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The X-Files
The X-Files is generally acclaimed as the television cult hit of the 1990’s. The pilot that aired in September of 1993 introduced FBI agents Fox Mulder and Dana Scully. Together the two work to uncover the truth behind unsolved cases that defy normal investigation, the cases that the government has buried or ignored, labeling them the “x-files.” The two agents are wonderful examples of modernism and post-modernism world views.
First in order to understand the reasons Scully and Mulder portray the two world views, we must understand what modernism and post-modernism mean. Modernism was the era that was dominated by Freud and Marx, a belief that humans are purely material machines, a belief that we live in a purely physical world and nothing exists beyond what our senses perceive. Modernists believe that people should be rationalistic optimists and depend only on the data of their sense of reason. Scully strongly displays the modernist world view throughout the show even after the two agents have been through many fantastic adventures. In the show as a whole there are modernist aspects because both Scully and Mulder are truth seekers. The shows motto is “the truth is out there” so this produces a strong concept of truth. However the show as a whole is very post-modern because it questions the modernist world view with its themes. It is interesting the show continually suggests that “the truth is out there” but it is hidden under many different interpretations and perspectives. Post-modernism rejects the modernist ideals of rationality, virility, artistic genius and individualism, in favor of being anti-capitalist and scornful of traditional morality. Mulder strongly displays the post-modern world view.
Scully is the modernist in the show, she is constantly doubting Mulder and always making a new plot or rationalization for what is happening. Scully often makes fun of or laughs at Mulder’s insistence of the existence of the supernatural or paranormal. Scully values science and rationality and even though the events seem to be unbelievable she never gives in and believes in Mulder’s theories. The main reason Scully was assigned to the x-files project was because she was a skeptic, they trusted her to write a clear scientific analysis of the cases. In the pilot Mulder asks Scully if she believes in extraterrestrials, she replies with "Logically I would have to say no. Given the distances need to travel from the of reaches of space the energy requirements would exceed a spacecraft's capabilities —".
Meat head, dumb jock. These are just two of the many derogatory labels given to football players. Is it possible for me, a meat head, to hear the criticisms dealt to the sport of football? Is it possible for me, a dumb football jock, to understand and be objective about the issues raised in the book, Friday Night Lights? Yes, because I'm not the stereotypical football player like those described of Odessa, Texas.
Conspiracy theories accuse others of a cover up by secret planning. They may be based on a hunch or even backed by evidence. To the curious mind, they bring about unanswered questions that have attracted the attention of many people throughout history. Among some of the more popular theories are the assassination of President John F. Kennedy; the death of Princess Diana; alien encounters in Roswell, New Mexico; and the idea that Elvis may still be alive. Perhaps the most intriguing theory, because of our neighboring location, is the underground bunker and seemingly strange characteristics at the Denver airport.
Imagine, if you will, a time that seemed innocent... almost too innocent. Imagine a nation under whose seemingly conformist and conservative surface dramatic social changes were brewing, changes as obvious as integration and as subtle as fast food. And imagine, if you will, a radical television show that scrutinized, criticized, and most importantly, publicized these changes, making the social turmoil of a nation apparent to its post-world war, self-contented middle-class citizens. But what if this television show was not as it appeared? What if it masqueraded as simple science fiction, and did not reveal its true agenda until viewers took a closer look? Let us examine how such a television program can become a defining force in the culture of a nation, a force that remains just as powerful almost forty-five years after it first appeared. Let us investigate the secrets of... The Twilight Zone.
The Area 51 military base has been one of America’s most controversial places. Controversies ranging from unidentified flying objects (UFO’s), alien sightings to highly advanced military technology. Recently, the CIA has declassified some documents and acknowledged the existence and the development of the spy planes, but deny any UFO’s or alien sightings (or experimentations). However, there are still many people who believe in the conspiracies of UFO’s and aliens, they believe the CIA hasn’t been fully honest, and that there is much more than what they are telling.
Is High School football a sport, or is it more than that to some people? Recent newspaper headlines include such items as coaches abusing student athletes; fathers of athletes murdering coaches, and mother’s disabilitating cheerleading candidates to assure their daughters make the cheerleading team. In Odessa, Texas high school football is a major contributor to the society of a small town in Texas society. Every Friday night, 50,000 people fill the stadium to see high school students put their lives on the line to win a football game. H. G. Bissinger writes a novel called Friday Night Lights, about a year in 1988 where High School players prepare and play on the High School team, and what an impact they have on a small city in Texas.
The typical episode of the critically acclaimed, indie-darling, sitcom 30 Rock focuses on the lives of the writers, producers, executives and love interests of those involved in the production of a fictional sketch comedy television show called TGS with Tracy Jordan. 30 Rock is widely known as a show that deals with race, gender and class issues from multiple, humorous perspectives. Yet watching Season Five, Episode Twenty, a viewer could grow uncomfortable at the racial generalizations. The episode is entitled “Queen of Jordan” and is intended to parody the Real Housewives franchise of reality television. The episode was shot and aired as if it were a Bravo network reality show, entirely separate from 30 Rock, although it features the antics of the usual cast of 30 Rock. Although the critically acclaimed television show 30 Rock parodies the characterization of personhood on reality television, characters such as Angie Jordan (Sherri Shepherd) and her crew are still derivatives of these three classical African American stereotypes. 30 Rock’s uses these stereotypes to parody reality television and the humor stems from laughing at the racists rather than the race of the characters.
The UFO crash site in Roswell New Mexico in 1947 was the start of people’s interest in extraterrestrials, the discovery of military secrets and experiments kept from society, and the start, in search of answering are we alone in this universe.
