The imagery of the ocean at Grand Isle and its attributes symbolize a force calling her to confront her internal struggles, and find freedom. Chopin uses the imagery of the ocean to represent the innate force within her soul that is calling to her. "The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in a maze of inward contemplation." (p.14) Through nature and its power, Edna, begins to find freedom in her soul and then returns to a life in the city where reside the conflicts that surround her. Edna grew up on a Mississippi plantation, where life was simple, happy, and peaceful. The images of nature, which serve as a symbol for freedom of the soul, appear when she speaks of this existence. In the novel, she remembers a simpler life when she was a child, engulfed in nature and free: "The hot wind beating in my face made me think - without any connection that I can trace - of a summer day in Kentucky, of a meadow that seemed as big as the ocean to the very little girl walking through the grass, which was higher than her waist.
You could hear the sounds of the crashing waves and the seagulls calling from the distance. Leisurely, a tranquil wind softly brushes against the face of the young onlooker. "Ocean in View!" The viewer’s content expression resembles the American explorers, Lewis and Clark, when they discovered the Pacific Ocean after their long expedition to the west. The minor reaches out her petite right hand, as though attempting to grasp something in mid-air, and she slowly extended her index finger. She begins to feel the genuine sensation of the cerulean, clear seawater. Droplets of seawater soaks her lavender blouse, leaving the scent of the salty yet magnificent sea. This girl felt like it was the most amazing experience of her life. The young viewer appears as if she escaped to a foreign land of radiant colors and rich
Criticism of The Awakening
Reading through all of the different criticism of Kate Chopin’s The Awakening has brought about ideas and revelations that I had never considered during my initial reading of the novel. When I first read the text, I viewed it as a great work of art to be revered. However, as I read through all of the passages, I began to examine Chopin’s work more critically and to see the weaknesses and strengths of her novel.
Through her inclusion of Romantic, Realistic, and local color writing, Kate Chopin makes The Awakening a truly extraordinary piece of literature. Reading this novel makes the reader feel that he or she is living during the society of that time. This is a unique writing that demonstrates one-of-a-kind combinations of literary elements. Every person should read this novel and appreciate it for the talent.
In her article, Maria Anastasopoulou writes how ‘’Edna…is an individual who undergoes a change of consciousness that is designated by the concept of the awakening in the title of the novel’’ (19). The novel, as Anastosopoulou continues, is about the ‘’emerging individuality of a woman who refuses to be defined by the prevailing stereotype of passive femininity’’ (20). At the beginning, Chopin writes how her husband looked at Edna ‘’as one looks at a valuable piece of personal property which has suffered some damage’’ (4). Edna accepts this submissive position, unlike Margaret. She goes about her life rather passively, a subordinate to her husband. Her first awakening into a defiant, back-boned character, begins in chapter three. ‘’It was strange and unfamiliar; it was a mood’’ (15) is how Chopin describes the stirring of her awakening. When she looks out, the sea is described as a ‘’seductive, never ceasing, whispering, clamouring, murmuring-‘’ (34) creature. A symbol of her soul, it was now rising. Like Margaret Hale, she had resisted social normal, but, unlike Margaret, Edna was quiet about her beliefs. The more Edna becomes her true self, the more atmospheric the novel becomes. Chopin differs from other novels in the way the novel develops from realism to more of an atmospheric
Ranging from caged parrots to the meadow in Kentucky, symbols and settings in The Awakening are prominent and provide a deeper meaning than the text does alone. Throughout The Awakening by Kate Chopin, symbols and setting recur representing Edna’s current progress in her awakening. The reader can interpret these and see a timeline of Edna’s changes and turmoil as she undergoes her changes and awakening.
...a and her response to it at the beginning of the fifth stanza. The speaker being “followed” by the sea shows its hunt after her. Repeating the pronoun “He” alerts us to her continuing terror after she escapes the immediate site of the vulnerability. The sexualized motions of the sea follows the speaker’s that signal a transformation from the sexual aggressor to just a responsive partner from the sea’s part. When the speaker’s sexual urges and energies awakened or started, they outstrip those of the previous aggressive sea and exceed them in enjoinment. The repetition of “he” serves to discriminate the speaker’s state of arousal from the sea. When the speaker defines herself in terms “ankle” and “shoes,” she domesticates limits the irresistible sea with only these two phrases “his Silver Heel” and “ Pearl” because she restricts the sea to rise higher that her ankle.
herself. At a very early period she had apprehended instinctively the dual life—that outward existence which conforms, the inward life which questions.” (14). Chopin shows this dual life many times throughout the book accentuating Edna’s inner-struggle. The very fact that Edna has held this dual life since childhood shows her exceptional maturity and convincing ability to think for herself. Only once Edna smothers her true-self and rational thoughts into her sub-conscious does this become a clear problem, in which she creates a larger false self. It is fitting that she is awakened at such an abrupt time in her life, perhaps quite late, as these sub-conscious thoughts are bound to seep into the mind eventually.
E. E. Cummings depicts a girl Maggie in his poem maggie and milly and molly and may, who finds stress relief through listening to the song in a shell at the beach (Cummings 3-4). Even though a sound in a shell is merely a distortion of sound, it is ironically said that the sound heard through a shell is that of the ocean. Maggie, apparently believing that this distortion is some sort of primordial song, is hearing both the “ocean” in the shell, and the real ocean by her side, receiving a double dose of the ocean sounds’ medicating effects. Something so simple as sound therapy is enough to mesmerize a Maggie and allow her to forget about her issues that lie on land, away from the comforts of the ocean. Without stress, Maggie embodies Cummings’ lines at the end of the poem, “For whatever we lose (like a you or a me) / it’s always ourselves we find in the sea” (Cummings 11-12). In that moment of listening, Maggie is able to exist happily, temporarily relieved of...
The setting of Kate Chopin’s “The Awakening” effects the character’s relationship, effects the character’s mood, and the island effects the way the two act when it is just them and no one else is around.