The Wicked Witch and Snow White
Edith Wharton presents two memorable characters in her novel, Ethan Frome. The reader is presented with Mattie Silver who is young, and good-natured, and Zeena Frome, who is a bitter hypochondriac seven years her husband’s senior. Upon a first inspection, Zeena Frome and Mattie Silver of Edith Wharton’s Ethan Frome seem to be extreme opposites in every respect, but upon closer scrutiny, one finds though they are indeed different in character, though they eventually share great similarities. Zeena and Mattie’s differences in appearance and character, but similarity of fate, all contribute to the theme of the novel which is that one cannot escape the social class one is born in.
Edith Wharton first describes Zeena in Chapter II as a woman who is but 37 years old, yet appears more elderly than her biological age. Zeena is associated with the dimness and grey of the winter landscape of Ethan Frome. There is no beauty or warmth coupled with the character of Zeena:
“Against the dark background of the kitchen she stood up tall and angular, one hand drawing a quilted counterpane to her flat breast… The light… drew out of the darkness her puckered throat and the projecting wrist of the hand that clutched the quilt, deepening fantastically the hollows and prominences of her high-boned face under its ring of crimping pins.”
Mattie Silver, on the other hand, is associated with what little light and warmth there is in the cold setting of the novel. Wharton describes Mattie as “taller, fuller, more womanly in shape and motion.” She goes to relate Mattie’s appearance on that same page: “She held the light… and it drew out with the same distinctness her slim young throat and th...
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...an was suffocated with the sense of well-being.”
Edith Wharton presents a stark contrast of the feelings Zeena and Mattie inspire in the man they care most for. Zeena inspires irritation, awkwardness, and antipathy while Mattie promotes “eloquence,” and feelings of “well-being.”
Wharton was an avid social critic. She believed that it was difficult, if not impossible, to escape from the social and economic class one was born in. None of her other novels that were social critiques such as The House of Mirth, or Custom of the Country, portray this belief as sharply as Ethan Frome. Although Mattie was a beautiful, friendly young woman, she was destined to the same fate that Zeena was destined to because she had been born into the same social-economic class.
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WORKS CITED
Wharton, Edith. Ethan Frome. Evanston, Ill: McDougal Little, 1997.
For this literary analysis I am working with Edith Wharton’s short story “Roman Fever”. From the beginning of the story it is easy to see that Wharton uses gender stereotypes, from the time that the story is set in, to expose perennial antagonism of true human nature. The story’s two main charters, Grace Ansley and Alida Slide, early on in the story already have some past tension that continues to develop into a heated exchange until the shocking twist towards the end of the story. Gender stereotypes in Roman fever play an important role in creating tension between Mrs. Slade and Mrs. Ansley that ultimately leads to reason of why there is an underlying conflict between the two.
“Winter lies too long in country towns; hangs on until it is stale and shabby, old and sullen” (“Brainy Quotes” 1). In Edith Wharton’s framed novel, Ethan Frome, the main protagonist encounters “lost opportunity, failed romance, and disappointed dreams” with a regretful ending (Lilburn 1). Ethan Frome lives in the isolated fictional town of Starkfield, Massachusetts with his irritable spouse, Zenobia Frome. Ever since marriage, Zenobia, also referred to as Zeena, revolves around her illness. Furthermore, she is prone to silence, rage, and querulously shouting.
Several Years after their marriage, cousin Mattie Silver is asked to relieve Zeena, who is constantly ill, of her house hold duties. Ethan finds himself falling in love with Mattie, drawn to her youthful energy, as, “ The pure air, and the long summer hours in the open, gave life and elasticity to Mattie.” Ethan is attracted to Mattie because she is the opposite of Zeena, while Mattie is young, happy, healthy, and beautiful like the summer, Zeena is seven years older than Ethan, bitter, ugly and sickly cold like the winter. Zeena’s strong dominating personality undermines Ethan, while Mattie’s feminine, lively youth makes Ethan fell like a “real man.” Ethan and Mattie finally express their feeling for each other while Zeena is visiting the doctor, and are forced to face the painful reality that their dreams of being together can not come true.
