The War Experience in Italian Film
The experience of war as it is presented throughout the history of Italian
cinema is a uniquely composite display of historical reverence and cultural
consecration. An analysis of this experience in all of its manifestations can be
discerned from the evaluation of one or several works from the post-World
War II period within the corpus of the Italian cultural signification. It follows
from this approach that the essence of the results of this analysis will then
represent an appreciative grasp of the aforementioned corpus. The war
experience in Italian film can be succinctly considered through a detailed
analysis of Rome, Open City (Roma, Città Aperta, Roberto Rossellini, 1945),
Salo: 120 Days of Sodom (Salò o le 120 Giornate di Sodoma, Pier Paolo
Pasolini, 1975), and Life is Beautiful (La Vita è Bella, Roberto Benigni, 1997).
Though all three films take place during roughly the same diegetic time period,
they are each separated in production and release date by up to 30 years.
There are countless differences among the films, including film style, genre,
origin of narrative, and theme. By comparing and contrasting the three
movies, an intimate portrait of the Italian war experience will be gathered.
Rome, Open City, one of the great symbols of Italian neorealist cinema,
was shot just after the German occupation of Italy ended. The story involves
Giorgio Manfredi, a member of the communist resistance of Nazi occupation,
who asks his friend’s wife (Pina) for help in hiding. Her priest, Don Pietro,
assists Manfredi in his stance against the fascists. The most gripping aspect
of this work is the style and technique with which the film was made.
Incorporating on-location shoo...
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... suppression
and domination, and the irreversibility of its consequences.
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The film Casablanca centers on an American man by the name of Rick Blaine who flees a German-occupied France during World War II to a city in Morocco by the name of Casablanca. (Casablanca, 1942) This city is a territory of France at the time and is out of full German jurisdiction due to this status. (Casablanca, 1942) Many citizens of German-occupied countries in Europe sought refuge here due to the lack of control Germany had on other countries’ territories early in the war. The general intent of refugees in Casablanca was to flee to even further countries such as The United States of America, which they could not achieve in their home, occupied countries. As the film’s plot develops, the viewer is introduced to refugees very important to the freedom-fighting movement France, and we learn that Rick originated in New York, U.S.A.
“How nice- to feel nothing, and still get full credit for being alive” (Vonnegut 181).
Ginsborg P (1990). ‘A History of Contemporary Italy: Society and Politics: 1943-1980’ Published by Penguin; Reprint edition (27 Sep 1990).
German cinema was greatly affected during the Nazi movement between 1933 and 1945. Once appointed Chancellor of Germany on January 30, 1933 Hitler wasted no time and almost immediately began working on his propaganda strategy. Typically “propaganda targets a mass audience and relies on mass media to persuade. Propaganda is aimed at large numbers of people and, as such, relies on mass communication to reach its audience” (Gass, 14). The Nazi party used film propaganda to brainwash the German people, distract them from the harsh reality of the Nazi party, and attempt to intimidate the enemy. Hitler knew propaganda entailed mass persuasion and he knew just how to get his message out there; film. It was through the use of propaganda, largely film that made the Nazi party so powerful as they redefined propaganda.
A Bronx tale is a story of a father who tries to win back the love and pride of his son from a showy neighborhood mob boss. In my opinion this film is the best portrayal of work ethic. Lorenzo, played by Robert DeNiro, plays a father who tries to teach his son that discipline and hard work pay off from working, in the long. His son Calogero, played by Lillo Brancato, is exposed to the life of a mob boss Sonny, played by Chazz Palmenteri,, and doesn’t understand why he should live a life of difficulty when he can have a life of luxury. He tries to explain to his son that the men in the community don’t look up to him, but rather they fear him He also tries to make clear that it’s easy to do what he does, but try waking up every morning and working everyday, that’s a real man.
“What's too painful to remember, we simply choose to forget.” They are lyrics from the song “The Way We Were.” It is a simplistic thought that has been made many times throughout the course of time. It is a philosophy that many people have lived by for ages. The blocking out of traumatic events is done by the best of us and it utilized prominently in war movies. A one-sided view point is the only way to create a plot. As the erasure of memories is used in war movies, it can also be seen by Leonard Shelby in Memento. Through this idea, I will prove that Memento is a type of war movie.
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.
Before the Second World War began Hollywood’s purpose lied within entertainment for the American people. After the war started, the main focus shifted to wartime propaganda. Film was used to display the war in a way that did not show its true colors—including the censorship of soldier causalities and other negative connotations that are a simple fact of war. There was even a time in which some actors became better known to America than politians. Through films, Hollywood began to make a statement of their anti-Nazi beliefs. They began to make motion pictures for American recruitment into the Army as well as many that supported the war effort, and intended to make other Americans more aware of the war’s effect on the United States, and how people can get involved. Many European countries banned these Hollywood films, as they began to affect not only America but many other countries that were involved in the war as well.
Mussolini’s population policy was a clear effort to exercise his authoritarian control over the people of Italy, regulating the most personal and private details of their lives. In his bid for complete control, he used new laws, propaganda, and sometimes brutal tactics in order for his wishes to be recognized. It is during the 1920’s to the 1940’s that totalitarian control over the state escalated into full dictatorships, with the wills of the people being manipulated into a set of beliefs that would promote the fascist state and “doctrines.”
Connelly, Marie. "The films of Martin Scorsese: A critical study." Diss. Case Western Reserve University, 1991. Web. 07 Apr 2014.
“Maybe then reality is something we hate so much that we try to change it with every possibile excuse?
There’s a lot more to being Italian than the typical stereotypes that we have come to know from movies, television and books. From the Catholic mobsters who kill during the week but always make it to mass on Sunday, to the “how you doin” views of Joey from the television show “Friends”, people often forget the more important parts of being Italian. It is a culture like no other, full of history, art, and most importantly, their passion for food. Italian food, in my opinion, is the best in the world. Italians put so much into everything they make that the time and effort is tasted with every single bite. One of my favorite dishes would have to be fettuccini alfredo and it just happens to be a fairly easy, but extremely delicious, dish to make. Trust me, if I can make it, you can make it.
The film Tomorrow When the War Began is a film based on the novel of the same title. John Marsden’s Tomorrow When the War Began is the story of seven teenagers who return from a camping trip to find their home town has been invaded. The producer of the film has excluded several settings from the book and also changed parts of the plot and the character’s characteristics. These differences occur to show the character’s development, to limit the duration of the film and to keep the audience engaged.
Tony and Elizabeth Jordan thought they had it all – a beautiful daughter, great jobs, the best cars, and their dream house, but looks can be deceiving. Behind closed doors their marriage is falling apart, and they are constantly fighting, pushing away from each other and hurting their daughter emotionally and mentally in the process to the point where she says to her friend ¨I wish I lived at your house, my parents are always fighting.¨ Tony and Elizabeth are typical churchgoers who have become self-righteous and, in Tony case, even hostile towards the God who created him for his glory. Elizabeth is a real estate broker, and Tony is a salesman who is always traveling. While Tony relaxes in his professional success and flirts with temptation,
History and films can be observed in many ways. Today, films have an important role to play in these histories. Motion films provide information to show what it was like back then and provided visual information to the ways people lived in the past. Today, films such as “The Truman Show”, shows what life was like back in the late 1900’s. For example, people were obsessed with reality TV, and the clothing was more formal than the way it is today. The technology was much more advanced than what it is thought to really be. Many of us would much rather watch films rather than read about history.