perceive that the presence of animals, such delicate literary technique, determines the attitudes and personality of the characters of a literary work.
In today's society many people are still being dehumanized and alienated. Dehumanization is making others feel worthless and seeing them as something other than human because of their religion, race, or gender and Alienation means isolation people from activities. Researchers say that the attitude of people reflects on dehumanization, they feel worthless and begin to hurt themselves and do things they should not be doing. The three text all have a similar meaning, animals. In Night,Wiesel uses animals to explain how they were being treated and so that the reader can use imagery and understand the text better, In Maus, Spiegelman’s book is like a comic which uses pictures and he uses mice to represent the Jews and Cats to represent the Germans,
The story begins with Titas birth prematurely when Mama Elena was chopping onions. Tita grows up with Nacha the most dominant figure in her life, and follows Mama Elenas routine of cooking, cleaning and sewing. At every incident she can, Mama Elena criticizes Tita and even beats her if she tries to speak up. One day Tita tells her mother that Pedro wants to come and ask for her hand, but according to the family tradition she cannot marry because she is the youngest daughter. Mama Elena tells Pedro he can marry Rosaura- one of her older daughters, and Pedro agrees to the arrangement just to be closer to his true love- Tita.
What the reader understands of the infidelity of Milan Kundera’s characters in The Unbearable Lightness of Being is a mere distraction from the real substance of the story and of the character’s real purpose. Kundera offers the reader a red herring and only through close examination can one dissect and abstract the true essence of each character’s thread that links them to one another in this story. For it is not clearly seen: in fact, it can not be seen at all. It is the fierce absence of the word commitment that is so blatantly seen in each individual, yet the word itself is buried so deeply inside of Tomas and Tereza that it takes an animal’s steadfast and unconditional love to make the meaning and understanding of commitment penetrate the surface.
This poem, Sarajevo Bear written by Walter Pavlich, addresses one of the most important themes, the struggle to keep humanity strong and stable. To begin with, this poem is discussing the sniping campaign that took place in Sarajevo in 1993 and how civilians were the targets of these attacks. During this time people faced a dilemma: they could either stay in hiding forever or until the war ended, or they could do something that would get their mind off the war and relieve some of their stress. People knew though the risk of leaving the security and safety of their home as they could be shot and killed at any time without warning. But still this did not stop the people working at the zoo and feeding the bear to stop their job. Furthermore, the first verse of this poem states that this is the last animal at the zoo. This illustrates that just as many people were dying, many animals were dying as well illustrating that our actions not only affect us but they also affect things around us, and in this poem it was the zoo animals. In a zoo the animals are contained within a certain area an...
Through this sympathetic faculty, a writer is able to give flesh, authenticity and a genuine perspective to the imagined. It is only in this manner that the goal of creating living beings may be realized. Anything short of this becomes an exercise in image and in Kundera’s words, produces an immoral novel (3). The antithesis of liv... ...
The relationship between these animals portray the ideas of the Holocaust very well. Mice are small and scrawny creatures which are usually hunted by Cats. Cats chase mice and attempt to devour them, much like the Germans hunted down the Jews during the mass genocide. Pigs are very greedy and self centered. During the story, the Polish(Pigs) sold out the Jewish people on many occasions (Maus I p. 143). An example is when Vladek and his family were staying at Kawka’s farm. “They may come search here any minute! You’ve got to leave!” In this situation, Kawka was not telling the truth, but only trying to protect herself. Dogs chase cats, which in the book was symbolic because the Americans sympathized with the Jewish people. These are very rudimentary overviews of the animals, but they will serve for the purposes of this essay.
Art Spiegelman’s Maus is a novel about the Vladek and his experience as a Polish Jew during the Holocaust. It narrates the reality of the Holocaust wherein millions and millions of Jews were systematically killed by the Nazi regime. One of the themes in the story is racism which is evident in the employment of animal characters and its relationship with one another.