Many people oppose society due to the surroundings that they face and the obstacles that they encounter. Set in the bleak winter landscape of New England, Ethan Frome by Edith Wharton is the story of a poor, lonely man, his wife Zeena, and her cousin Mattie Silver. Ethan the protagonist in this novel, faces many challenges and fights to be with the one he really loves. Frome was trapped from the beginning ever since Mattie Silver came to live with him and his wife. He soon came to fall in love with her, and out of love with his own wife. He was basically trapped in the instances of his life, society’s affect on the relationship, love, poverty, illness, disability, and life.
Perhaps Edith Wharton's reason for writing Ethan Frome, was that it so vividly reflected her own dreary life. Abandoned of any love as a child from her mother and trapped in a marriage similar to that of Zeena and Ethan, Wharton found herself relying on illicit love. This illicit love was also her favorite topic of writing, which helped her to escape her own tragedies. She spent many nights in the arms of other men searching desperately for the love she believed existed, but had never felt, which is evident in all of her writings.
This quote is explaining the feeling of Ethan when Mattie Silver comes into his home. Ethan was gloomy and pretty much sick of his wife and when Mattie comes to his house she brings hope and a whole new outlook on life to Ethan. Ethan feels that she is warm person and a polar opposite compared to Zeena. Her coming transforms Ethan?s cold and depressing existence.
There are two prominent female roles in this story, Sian and Charles's wife, Harriet. Sian's eyes "are nearly navy, with flecks of gold" (89) her skin is pale, and "there are wrinkles in the corners of her eyes and below them, her forehead unlined-high and white." "She dresses in black, all the time, simple and straight, because then everything goes with everything. Her voice is deeper than she expected and she speaks slowly. She removes them from their case, clear glasses with thin wire frames, and puts them on. He did not know she wore glasses."(90) "Her neck is long and white, there are small discoloration's, like freckles but not, on the backs of her hands and inside the neckline of her blouse. Her nails are cut short, unpainted."(92) "Her hair is loose and wavy; he remembers it as kind of pale bronze"(23) Sian is a professor and a poet, she has a few books out, this last one consisting of some thirty poems in a slim volume with a paper cover in a matte finish. She is married to a man named Stephen, and has only one child, a daughter Lilly, who is three years old. She, at one time had a son, "His name was Brian and was killed in a car accident six years ago when he was nine."(97)
When Nettie first introduces her newborn child to Lily, she tells her “Marry Anto’nette-that’s what we call her: after the French queen in the play” (Wharton 334). The significance of the baby’s name is because it is an allusion to Marie Antoinette. Her lavish lifestyle is similar to the aristocrats of New York, but she was soon murdered during the French Revolution. Her murder represents an imminent downfall, as Lily experienced. However, Wharton changes the spelling in order to signify that Marry will not belong among the wealthy, such as Lily did not. Therefore, Wharton creates a connection between Lily and Marry, because both will obtain wealth, but diverge from society causing their decline and untimely death. When Lily dies, Wharton continues to highlight Lily’s connection to Marry. After she has overdosed, Lily begins to hallucinate that she is holding Marry, in which “…the baby more likely symbolizes [Lily’s] desire to born again” (Dixon). From this wish, Wharton is able to symbolize that Marry will embody Lily, and then is doomed. But Marry is a child, who cannot control her life, and according to Social Darwinism, is forced to endure her unsuccessful future. By making Marry a futile and naive baby, Wharton employs a sense of pathos, so she can censure Social Darwinism for harming a child and
In Kate Chopin’s short story, “The Story of an Hour”, the main character, Louise Mallard, is a woman who appears to have everything life could offer her. She is a wealthy, intelligent, young lady who has a home and a husband that loves her. Similarly, the poem, “Richard Cory”, by author Edwin Arlington Robinson, also speaks of a character that appears to live a privileged life. Cory, like Mallard, is also very wealthy. He lives uptown, dresses exceptionally well and is envied by the people of his town. However, both writings present a theme that conveys the comparison of illusion versus reality. There are often times when people and situations in life appear to be a certain way, but in actuality that is not the way they really are.
