Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
aspects of music education
the advantages and disadvantages of music education
Essay on music education
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: aspects of music education
The Music Educators Discourse Community
As a musician you are exposed to many different types of terminology, ideas, debates and concepts most people are not. There are Interest and topics that we find appealing like the different language that we use to communicate with each other, are very different from someone that is heavily invested in other activities likes sports or even knitting . With these differences we have formed our own social group. The definition of an music educator is a field that touches on all domains of learning, including the psychomotor domain, the cognitive domain, and, in particular and significant ways, the affective domain, including music appreciation and sensitivity In our community we strive to achieve the goals set in this definition and also to move forward in our advancement of music in the world
The Swales article is based off a discourse community. According to this articles a discourse community is a group of people who share a set of discourses, understood as basic values and assumptions, and ways of communicating about those goals. As a young musician, I can definitely see the transformation I have made as have surrounded myself with people who are similar to me. Although I am not a certified music educator I still feel apart of this community because you do not need a certification to call yourself a music educator just a love and passion to spread the knowledge of music.Inside of the musician discourse we have several branches, from choir to instrumentalist to contemporary musicians. I, myself am a part of the instrumentalist group. As instrumentalist, a lot of our conversations are centered around Marching band from july until about November and then Concert Band for the rest of t...
... middle of paper ...
...thers is our love and drive for music, with a vision that goes beyond the average persons thoughts on music. As a progressing music educator, A cheesy phrase that a lot of us use is “ music has to choose you you can’t choose music” and I believe it is true there are a lot of people that try to make music before them but it does not work unless they have the drive and will to practice for hours at a time just to get a 4 min pieces up to where it may be performance ready or to be the person that will sit with a child sounding like a dying duck just to help them succeed at something they want to do because you know in the long run even though sitting there is hard to do the student will someday be a musician and may be the one to change music forever. I can now see myself becoming more and more like my community and appreciating my surroundings and people even more.
Sheftel, B. (2002). Music Education Curriculum in Public Schools. PageWise, Inc, Retrieved August 6, 2003
The field of music education is one with which I have become rapidly familiar. This statement is not to be confused with me claiming that I have an intimate knowledge of the subject matter. In my student teaching semester, I found myself immersed in a great number of ideologies toward the profession, many of which were in conflict. In regard to music education, my greatest quandary at this juncture of my career is choosing from the myriad of philosophies which relate to the field. In relation to the information I have gathered from those in the profession at the public school level, I have a disproportionately large amount of information from professionals who teach at the collegiate level and theorists who benefit music education by performing studies. If I were to perform research about the field of music education, my goal would be to gather information from these three sets of professionals which would bring my knowledge base about each to an equitable level.
Few would argue against the idea that we educate ourselves and our society so that we have adequate means with which to understand and interact with elements of the world around us. Subjects such as mathematics, language, history, and the hard sciences are granted immediate and unquestioned legitimacy in our schools, and with good reason. We encounter each of these elements of our lives on a daily basis. We need to have an understanding of these disciplines in order to interact with them, otherwise they are meaningless to us. I submit that the same can be said for the fundamental concepts of music. Music is something that we encounter in our society every day. It surrounds us. Indeed it would be practically impossible to escape. Like so many other naturally occurring phenomena, a discipline has been developed over centuries to help us interact with music, and that discipline is what I and those of my profession are charged with teaching.
After graduating from high school, I entered Soochow University, whose music department is among the best in Taiwan. During these four years, I had numerous opportunities to perform on stage. Realizing early on that performance is the lifeblood of musicians, I joined as many orchestras, wood bands, and brass quintets as possible to acquire performance experience. Having numerous performing chances, and enjoying each of them, inspired me to become a professional musician in the future. Besides taking part in performing activities, I also used my experiences and knowledge to teach students. Believing that teaching others how to appreciate the beauty of life is fulfilling, I teach both to give knowledge and to enhance my own artistic ability. Because I so enjoyed my conversations with students, I remain committed to teaching and trying to convince others of the limitless joys of music.
MENC- The National Association for Music Education (1991). Growing up complete: the imperative for music education: The report of the national commission on music education. Retrieved November 20, 2004 from http://www.menc.org/publication/
Beineke, Viviane. “Creative learning and communities of practice: Perspectives for music education in the school.” International Journal of Community Music 6.3 (2013) : 281-290. Academic Search Complete. Web. 5 Mar. 2014.
The way children learn even in today’s society has changed drastically over the years and will continue to change in the future. Music teachers in particular are not excluded from this statement. As a music educator myself, I have learned that all students learn at different paces and learn
Music As A Social Praxis." Music Education Research 15.4 (2013): 455-470. Education Research Complete. Web. 7 Apr. 2014.
Brown, L. L. (2012, May 25). The Benefits of Music Education. Retrieved September 29, 2017.
If one were to look back into the world’s history, one would find that an important and consistent element is the world of music. Music has presented itself in various forms throughout its spread and through our identification of its magical realm, people have been fortunate enough to come across a means of relation. Whether it is blues and reggae or rap and pop rock, there is music out there for everyone. Music can serve as a stabilizer for some, a relaxant to others, and to many a form of inspiration.
Lack of engagement in someone’s formative years has a huge influence on their engagement in their adult years; hence the key to success here is striking early. Fortuitously, many professional Australian orchestras are beginning to play their part in music education, and play it loudly. For examples we can turn to the Melbourne Symphony Orchestra, who just completed their ‘Education Week’, collaborating with Benjamin Northey and Paul Rissmann in a huge variety of children and adult education sessions. Similarly, the Adelaide Symphony Orchestra make an example of their Professional Pathways program, providing insight into many aspects of a career in professional music in aspiring musicians, and their school tours, playing both for and with junior primary students. It is both thrilling and relieving to see these organisations make the changes to their community involvement in education to sustain interest in such a challenging and meaningful art form. The change that we are already seeing needs to continue and must receive the support which is crucial to its
For many, music is a passion and career. For others, an enjoyable hobby. Most people would no doubt agree with Plato, that music “gives a soul to the universe, wings to the mind, flight to the imagination and life to everything.” Music’s ability to increase and enhance interhemispheric processing, strengthen visuospatial processing, and evoke emotions which physically affect the brain makes music one of the world’s most powerful agents to heal, teach, and help humanity to lead productive, fulfilling lives. As Hans Christian Anderson once said, “where words fail, music speaks.”
Steven, Kelly, N. (2002). A Sociological Basis For Music Education. International Journal of Music Education. 43. Pp. 40-49
Music education plays an enormous role in student’s overall well being, outweighing the costs of it. In 1994, Congress passed the Improving America’s Schools Act, concluding that “...the arts are forms of understanding and ways of knowing that are fundamentally important to education” (Ford, AdamMcMahon, Maureen). Congress recognized the importance of music education. Now the effort must be made to make a difference. If people really do want the best for the future, music education is key. Ramon Cortines, former chancellor of the New York City public schools stated, “We engage in the arts, we ought to teach the arts, because this is part of what it means to be human” (“Arts Education”). When people eventually realize this, the benefits will be vast.
The job of a music educator is to foster an environment where everyone can succeed in music. Students have the ability to grow and to be a part of a team through their participation in group activities. We must encourage the growth of students within our music education program, not just as musicians but also as individuals.Instrumental Music For Special Learners