The Western Lawman
The west was filled with various characters ranging from cowboys, bandits, bar owners, and ultimately the law. The different attitudes towards men of authority during the western era can be seen through the national radio show of Gun smoke. The knowledgeable, caring, and just sheriff of Dodge County named Matt Dillon portrays many societal roles as he is faced with perplexing situations. Through three episodes of Gunskmoke, the reoccurring theme is that Matt Dillon is the law, the judge, and often the jury. The rise of the west needed a figure of authority and Matt Dillon was that symbol. He was the first person the lawbreakers saw and also the last they wanted to meet.
Yeah, weve met Throughout the three episodes of Gunsmoke it can be seen that Dillon is a very knowledgeable person. When a towns person comes and informs Dillon regarding a certain situation, he normally knows who they are or someone related to him. Not only is he aware of whom they are but also their tendencies, whether they are humanitarian in nature or just a plain drunk. During the three episodes of Gunsmoke, Dillon was faced with solving cases in which a murder took place. Dillon knew those who were involved as well as the likelihood of that same person committing the crime at hand. It can be seen through this incident that the western lawman is knowledgeable about his surroundings as well as the various possible suspects.
Pope was a good man, he wouldnt do this In the first episode of Gunsmoke, Dillon speaks to a frightened resident who fears the invasion of Indians on his property. Dillon advises the man named Pope to acquire a gun and shoot if they came to close. When the Indians came, Pope shot one dead. However Dillon found out that it wasnt Indians but rather a group of drunken men playing a practical joke. Through this story it is evident that Dillon was very compassionate to Pope by listening to his problem and advising him. Dillon was also kind and patient to the men who played the wrongful joke. It can be seen through this incident that the western lawman is caring and understanding.
Im still the law in Dodge Dillon was also very just when it come to the law. The main theme of these three episodes was the portrayal of Dillon playing the role of investigator, judge, jury and lawman.
When considering the attributes of the Old West lawman, the mind frequently turns to the lawmen made familiar through works of fiction, created for the purposes of entertainment. One specific example of such a fictional depiction of "the lawman" exists in the episodic radio series entitled, "Gunsmoke." In this series, Matt Dillon, the Sheriff of Dodge City, repeatedly exhibits many qualities, which could be labeled as stereotypical. After analyzing several Gunsmoke episodes, and reviewing the analyses of many others, one trait, which seems to be present in Matt Dillon, is that of invincibility. Matt Dillon shoots the "bad guy" but never gets shot. He is always victorious. He always wins. We can see this pattern exemplified in three diverse situations. First, Dillon always wins a face to face gunfight. Secondly, Dillon is victorious even when he is ambushed or unprepared for an attack. And finally, Dillon wins even when no physical violence or gunplay takes place.
Gulanick, M., & Myers, J. L. (2007). Nursing care plans: Nursing diagnosis and intervention. St. Louis, MO: Mosby.
There were many accounts of what happened in Prineville on that fateful day in 1882, in Reign of the vigilantes, William Thompson told a very different account of the events of vigilantism that occurred on March 15, 1882 Thompson bent the truth to protect himself.
...ce taking place within a limited audience, allowing it to grow and develop to eventually define the culture of the New Negro. The transcendent quality of the blues, featured in the poem by Langston Hughes, may be placed in opposition to McKay as there is undeniable value in shared experience. While the nature of blues music within the poem is undeniably black and meant to connect black people, the poem presents music as something that is important for expression and formulation of identity as a dynamic community. The two poems, in their depiction of the performances, propose different solutions to the black condition of isolation. While McKay suggests that the strength to counter oppression and alienation is present in the hidden capacity of the individual, Hughes presents a man who is kept alive through struggle and persistence fueled through a communal tradition.
Without a doubt, war is an experience that can define a person, for good or bad. In the case of author Kurt Vonnegut, his experiences in World War II greatly affected his writing. Most of his works in his long bibliography of novels, articles, short stories, and plays have some sort of reference or allusion to war or other world conflicts. Kurt Vonnegut uses his novels Cat’s Cradle and Slaughterhouse-Five to preach against war by stringing together loose and outlandish story lines in a satirical and melancholy fashion.
Ackley, B. & Ladwig, G. (2010) Nursing diagnosis handbook:an evidence based guide to planning care. Maryland Heights, MO: Mosbey.
