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Cultural aspect of moviegoing
Mateship in australian films today
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Good morning/afternoon ladies and gentlemen), It is my delight to welcome you to The Australian Film Festival where we will be showcasing a variety of Australian films. I’m Reef Rohde, the organiser of this year’s film festival and will be showcasing you ‘The Water Diviner’. It was directed by the iconic films, the leading role performed by actor Russel Crowe and written by Andrew Knight and Andrew Anastasios. The Water Diviner pays recognition to a significant period in our nation’s history and I am thrilled to present to you at the Australian Film Festival this chosen film. This film I have chosen clearly demonstrates Australia’s prominent and authentic culture of mateship and family values. It was released in 2014 and has received 13 wins …show more content…
His three sons Arthur, Edward and Henry served with the Australian and New Zealand Army Corps (ANZAC) during the military campaign for Gallipoli. Following the suicide of his wife after four years, Connor travels to Turkey in search of his three sons which never returned home after the war. A dominant theme of mateship and family can be seen throughout the entirety of the film within as Connor and his three sons have developed an imperishable relationship at the initial stages of the movie. It is clearly noticeable by the audience and can be witnesses that a fond relationship develops throughout the film. This overriding theme of relationships (family relationships) is conveyed through a variety of …show more content…
The water diviner is one of Australia’s most famous cultural artefact as it thoroughly explores all aspects of The Gallipoli Battle from all perspectives. The film exhibits cultural representations through characterisations and settings. The accents and slang of the characters in the film display a strong Australian heritage, which educates the audience about Australian’s and their culture. Throughout the initial stages of the movie the setting of the scenes is placed in the rural Australian outback. The Outback is a common name in Australian culture that represents vast, unpopulated and mostly parched areas that are apart of Australia’s remote regions.
From these film techniques, the audience can perceive that Australia is an open landscape, rich in vegetation and wildlife but on the other hand the landscape appears to be a barren wasteland of red dust.
The soundtracks used throughout the film are mainly composed from prominent Australian Orchestras. The majority of soundtracks are derived from Australia’s own, Sydney Scoring Orchestra. The camera angles and types of shots in the film, assist the audience to experience the landscape of Australia in full view. The camera angles and shots are mainly
The soldiers are remembered for maintaining courage and determination under hopeless conditions. The ANZAC legend owes much to wartime correspondents who used the Gallipoli landing to generate a specifically Australian hero. Among the many reports, which reached Australia, were those of Ashmead-Bartlett. His Gallipoli dispatches described Australians as a 'race of athletes ... practical above all', whose cheers, even in death, 'resounded throughout the night'. Ashmead-Bartlett helped in...
The distinctively visual provides a means of which a composer can connect with his or her audience in order to create a clear, distinct visual image of other people and their worlds - conveyed through the use of visual or literary techniques in their media. Composers such as Henry Lawson and Dorothea Mackellar are able to effectively depict an image through an exceptional use of language and techniques that help shape our understanding of the Australian people and their world. In particular, Henry Lawson’s short stories ‘The Drover’s Wife’ and ‘The Loaded Dog’ and the Dorothea Mackellar Poem ‘My Country’ are able to effectively depict the unique environment of the Australian bush landscape.
Since the beginnings of cinema in Australia from around 1896, Australian films have charted a range of views of the Australian identity, most specifically Australian Rules directed by Paul Goldman and Sapphires directed by Wayne Blair. Movies like these two gems deserve to be recognised and put into “The Hall of Fame” along with all the other masterpieces produced.
Aboriginal history and family values have been an integral part of Australian history. Radiance is a fresh influence to sensitive Aboriginal political issues that were overdue for addressing. For someone to state this movie has a strong cultural and political underpinning would be appropriate in relation to the film. In the perspective of this submission, it is my opinion that there was definitely an abundance of issues concerning the structure of Aboriginal culture and politics in this film.
I will also discuss how the young, naive soldiers arrived at war, not knowing what warfare entailed. They were shocked by the conditions and the casualties. I will also discuss the bravery shown by the ANZACS in the most dangerous conditions. I will conclude with my reasons for why the Gallipoli campaign holds such value and importance in Australian history and ideology. Australian men were very keen to get involved in the war because they felt that it was their duty and if they didn’t go to war it would make them look cowardly.
Australia is a very unique place, along with our multiculturalism there is also a strong heritage surrounding us. At first thought of Australian heritage we think about such landmarks as Uluru, The Sydney harbour bridge and The Sydney opera house, The Great Barrier reef and other internationally recognised places. But our heritage goes much deeper than that; it is far more than outstanding icons. Along with these icons there are also unsung places like the old cattle stations, Aboriginal missions, migrant hostels, War memorials, our unique wetlands and the towns and cities we have built. Adding all of these things together, helps to tell the story of who we are and how we have shaped this land in the unique identity it has today.
