The Without Chloe Series was photographed and designed by a mother who cut out all objects that belonged or had anything to do with her daughter to see how life would look without her. The artist, Courtney Kessels, her life revolves around her daughter Chloe. All of her artworks and photographs are based off her daughter, but what if she never had Chloe and just made all her belongings disappear? The series, Without Chloe, are photographs of the inside of their house and Kessel cut out certain objects that had belonged to Chloe or had anything to do with her. The series of pictures really makes one think about if you did not have that certain someone in your life, how your life would look like and what would not be in your life anymore because …show more content…
None of the photos have any rough or sandy texture, but if one were to use the texture of the objects taken in the picture, the texture would be considered as bumpy, rough, smooth, textile, and glass. For example, the rough texture of the baskets, lamp, and lantern. What is located in the photos tell a whole new story than the photograph itself. The element shapes play another huge part in the piece, Without Chloe Series. The shapes shown in the pictures are very geometric meaning the objects are the normal circle, square, and rectangular shapes. Even the objects cut out and missing are a geometric shape. This could go along with how maybe the artist is trying to show the normality in a person’s everyday life. These shapes are considered the normal, more popular types just like how these objects are the normal objects to have in a homeowner’s …show more content…
The first idea that came to mind was that the artist had cut out these objects because she no longer has Chloe in her life. I thought of this because of the name of the series of photographs Without Chloe. She could have lost Chloe and no longer will ever have Chloe back in her life. The second idea that came to mind was that someone who the artist ones loved walked out of her life taking all the gifts they have ever given her. This could be her partner, friend, or anyone the artist was ones close to. I predict that this person ones again are Chloe. The cut outs could represent the emptiness in her life and the hole in her heart. That Courtney Kessel, the artist, feels lonely and that she is missing this someone, maybe Chloe in her life now and the only way to replace all the empty objects is to find ways that will heal herself and fill in all the emptiness in her life. The last conclusion that I thought of was that maybe the artist wants to buy these objects and things and just simply does not have them in her life. The artist is just leaving empty spaces so that when she does buy the things she wants; she has room to place her new possessions
Sutherland used, for the majority of the time, oils and pastels as her main medium in her landscape compositions. Sutherlands technique and style can be described as impressionistic, textural and post impressionistic.
The brush strokes are similar to Leonardo’s sfumato technique, but reminiscent of Rapheal’s color usage. The strokes are soft along the edges giving them a hazy appearan...
This symbolizes Jeannette and her life. I think the tinkerbelle doll symbolizes Jeannette being lit on fire and also it symbolizes her life and how it keeps falling apart.
She describes loss as an art, as if she has lost so much that she has become an artist
The dominant line in this piece of art would have to be a straight line. To be precise, the vertical straight line is a vivid piece to this art. Within the art, you can also see shapes such as squares and rectangles. These four sided shapes are found in many different aspects of the artwork. For example, the buildings in the background are rectangles, and the border is full of rectangles and squares. The form of this art is clearly 2D, considering it is on canvas. Although, Ringgold did an amazing job at portraying a sense of 3D degression. The texture of this art is considered to be rough and clothlike. This is due to the fact that “Ringgold’s vehicle is the story quilt” within this work of art. (Spector, Nancy.) The space of this art could be described as busy. There is something new in each square of the quilt. There is also a large value change if you compare the inner middle of the artwork to the surrounding edges of it. The core of this piece of art is dark while the outside is light. The type of balance would be considered asymmetrical. There is also not a distinct pattern in this piece. Another detail to this artwork is that everything is in proportion. The only rhythm and movement found is the young girl in the sky looks as if she is flying. A strong contrast found is, again, the bright floral border compared to the dark picture inside. The pieces of this piece are bold and do not work together because they highly
Starting with visual elements I saw lines, implied depth, and texture. I see lines by him using lines created by an edge. Each line is curved not straight but it works with the piece. By using this he creates the piece to make it whole. He uses many curved lines within the painting I don’t know if there is a straight line in the whole thing. The next element I saw was implied depth. Using linear perspective you can see the mountains but they look smaller than the rest of the piece. They are the vanishing point in the back making it look as if you can walk down and they will get closer and closer to you. The last element that I saw was texture. They talk about Van Gogh’s painting, The Starry Night having texture through a two- dimensional surface, in which this painting has that similar feel. Van Gogh uses thick brush stokes on his paintings to show his feelings. There is actually a name for this called, Impasto,
Shapes are the first symbols that can be seen throughout the story. For example, the black box, and the town square are square shape. A square represents Shirley states, “the people of the village began to gather in the square.” Circles are also shown in the stool and in the white paper. Shirley Jackson wrote, “it had a black spot on it.”
The narrator tears and rips at the wallpaper by day to release the image from behind the pattern that haunts her at night. During the day she refrains from looking out the windows because "there are so many of those creeping women" and she begins to "wonder if they all came out of the wallpaper" as she did (668). She represents the struggle of being so close to freedom from the dominating male society but not able to free her spirit from confines of her own world just yet.