The lives we lead and the type of character we possess are said to be individual decisions. Yet from early stages in our life, our character is shaped by the values, customs and mindsets of those who surround us. The characteristics of this environment affect the way we think and behave ultimately shaping us into a product of the environment we are raised in. Lily Bart, the protagonist in Edith Wharton’s The House of Mirth, is an exceedingly beautiful bachelorette who grows up accustomed to living a life of luxury amongst New York City’s upper-class in the 20th century. When her family goes bankrupt, Lily is left searching for security and stability, both of which, she is taught can be only be attained through a wealthy marriage. Although, Lily is ashamed of her society’s tendencies, she is afraid that the values taught in her upbringing shaped her into “an organism so helpless outside of its narrow range” (Wharton 423). For Lily, it comes down to a choice between two antagonistic forces: the life she desires with a happiness, freedom and love and the life she was cut out to live with wealth, prestige and power. Although, Lily’s upbringing conditioned her to desire wealth and prestige, Lily’s more significant desires happiness, freedom and love ultimately allow her to break free.
In The Age of Innocence, women are viewed in a white light of innocence. Promiscuity was excusable, even expected of men, but for women sexuality was a part of the criteria to be accepted into society or find a husband. Women were expected to be loyal to their husbands, accept restrictions, and never divorce. Archer sees May exactly as he is expected to, as a pure young woman in need of guidance. However, May had powers of her own that weren’t taken into account by Newland. May had her loyalty, duty, and most importantly, her pregnancy. May had been aware of Newland’s desire to be with Ellen for some time. New York society never would have approved of his choice to do what would make him happy, but May takes matters into her own hands in her final fight for Newland. May reveals that she is pregnant, and this piece of news immediately eliminates Archer’s choice to leave May. Finally, Newland cannot gather up the courage to go against the morals of New York society. He has no choice but to put the interests of his family above his own desires once again. The idea of a female character revealing her intuition and shred of social power ultimately forces Newland, and the reader, to question who is really in
He is physically isolated from the world and is also cut off from the possibility of any relationship. Due to his new situation, he looks for an outlet in order to relieve himself from this isolation. Luckily enough for him, Mattie comes around in order to help Zeena out due to her illness. Wharton writes, “...the coming to his house of a bit hopeful young life was like the lighting of a fire under a cold heart” (Wharton 33). As Smith recognizes in this comparison, he says that “His (Ethan) life of isolation changes, however, when Mattie Silver comes to stay with him and his wife” (Smith 96). Smith correctly analyzes Ethan’s situation, labeling Mattie as this outlet of hope that he can turn to in order to cope with his isolation. Wharton herself shows that Ethan truly did view Mattie as his outlet for hope, mainly due to his love for her, which Mattie shares equally for him. This love sprouts from many things including attractiveness, conversation, understanding, and listening, many of which he lacks for his whole life and where most of his isolation roots itself. Wharton writes, “She had an eye to see and an ear to hear: he could show her things and tell her things, and taste the bliss of feeling that all he imparted left long reverberations and echoes he could wake at will” (Wharton 28). This is a fancy way of saying that they Mattie not only listened to Ethan, but also
Through Stella’s appearance, she is conveyed as a good-natured, warm and rather affluent young woman; a complete parallel to her older sister Blanche. This is exhibited through the quotes;’ gentle young woman…background quite obviously different from her husband’. These quotes perfectly exemplifies the nature of Stella as being an approachable and kind young woman but also, reveals her aristocratic background to its readers. In addition, it is also revealed to us that her husband hails from a background
As the student begins his essay, he points out that Sammy is part of the lower class structure. He is an “eighteen-year-old boy who is working as a checkout clerk in an A&P in a small New England town five miles from the beach” (2191). While working an afternoon shift on Thursday, he notices “these girls in nothing but bathing suits” (2191) enter the store. It is in this scene that the student begins to identify the differences between the group of girls and Sammy.
Edith Wharton’s books are considered, by some, merely popular fiction of her time. But we must be careful not to equate popularity with the value of the fiction; i.e., we must not assume that if her books are popular, they are also primitive. Compared to the works of her contemporary and friend, Henry James, whose books may seem complex and sometimes bewildering; Wharton’s The Age of Innocence appears to be a simplistic, gossipy commentary of New York society during the last decade of the 19th century*. Instead, it is one man’s struggle with the questions of mortality and immortality. Wharton’s characters, settings and the minutiae of social rituals, manners, speech habits, dress and even flowers help her expose the mortal and immortal. But her adroit contrasts and comparisons with mythology elevate her fiction to the heights of sophistication.