Picture yourself riding horseback through the rugged mountainous terrain while the sun sets across the plains. As you trek through the bush and navigate the perilous slopes, take in the spectacular surroundings and relish in the beauty of the bushland. Doesn’t that sound like paradise? Ladies and gentlemen of the Australian Tourist Board, if you are searching for a film to showcase Australia, look no further than George Miller’s The Man from Snowy River. This captivating film is the ideal choice to represent Australia and our culture through the use of techniques such as cinematography, characterisation and music.
T Australians can be represented in a positive way by celebrating its diversity as a united nation, between its people and the land. Nevertheless, Australia can also be seen in a negative way, as being harsh and cruel. S – This presentation will be analysing one Australian song, I am Australian by Bruce
This movie was filmed among Australian land and in each shot the outback was clean, healthy and wasn’t proposed in any way dirty. The extreme wide and broad shots shown in this film capture the aspects of Australia which aren’t always seen. The visual of the panning camera and the bird’s eye view shots show Australian for its true natural beauty, which should not be taken for granted. If people at this year’s film festival notice how beautiful our country is and truly can be, this could help to promote discussion on how to keep Australia alive and
Distinctively visual language and cinematic techniques highlight to the responder the particular literal and metaphorical experiences characters are faced with, within a text. Peter Goldsworthy’s novel Maestro, Don McLean’s song ‘Vincent’ and the intriguing film Australia by Baz Luhrrman, explore the ways in which the human experiences of an individual’s connection to landscape is fundamental in shaping one’s sense of identity, personal growth and development. Composers further explore the realisation that our lives can be enriched by an understanding and appreciation of art as well as a deeper understanding of the importance of love and lust. The depiction of characters is conveyed through distinctively visual images to highlight the subsequent development of courage and resilience leads responders to a deeper understanding of how human experiences can create a sense of individuality.
Peter Weir’s 1981 film Gallipoli can in every sense of the phrase be called an ‘Australian classic’. The impact and effect this film has had upon the psyche and perspective of several generations of Australians has been significant. Whilst it can be argued that every Australian is aware of the ANZAC legend, and the events that occurred on the Turkish beaches in 1915, Weir’s film encapsulates and embodies a cultural myth which is now propagated as fact and embraced as part of the contemporary Australian identity. The film projects a sense of Australian nationalism that grew out of the 1970’s, and focuses on what it ‘means’ to be an Australian in a post-colonial country. In this way Gallipoli embodies a sense of ‘Australian-ness’ through the depiction of mateship and through the stark contrast of Australia to Britain. A sense of the mythic Australia is further projected through the cinematic portrayal of the outback, and the way in which Australia is presented in isolation from the rest of the world. These features combined create not only a sense of nationalism, but also a mythology stemming from the ANZAC legend as depicted within the film.
A Long Walk to Water is a Realistic Fiction book that can be about Determination and it is made by Linda Sue Park. Nya is the main female character, and she has to fetch water everyday and it takes 8 hours of the day to get water and come back. Nya sometimes has to move to a lake during dry season and still has to get water, Nya. also doesn’t get to go to school or learn. Salva is the main male character, the part where Salva lives has been having war and Salva has to get to a refugee camp in Ethiopia along the way Salva meets a boy named Mariel and he finds his uncle, he makes it to a camp but a couple years later the government is falling and they have to go to another camp. Later on Salva got to go to New York and live with a new family.
Crocodile Dundee (1986) directed by Peter Faiman and The Adventures of Priscilla, Queen of the Desert (1994) directed by Stephan Elliott are two Australian films that have unique plots. The expositions of both films have various similarities and differences in the context of quirky ‘Aussie’ characters, stereotypical Australian language, themes and the vast outback setting. The exposition of each film reaffirms typical Australian stereotypes.
Australia is considered as a young country when comparing to other countries as it has been founded around 200 years ago. Today, it is still in the trouble of some sort of identity crisis, trying to find its true identity. To try to define what really is considered as Australianness means one will have to take the plunge. For instance, in Australia the movie, director Baz Luhrmann made a great effort in telling an epic story of Australia but it still falls into the category of imprudent cliché of Australianness. Now we will look at the poster of Australia the movie then analyse it to interpret in what ways it represents the Australianness.
b) What Australian images or themes are depicted in the song There are Australian images/themes that run throughout the entire song. Each line has some sort of relation to an Australian concept. First, obviously the kookaburra as it mentioned throughout the entirety of the song, and is an Australian image. As mentioned earlier, in the first line Marion used the phrase ‘gum tree’ representing a eucalyptus tree, which is the most populated native tree in Australia. So the gum tree can also be seen as an Australian theme.