The Vampire - Original Writing The young lady knew nothing about the fate which was going to bestow itself on her tonight. She slept soundly in her comfy bed, only dreaming about the good things, things that are rare to find in the real world. Her room was one of absolute beauty, by glancing at it you could tell a great amount of money had been spent on furnishing it. The wallpaper was a sweet peach colour with a hint of white. The wallpaper gave off an aroma that could only be felt by the eyes; by just looking at you could feel the taste of the peaches that had been used to inspire its colour. The furniture used in the rooms was in no contrast to the wallpaper. There was a grand mahogany cabinet in the corner of the room. There was also a dressing table that was choked up with lady’s cosmetics and two hefty chairs beside the thin glassed window. The bed was a king sized one and it had curtains enclosed around it so that it could conceal the person sleeping inside it. The vampire entered the room, bringing with it coldness and a sense of evil to the warm and loving room of the young lady. The vampire stood tall as he gazed down upon the bed in which his prey laid. He had a stunning black cape that hid his body. His face was pale white and as if the ‘life’ had been sucked out of it. By just glancing at it you would freeze and feel the malevolence of those fiery eyes, the evil of it would run right through your body and into your heart and mind. This is the point when your soul deserts you out of coward ness and you become like a sheep ready to be slaughtered. This is the way of the vampire. He went closer towards the bed of the young lady; he stood outside the curtains that enclosed her. He took his hands out and removed the curtain. In front of him laid a beautiful and attractive young lady.
In paragraph 3 and 4 the narrator explains, “ And every night, about midnight, I turned the latch of his door and opened it. . . I did this seven long night-every night just at midnight. ” This shows that he was a calculated killer because of the time he took to watch the man before killing him. It shows how the narrator thought it through. Also shows how he was going to have to study the old man's sleeping behaviors in order to have to kill him.
One night he sprang from sleep with a start, eager-eyed, nostrils quivering and scenting, his mane bristling in recurrent waves. From the forest came the call(or one note of it, for the call was many noted), distinct and definite as never before—a long-drawn howl, like, yet unlike, any noise made by husky dog. And he knew it, in the old familiar way, as for as sound heard before. He sprang through the sleeping camp and in swift silence dashed through the woods. As he drew closer to the cry
best example of this is when the woman and vampire are on the floor of
Carmilla is an example of a woman who loves her food far too much. Carmilla is consumed entirely by her food, even sleeping in a coffin of blood: “The limbs were perfectly flexible, the flesh elastic; and the leaden coffin floated with blood, in which to a depth of seven inches, the body lay immersed” (Le Fanu 102). There exists a unique relationship between the vampire and their victims. Food becomes defined in terms of victimhood, distinctly separated from humanity’s general consumption of meat. The need for human victims makes hunting synonymous with courtship, as intense emotional connections are established between the vampiress and her food. As seen in the intense relationship developed between Laura and Carmilla, the vampire is “prone to be fascinated with an engrossing vehemence, resembling the passion of love, by particular persons” (105). For Carmilla, cruelty and love are inseparable (33). The taking of the victims’ blood for sustenance is a highly sexualized exchange of fluids from one body to another. The act of consumption is transformed into an illicit carnal exchange between the hunter and the hunted.
food. The story, told in the third person describes him with a small head “flat at top,
1. Time: The role of time in Dracula is very important. Looking at life through each person’s eyes makes the whole ordeal seem more realistic. After Jonathan's last entry in Chapter 4, we are left wondering whether he made it out alive or not. The time suspense here draws us in wanting to know more and more. Time’s importance also has to do with occurrences of good versus evil. The evil things always happen at night in the dark, and night has always been represented as a dark, evil concept.
that when somebody at long last offered him a bed to mull over he was stunned and delayed
Count Dracula has been the frontrunner for the modern day vampire lore and legends since being printed back in 1897, pop culture took the vampire traits from Bram Stoker’s Dracula and twisted them. In modern portrayals of vampire lore, each author chooses an original aspect from Stoker but then creates a little bit of their own lore in the process. Count Dracula appears to be a walking corpse from the pale and gaunt visual aesthetics to the coolness of his undead skin (Stoker). In some cultures, the vampire is able to transform from the body of a human being to that of a fellow creature of the night, a bat. In the novel Dracula more than one town was easily visualized through the detailed descriptions throughout the novel, thus
would see the reality of our twisted world. It takes us where we want to go, and
In Twilight, Edward Cullen presents the question; “ But what if I’m not the hero? What if I’m the bad guy?” The role of vampires is very controversial. Back in the day they were evil, soulless monsters and people genuinely feared them. However, in the present day it seems that we have grown to love them and even hope to one day be them. There are a plethora of vampire stories and many of them have become immense hits. With so many vampire stories, it is not uncommon that readers are able to identify a vast amount of similarities. Although similar in aspects, there are still many differences between the classic and modern day vampires. Two highly popular stories, in which we can easily identify similarities and differences, are Bram Stoker’s Dracula and Stephenie Meyer’s Twilight.
As the saying goes, “Women can do everything Men can do.” In the Gothic Novel Dracula by Bram Stoker, there is a constant theme of sexuality, from both male and females in society. In the Victorian era, the roles of male and females have caused a lot of tension. After reading Dracula, some would argue the roles men and women hold in society. As mentioned in Dr. Seward’s Dairy from Val Halsing., “Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination” (Stoker and Hindle, 2003 250). A women’s mind is not the always the first thing on a males mind. Some would overlook what a woman really has to offer.
In height he was rather over six feet, and so excessively lean that he seemed to be considerably taller. His eyes were sharp and piercing, save during those intervals of torpor to which I have alluded; and his thin, hawk-like nose gave his whole expression an air of alertness and decision. His chin, too, had the prominence and squareness which mark the man of determination. His hands were invariably blotted with ink and stained with chemicals, yet he was possessed of extraordinary delicacy of touch [...]” (Conan Doyle)
Over the years people have given new out looks on the original vampire, Dracula. He was a tall non-attractive looking man who would never come out during the day. Hollywood however has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire.
When the word “vampire” comes to mind, people think of the traditional pale-faced, malicious bloodsuckers, sporting a cape and killing people when they’re sleeping. Wrong! Nowadays, the image of a vampire is a handsome, polite, and loving person who protects humans. The new cultural phenomenon Twilight is building a new degrading image for vampires that slaps the face of all previous authors, directors, writers, etc. who contributed to giving the monster its unique image in the past.
a dull grey colour as if it had lost the will to live and stopped