From the piece of artwork “Rain at the Auvers”. I can see roofs of houses that are tucked into a valley, trees hiding the town, black birds, clouds upon the horizon, hills, vegetation, a dark stormy sky and rain.
The grandchild “proudly” shows the grandmother the picture hoping to change the negative aura surrounding them. “With crayons the child draws a rigid house and a winding pathway.” (924) As already stated, “house” represents the grandmother. The winding pathway shows a new path opening up in her life. A look into who may be behind this emotional roller coaster is now featured. “Then the child puts in a man with buttons like tears…” (924) Tears to the child have an entirely different meaning than to the grandmother. The grandchild sees happiness in tears, showing that you can find something positive in anything that seems to be upsetting. The man symbolizes the loss the grandmother is feeling. The grandchild drew this picture to cheer up the grandmother. It is at the end of the pome do we find out what tears mean to the grandmother. The grandmother does not acknowledge the drawing and tries to hide her true feelings. While she is doing this, “secretly…the little moons fall down like tears from between the pages of the almanac into the flower bed the child carefully placed in the front of the house.” (924) The grandmother is coming to the realization that dwelling on the past brings will not make her loss return. Regardless of how much of an impact this loss had on her, pain is part of the grieving process. Only though pain
As the first poem in the book it sums up the primary focus of the works in its exploration of loss, grieving, and recovery. The questions posed about the nature of God become recurring themes in the following sections, especially One and Four. The symbolism includes the image of earthly possessions sprawled out like gangly dolls, a reference possibly meant to bring about a sense of nostalgia which this poem does quite well. The final lines cement the message that this is about loss and life, the idea that once something is lost, it can no longer belong to anyone anymore brings a sense...
The narrator claimed that there was a woman trapped by bars in the wallpaper. It is like a prison that she is stuck in and coincides with the narrator as she is also forced to sit inside a room alone. It is also symbolic of John and his wife’s relationship. As the narrator looks deeper and deeper into the wallpaper she is really just observing her life. The yellow wallpaper really changes the narrator and her mind and she begins to dislike John. The narrator is dealing with postpartum depression and many people that are depressed are usually stuck inside their own minds. It’s like your vision is just a window you can see out of, but cannot escape. The narrator is seeing herself in the wallpaper and trying to escape because she is also trying to escape her depression. Close to the end of the story John’s wife starts to rip apart the yellow wallpaper and when she is ripping it is like she is helping the woman inside the wallpaper which is really her, to
“John is so queer now, that I don’t want to irritate him. I wish he would take another room! Besides, I don’t want anybody to get that woman out at night but myself.”(Gilman) She is now imagining the woman out of the paper and creeping around outside. She wants to catch her even though there is no one to even catch, but she doesn’t know that. Her husband is at work all day which gives her the opportunity to creep around, explore and find this woman. Her husband John would suspect her of something if she left the room at night so she must do it during the day. This quote shows symbolism in relation to the fact that the woman in the paper is symbolizing the narrator wandering around outside. Moreover, she is clearly hallucinating about this woman in wallpaper. Her visibility of insanity is quite clear when the author says, “That was clever, for really I wasn’t alone a bit! As soon as it was moonlight and that poor thing began to crawl and shake the pattern, I got up and ran to help her. I pulled and she shook, I shook and she pulled, and before morning we had peeled off yards of that paper.” (Gilman) The narrator is imagining interactions that have occurred with the woman she sees in the wall. They begin to peel off all the paper, working together in her mind. She then begins to imagine the wallpaper laughing at her when the sun is out. It can be concluded that her husband should not be taking care of her because he is the sole reason she is insane in the first place. This quote demonstrates symbolism because the woman in the wall represents the psychotic state that the narrator’s husband has driven her to. With this in mind, the narrator becomes connected with the woman in the wall. “I have locked the door and thrown the key down into the front path. I don’t want to go out, and I don’t want to have anyone come in, till John comes. I want to astonish him. I’ve got a
The way Gilman describes the wallpaper tells of what the narrator's mind is thinking, 'and when you follow the lame uncertain curves for a little distance they suddenly commit suicide.';(Gillman 206) She doesn't think this on the conscious level but more on the unconscious level. When the narrator writes, '(The designs) destroy themselves in unheard of contradictions.';(Gillman 206) She is speaking of her state of mind subconsciously, the narrator is on the brink of losing her mind at this point. Gillman writes, 'There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down. '(Gillman 207) She was explaining how the wallpaper is like a 'watchdog'; or a guard of some type, watching her every move, naturally making her nervous.
Shapes are two- dimensional surfaces such as circles or squares, and forms are three-dimensional shapes like spheres or cubes. A concave form has a pushed-in surface like the inside of a bowl and a convex form has a raised surface like the outside of a bowl. When you are looking at shapes and forms, the shape that you see first is called a figure or positive shape and the area around it is called the ground or the negative shape. The natural curves in different objects, such as trees or clouds are called organic shapes. Geometric shapes and forms are precise and regular such as cubes, pyramids, and circles. A free-form is an irregular invented shape or form that has qualities of a geometric form or an organic form.