The Women of Jane Austen
Jane Austen has attracted a great deal of critical attention in recent years. Many have spoken out about the strengths and weaknesses of her characters, particularly her heroines. Austen has been cast as both a friend and foe to the rights of women. According to Morrison, 'most feminist studies have represented Austen as a conscious or unconscious subversive voicing a woman's frustration at the rigid and sexist social order which enforces subservience and dependence'; (337). Others feel that her marriage plots are representative of her allegiance to the social quid pro quo of her time: 'Marriage, almost inevitably the narrative event that constitutes a happy ending, represents in their view a submission to a masculine narrative imperative that has traditionally allotted women love and men the world'; (Newman 693).
In reality, Austen cannot accurately be evaluated as an author (or feminist subversive) without first examining the eighteenth century English society in which she lived and placed her heroines. Watt says that Austen's characters cannot be seen 'clearly until we make allowances for the social order in which they were rooted'; (41). Austen lived in a society where women were expected to be 'accomplished,'; as Darcy states in Pride and Prejudice, but not well educated ('Notes';). Women of the late eighteenth-century could not attend educational institutions like Oxford or Cambridge. It was not considered necessary for a woman to have knowledge of either Greek or Latin. If a woman received training, it was usually religious or domestically practical. The expected accomplishments of a woman at the time included the ability to draw, singing, speaking modern languages (such as Italian or French), and playing a musical instrument, usually the piano. These accomplishments were required to attract the right (rich) kind of husband.
A woman's financial status was very important, and yet there was little she could do to improve it. Women of some social standing could not just go out and get a job. The only opportunities for support outside one's family was work as a governess, or live-in teacher. Money for a woman usually only came through marriage or the death of her father, and then only if she had no brothers or other male relatives.
Marriage, then, was looked upon by both men and women as a necessity for security, regardless of a lack of attraction or love. Long-range financial stability had to be procured at an early age.
Women were auctioned off as “merchandise” to the best suitor they could get in town. Beauty, though important, was not as important as the dowry the woman possessed, because it was the dowry the family provided that could exalt a man’s societal status to all new heights. Once married, women were expected to have son’s for their husbands in order to take over the family business. A barren woman was not an option and could have easily been rushed to the nearest convent to take her vows of a nun, for no honor could be brought otherwise. No woman could run from the societal and legal pressures placed upon them. Rather than run, some chose to accept their place, but, like Lusanna, some chose to fight the status quo for rights they believed they
Charlotte Bronte's Jane Eyre may be superficially read as simply a sweet romance in which Jane ends up with the man of her dreams after overcoming many obstacles and challenges. But doing so misses the much deeper—richer—messages of Bronte's lasting masterpiece. A more thoughtful reading reveals this novel, especially its heroine Jane, challenging centuries-old gender roles which assume male supremacy, characterizing men as the dominant, more privileged gender, while women are oppressed into inferior and submissive roles. Of course this Victorian novel portrays the expected gender roles of both men and women in 19th century England, but Jane rises out of the patriarchy challenging the social roles assigned her with a personality marked by sass and self-assurance . Ms. Bronte, through Jane, ultimately demonstrates that women can live their lives on equal terms with—or independent of—men.
Women in the time of Jane Austen dedicated their lives to being good-looking (seen in the vanity of Lydia and Kitty especially) and accomplished to ensure they were marriage material, just as the maiden tried to be enchanting and desirable for The Prince. Both texts illustrate an imbalance and struggle for equality within the oppressive rules and expectations that revolve around women’s lives, and so, their relationships.
Jane Austen completes her story with a “Cinderella ending” of Catherine and Henry marrying. However, her novel is more than a fairytale ending. Although often wrong and misguided in their judgments, she shows the supremacy of males that permeated throughout her society. Jane Austen takes us from a portrayal of men as rude, self-centered, and opinionate to uncaring, demanding, and lying to downright ruthless, hurtful, and evil. John Thorpe’s and General Tilney’s total disregard for others feelings and their villainous ways prove Austen’s point. Whether reading Northanger Abbey for the happy ending or the moral lesson, this novel has much to offer.
While there is no shortage of male opinions concerning the role of females, which usually approve of male dominance, there is a lack of women expressing views on their forced subservience to men. This past subordination is the very reason there were so few females who plainly spoke out against their position, and the search for females expressing the desire for independence necessarily extends to the few historical works by women that do exist. Jane Austen is a well-known female author, and it is natural that her novels would be studied in an attempt to find a covert feminist voice. However, though certain feminist elements may exist, one common theme found throughout the novels Pride and Prejudice, Mansfield Park, and Emma, makes it impossible to label these works as completely supporting feminism. The idea that women should not be allowed to have power, should be controlled by men, and that males should use their power to the fullest extent is inescapable. This idea is raised repeatedly throughout these novels.
In eighteenth century which feminist in social status was not popular by that time, author can only through literature to express her thought and discontented about society. Jane Austen’s Emma advocates a concept about the equality of men and women. Also satirizes women would depend on marriage in exchange to make a living or money in that era. By the effect of society bourgeois, Emma has little self-arrogant. She is a middle class that everyone could admire, “Young, pretty, rich and clever”, she has whatever she needs. She disdains to have friends with lower levels. However, she is soon reach satisfaction with matchmaking for her friend. Story characterizes a distorted society images and the superiority of higher class status. It brought out the importance of class divided over that time. Story Emma is female bildungsroman. In this thesis will explore the essentials of old society, feminism and the fear of marriage and how main character’s spiritual growth to transform distorted ethic on social value and value of marriage.