Over the years, the idea of the western frontier of American history has been unjustly and falsely romanticized by the movie, novel, and television industries. People now believe the west to have been populated by gun-slinging cowboys wearing ten gallon hats who rode off on capricious, idealistic adventures. Not only is this perception of the west far from the truth, but no mention of the atrocities of Indian massacre, avarice, and ill-advised, often deceptive, government programs is even present in the average citizen’s understanding of the frontier. This misunderstanding of the west is epitomized by the statement, “Frederick Jackson Turner’s frontier thesis was as real as the myth of the west. The development of the west was, in fact, A Century of Dishonor.” The frontier thesis, which Turner proposed in 1893 at the World’s Columbian Exposition, viewed the frontier as the sole preserver of the American psyche of democracy and republicanism by compelling Americans to conquer and to settle new areas. This thesis gives a somewhat quixotic explanation of expansion, as opposed to Helen Hunt Jackson’s book, A Century of Dishonor, which truly portrays the settlement of the west as a pattern of cruelty and conceit. Thus, the frontier thesis, offered first in The Significance of the Frontier in American History, is, in fact, false, like the myth of the west. Many historians, however, have attempted to debunk the mythology of the west. Specifically, these historians have refuted the common beliefs that cattle ranging was accepted as legal by the government, that the said business was profitable, that cattle herders were completely independent from any outside influence, and that anyone could become a cattle herder.
The story of the American West is still being told today even though most of historic events of the Wild West happened over more than a century ago. In movies, novels, television, and more ways stories of the old west are still being retold, reenacted, and replayed to relive the events of the once so wild and untamed land of the west that so many now fantasize about. After reading about the old west and watching early westerns it is amazing how much Hollywood still glorifies the history and myth of the old west. It may not be directly obvious to every one, but if you look closely there is always a hint of the Western mentality such as honor, justice, romance, drama, and violence. The most interesting thing about the Old West is the fact that history and myth have a very close relationship together in telling the story of the West.
Hate and anger was spreading throughout the pueblos concerning the Spaniards power in New Mexico. There was a small skirmish in Santa Fe that the Indians won, but Pope said they needed more than that. He wanted Indian organization, leadership, and a magic spark with which to set the country aflame. He traveled to each pueblo and won their loyalty during secret meetings he held. He wanted each pueblo to strengthen the courage of their Indians by cleansing the ranks of informers. He suspected his son-in-law as being as a spy for the Spaniards, so they killed him. The Spaniards found out about this and went looking for Pope, but he hid in the Taos Pueblo.
While the western frontier was still new and untamed, the western hero often took on the role of a vigilante. The vigilante’s role in the frontier was that of extralegal verve which was used to restrain criminal threats to the civil peace and opulence of a local community. Vigilantism was typical to the settler-state societies of the western frontier where the structures and powers of government were at first very feeble and weak. The typical cowboy hero had a willingness to use this extralegal verve. The Virginian demonstrated this throughout with his interactions with Trampas, most notably in the interactions leading up to the shoot out and during the shoot-out itself. “Others struggled with Trampas, and his bullet smashed the ceiling before they could drag the pistol from him… Yet the Virginian stood quiet by the...
As defined by Edgar Roberts setting is “the natural, manufactured, political, cultural, and temporal environment including everything that the characters own. Characters may be either helped or hurt by their surroundings and they nay fight about possessions or goals” (Roberts 109). In Cormac McCarthy’s Blood Meridian or The Evening Redness in the West, this setting is the focal point. Every natural event or decision made by the characters is unique to the wild platform on which it takes place. The setting of the West, including the mindless violence within this setting and the merciless desert that it holds, shapes the story and characters therein on a magnitude so great that the characters have no control over it.
In "The Thematic Paradigm", Robert Ray explains how there are two distinctly different heroes, the outlaw hero and the official hero. The official hero embraces common values and traditional beliefs, while the outlaw has a clear sense of right and wrong but operates above the law (Ray). Ray explains how the role of an outlaw hero has many traits. "The attractiveness of the outlaw hero's childishness and propensity to whims, tantrums, and emotional decisions derived from America's cult of childhood", states Ray. (309) Ray also says, "To the outlaw hero's inconsistence on private standards of right and wrong, the official hero offered the admonition, you cannot take the law into your own hands." (312) The values of these two traditional heroes contrasts clearly. Society favors the outlaw hero because we identify with that character more. We see ourselves more so in the outlaw hero than in the official hero. The outlaw hero has the "childlike" qualities that most of us wish we had as adults. To civilians it may seem that the outlaw hero lives more of a fantasy life that we all wish to have.
As the American landscape began to broaden its horizons, its administration of justice had to expand to accommodate new situations and environments. In the early nineteenth century, due to lack of law enforcement, the frontier presented itself as heavenly to outlaws and bandits (Schmalleger 139). Many citizens took up the task of protecting others in a form of vigi...
The second standard in the nursing process is diagnosis. During this step, the registered nurse analyzes the assessment data to determine the diagnosis or issues (“American Nurses Association,” 2010). Analysis involves recognizing cues, sorting through and organizing or clustering the information, and determining patient strengths and unmet needs. These findings are compared with documented norms...
Pogue, David and Scott Speak. Classical Music for Dummies. Foster City, California: IDG Worldwide, 1997. Print