What lies in the world of politics is a world of fear. Or so for the ones who cross Francis Underwood, the main character in the Netflix original series, House of Cards. As season one starts off, Francis Underwood captures the true essence of what the entire show is about, “There are two kinds of pain. The sort of pain that makes you strong, or useless pain. The sort of pain that's only suffering. I have no patience for useless things”(Script: reddit.com). As he finishes this line he brutally kills a dog lying on the street, who had just been injured after being hit by a car. He continues on, “Moments like this require someone like me. Someone who will act. Who will do what no one else has the courage to do. The unpleasant thing. The necessary thing” (Script: reddit.com). Through persuasion, manipulation and down right corrupt politics, House of Cards displays a unique spin on the world in Washington, one that some may believe not to be far from the truth.
“I guess what I’m tryin’ to say is…not everything comes down to how you carry it in the street. I mean, it do come down to that if you gonna be in the street. But that ain’t the only way to be.” --Dennis "Cutty" Wise
A highly debated topic concerns whether criminals commit crimes because of a social pressure or an individual urge. The strain theory supports crime as a social pressure because, as Frank Schmalleger suggests in Criminology Today 222, crime is an adaptive behavior that coincides with problems caused by frustration or unpleasant social surroundings. Also, culture conflict theory states the cause of delinquent behavior is because different social classes conflicting morals of what is appropriate or proper behavior, (Schmalleger 228). Other people believe blaming crime on the economy or where they grew up is making an excuse for criminals instead of making them take responsibility for their actions, as stated by CQ writer Peter Katel. These different views started with statistics taken on crime in the early 1800s. Andre Michel Guerry of France was one of the first examiners of “the moral health of nations” in the early 19th century, (Schmalleger 35). Another early crime statistician was Adolphe Quetelet of Belgium . Quetelet evaluated the crime rates between weather, sex, and age. His findings that climate contributes to high or low crime rate is a main factor in today’s fight against crime. It is doubtful this issue will ever be settled since there are too many pros and cons to each side. However, while specialists’ dispute this, crime is not stopping. There needs to be a way, or possibly several ways, to reduce criminal activity. It is doubtful criminal activity will ever be put to an end. The same is to be said about why people commit crime, but knowing if it is done socially or individually can help with the fight against it. In the end, individuals should take responsibility for their actions, but...
The influence of the media on women is not unknown, but it was especially prevalent in the 1960s. According to David Croteau and William Hoynes, both professors of sociology, “Media images of women and men reflect and reproduce a whole set of stereotypical but changing gender roles” (quoted in Mahrdt 1) and, as society changes and opinions are altered, television shows adapt. However, the television show Mad Men is unique because it does not show life today, but the life of the 1960s. It shows what life was like for the women who lived during a time when the “feminine mystique” controlled society.
We've come to a point where television has become so loaded with “vampire-this” and “werewolf-that,” that each show has begun to look like the reruns of another. Luckily, this definitely isn't the case for creator Vince Gilligan's, Breaking Bad. Breaking Bad follows the life of Walter White (played by Bryan Cranston), an ordinary high school chemistry teacher. With a loving wife and teenage son at home, over time, Walter has formed an exceedingly mundane routine for his life. After soon discovering that he had been diagnosed with inoperable lung cancer, Walter decided to take extreme measures in order to secure his family financially. Eventually, he would descend into a world so dark and utterly twisted, that it would eventually consume him. Walter White became Heisenberg; the greatest drug lord the streets had ever seen. As he ascended in status within the drug cartel, the love and trust he had from his family and friends quickly descended. There are thousands of reasons that explain why millions of people tune into Breaking Bad. This series offers a much needed relief from the Dracula descendents, which frankly, are slowly diminishing any scope of variety existing on television. Because of the outstanding acting, seemingly distorted reality, and uniquely relatable storyline and characters, this hit show tops the charts as the best modern-day television series that cable has to offer.
“Year after year, twenty-something women come to New York City in search of the two L's: labels and love” is the very catchy line that opens the film with Fergie’s ‘Labels or Love’ as the soundtrack and The Big Apple as its introductory shot. The scaling deduced from the bird’s eye-view-point of New York City, showing its Metropolitan atmosphere with skyscrapers and the famous Brooklyn Bridge; to the urbanites of the City; then to the lead actors of the film. A fifteen year-old girl watches the film, mesmerizing the ecstatic city while admiring the skinny white bodies of the ladies. And last but never forgotten, she gets carried away with the funky upbeat rhythm of the song emphasizing “Gucci, Fendi, [and] Prada . . .” That is the introduction of Sex and the City and the focus of its cinematography. With its elements, the movie can honestly influence teenage girls. Yet as much as critics such as Maya Gordon of Psychology of Women Quarterly say how media contributes to the sexual objectification and values women “based on their appearance,” this film should be an exemption.
However in this essay, I am going to analyse what is the enduring appeal of crime drama for a television audience through a close analysis of crime theory, the narrative as well as the gender of the crime drama genre. I will illustrate my analysis with three detailed examples of Oz (1997-2003), 24 (2001-2010) and The Bill (1983-2010).
Television comedies have been on the air for decades, and throughout this time many different shows have come and gone. Due to the dominance of these shows, comedies are one of the biggest draws on television. There are many different types of comedies, each with their own unique characteristics and features that differentiate them from others and lead to their popularity. Whether the show is a sketch comedy, sitcom, mockumentary or dramatic comedy, each utilizes different types of humour, locations, themes, and situations to appeal to the audience; which is likely why they are so popular today.