What comes to mind when one thinks of the word ‘puppy’? It is probable describe a puppy as a lovable, adorable, and cuddly companion. However, one might also identify the animal as a menace and a liability or even as a delicious source of food. Why does this single word hold so many meanings? One’s past experiences and biases influences these conflicting views and attitudes. For instance, an individual’s fond view of puppies may exist because they were raised with puppies and consequently grew affectionate toward the animals. On the contrary, if another individual has not bonded with puppies as pets, then they will share the latter point of view. In the short story “Puppy” by George Saunders, the multiple characters view single events and objects with contrasting perceptions. Therefore, instead of painting a precise picture of the characters and the plot, the story expresses several views regarding the morals of the characters, the motivations of their actions, and the meaning of the events that take place. In “Puppy”, George Saunders explores the theory that perception is not an elementary, universal definition of an object or idea, but a complex interpretation that is influenced by one’s unique and varying past experiences and opinions. The complexity of perception is evident in one the story’s narrator’s, Marie’s, vantage point.
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
The lecturer counters the author's ideas about the altruism by listing a series of facts that debunk the basis of the reading, i.e. the examples regarding the meerkats and human beings. The main pontspoints are described and summarized herein.
Morson, Gary. "Marriage, Love, And Time In Tolstoy's Anna Karenina." Journal Of Family Theory & Review 2.4 (2010): 353-369. SocINDEX with Full Text. Web. 6 Nov. 2013.
Milan Kundera’s novel The Unbearable Lightness of Being, written in 1984, is a story of two women, two men, a dog and their lives during the Prague Spring of Czechoslovak history in 1968 through an omnipotent narrator. However, the relationship between the two main protagonists, Tomas, a brilliant Prague surgeon and intellectual who has a tendency to womanize, and Tereza, a kind but deeply troubled photographer and former waitress as well as Tomas’ young wife, is often observed through the perspective of the characters themselves. This relationship is a strained one due to their opposing views on the topics of love, sex, and being. Their perspectives also differ when it comes to the concept of fate. This is because the novel itself is a response
In this section I will analyze two novels written by John Maxwell Coetzee, namely: The Lives of Animals and Disgrace. Through these two novels I will portray an increasing awareness of animals in Coetzee's work. In this section, I intend to analyze and put forth the importance of the presence of animals in Coetzee's work. In addition to this, Coetzee has given the central position to animals in these two novels on a linguistic level as well which further this indicates how animals are gaining significance and importance in literary texts as well.
Milan Kundera opens the novel with a discourse on Nietzsche's doctrine of the eternal recurrence. He rejects any view of the recurrence as being real or metaphysical. It is metaphorical he assures us. In a world of objective meaninglessness one must fall into nihilism unless one acts as if one's acts recur eternally, thus giving our acts "weight," the weight of those choices we make, as though recurring eternally, living forever. Kundera rejects Nietzsche's optimism and in compelling detail and poignancy he give us the story of the painful love affair of Tomas and Tereza, condemned by fate and choice to live together, yet never ceasing to cause each other enormous pain and suffering.
In the book called Maus by Art Spiegelman, it tells the story about a mouse named Valdek Spiegelman, who is a Holocaust survivor, and his son Artie. Artie writes a book on his father and the terrifying experience he dealt with when surviving the Holocaust. The book uses animals instead of human characters. The book has three main types of animals that each symbolizes the different cultures during the Holocaust. The Jews are symbolized as mice, the Nazi Germans as cats, and the Poles as pigs. The reason why Spiegelman uses animals instead of humans is because he wants to give the reader a better understanding of what type of animal symbolizes the different types of social classes that are being address. The power hungry Nazis are symbolized as cats because of a cat’s constant starvation and tend to be stronger compared to mice and pigs. The Jews are symbolized as mice to show how weak they were and how they were treated during World War II. Spiegelman puts a focus on the mice and the struggle that Vladek went thr...