In the ordered English town of Highbury in Jane Austen’s Emma, people live a well constructed life, which shapes the views of social classes in their world. Despite the fact that Emma is a nineteenth-century novel, it represents a time when women depended on economic support from men. This method is observed through the main character Emma, who spends a great deal of her time agonizing about wealth and potential power. In the novel, readers are introduced to Emma as a young prosperous woman who manages her father’s house. Since she is younger than her two sisters, she is introduced to various female characters, which influence her social development and exemplify a range of gender roles available to her. In Emma’s household women are superior to men, as her father demonstrates feminine tendencies and the women are portrayed as masculine. This could be the reason Emma prides herself in being an advocate of structuring prosperous relationships within her community. When Emma considers prosperous relationship, she begins by categories people by their power and beauty. In Emma’s mind, power and beauty is the ideal combination to developing a perfect society. In Jane Austen‘s Emma, the main character Emma uses her obsession with beauty and power to create her own utopia. Emma’s utopia reconfigures the social system so that hierarchy is defined by looks and character instead of birthrights. However, when Emma’s attempt to create her own utopia fails, Austen challenges readers to accept the existing order and structure of the early nineteenth century English society.
Austen’s Pride and Prejudice is well-noted for its ability to question social norms. Most importantly, Austen explores the institution of marriage, as it was in her time, a time where many married for security rather than love. Her characters Elizabeth and Charlotte are renowned even more for their outspoken nature and different views on marriage. Though both Elizabeth and Charlotte yearn for a happy marriage, Charlotte has a more pragmatic and mundane approach while Elizabeth is more romantic and daring with her actions. Through the romantic involvements of both Elizabeth and Charlotte, Austen shows that happiness in marriage is not entirely a matter of chance, but is instead contingent on an accurate evaluation of self and others Elizabeth’s view on Jane and Bingely’s relationship is more hopeful, while Charlotte possesses a more aggressive view.
Even though today Jane Austen is regarded for her writing, during her time she couldn’t even publish her work under her own name, because it was considered unladylike for women to be intellectual figures. Unlike J. K. Rowling and other English female writers today, who are well known for their works even without using their full names, Jane Austen lived within the sanctuary of a close-knit family and always published her works under a pseudonym that could not be traced back to her (jasna.org). Writing at the time was a male-dominated profession and women depended completely on men for their livelihood. During her upbringing she knew the importance of money to women in a severely classist and patriarchal society, and so marriage was the answer to the survival of women during this time (Helms 32). Even knowing these qualities were important in her life she criticized them.
Jane Austen's novel Pride and Prejudice portrays varying attitudes to marriage. "The intricate social network that pervades the novel is one that revolves around the business of marriage". Through her female characters the reader sees the different attitudes to marriage and the reasons that these women have for marrying. These depend on their social status and their personal values. The reader is shown the most prevalent and common view of marriage held by society in Austen's time, and through the heroine, a differing opinion of marriage is explored. We are shown how marriage is viewed by the very wealthy and the values they emphasise in marriage. Through the characterisation of these women and use of irony, Austen has influenced the reader's opinions on the characters attitude about marriage and that of their contemporaries.
In the Eighteenth and Nineteenth centuries, the idea of patriarchy ruled the many societies all over the world. Particularly in Britain, its “overarching patriarchal model” (Marsh) had “reserved power and privilege for men” (Marsh). Also during this time period feminist literature began to arise and was invaded by, “the complex social, ethical, and economic roots of sexual politics… as testimony to gender bias and the double standard” (“Sexual Politics and Feminist Literature”). In Jane Austen’s writing, readers have been aware of her constant themes of female independence and gender equality. However, many have criticized the author for the fact that many of her “individualistic” female characters have ended up
Jane Austen’s famous novel Pride and Prejudice promotes change in the way the English society during the 19th century viewed marriage. Through the use of conservative characters that were socially accepted in England during this time, Austen provides the reader with necessary details that show how insane these people were. On the other hand, Austen gives her dissentient characters more credit for their rebellious deeds. Austen’s campaign against social prejudice seems to succeed when Elizabeth marries Mr. Darcy for love rather than money.
The novel, Jane Eyre, by Charlotte Brontë is about a female character battling society's conservative view on women's rights and roles in civilization. Jane Eyre was written during the Victorian Era when women were seen less than equals to men, but more as property and an asset. At the end of the era was when feminist ideas and the women's suffrage movement began to gain momentum. In the novel, Jane encounters three male characters, Mr.Brocklehurst, Mr. Rochester and Mr. St. John Rivers, who try to restrict her from expressing her thoughts and emotions. In Charlotte Brontë's novel, Jane Eyre, Victorian ideology influences today's society by making women seem inadequate to men. Brontë wants to convey that rather than conforming to other's opinions, women should seek freedom and break free of the barrier that society has created for them.
... insight of the life of a woman living in the times of Jane Austen. We
In 1813 one of Jane Austen’s best works was published called Pride and Prejudice. Pride and Prejudice takes place in England during the early nineteenth century. Austen’s main purpose, while writing Pride and Prejudice was to convey the idea that marriage was not a business but marriage was about love. There are many prominent romance novelists out there but the one difference between them and Jane Austen is their style of writing. "Various critics have consistently noted that the plot development of Pride and Prejudice is determined by character — coincidence exerts a major influence, but turns of action are precipitated by character. Although human weakness is a prominent element, ranging from Miss Bingley's jealousy to Elizabeth's blind