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editing in movie making
editing in cinematography
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The way that a movie is pieced together by the director/producers has a huge impact on the viewer’s experience. Stylistic elements are used to help engage the viewer; however, without these techniques the viewer will most likely loose interest. In this essay I will be taking a look at a scene within the movie Casablanca directed by Michael Curtiz in 1942. Casablanca is a classic film that is reviewed to be one of the greatest movies of all time. This could be due to the notable quotes used throughout the movie, or its ability to follow a historic, comical, and romantic storyline throughout the course of the film. It caters to several different viewers, making this movie favorable to many. This scene in Casablanca uses specific editing techniques …show more content…
Casablanca has several important stylistic elements which I will further look into.
The way you edit a clip can drastically change the way one perceives it. If you edit it one way, you may be able to bring about feelings of love and affection. Yet, if you edit it slightly different, you could bring about feelings of fear or suspicion. The quick cuts in the movie Casablanca are able to help the audience observe the tension that exist between Ilsa and Rick. “Close-ups are much more dramatic than long or medium shots. They are preferred when emphasizing someone’s emotion (Moura, 2014).” Casablanca often used close up shots in order to highlight intense/emotional moments between characters.
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Music is played almost constantly throughout the movie, as it helped to guide the narration as well. Casablanca was part of the sound era, which occurred from the 1930’s- present day. There are a few different elements of sound throughout the film, but I will be focusing on the occurrence of leitmotif. The leitmotif technique is a short, constantly recurring sound that is often associated with a specific person, or place. An example of a leitmotif can be found in the movie Casablanca. We constantly hear the song ‘As Time Goes By’ being played throughout the movie. The first time we hear the song is in the given scene chosen for us. In shot 7, Ilsa asks Sam to play ‘As Time Goes By’ for her on the piano. Later Rick hears the song, and as he goes to stop Sam from playing it, he realizes that Ilsa is there. From then on, the song is played almost every time that Rick and Ilsa are together. The only time that the song is not played is when Rick and Ilsa are arguing. When it comes to the overall music throughout the scene we see that the beginning has calm and relaxed music. Yet, this changes when Rick and Ilsa see each other for the first time. There is a lot of built up tension, and so the music picks up. In shot 17 we begin to hear the sound of violins rapidly playing. The music played in this moment is used to help highlight this intense moment between Rick and Ilsa. The scenes music changes from calm and
My initial idea for this paper was to focus on the technical aspects of the film—the hybrid of animation and live action. I first saw this technique used in The Three Caballeros (Ferguson & Young, 1944) and was going to research this film, but the amount of literature on t...
In the essay “Beautiful Friendship: Masculinity & Nationalism in Casablanca”, Peter Kunze lavishly explains the magnificence of Michael Curtiz’s 1942 film Casablanca. Kunze focuses on how the movie not only highlights an exchange of relationships, but how the film has an underlying meaning between these relationships. He also implies that there is a more complex meaning behind every character in regards to their gender, economic, and social roles. The overall thesis of his reading is “the patriarchal ideology underlying the narrative commodifies Ilsa, leading Rick to exchange her with other men in an act of friendship and solidarity as well as to dissuade any perception of queerness between the strong male friendships in the narrative” (Kunze
Film Noir, as Paul Schrader integrates in his essay ‘Notes on Film Noir,’ reflects a marked phase in the history of films denoting a peculiar style observed during that period. More specifically, Film Noir is defined by intricate qualities like tone and mood, rather than generic compositions, settings and presentation. Just as ‘genre’ categorizes films on the basis of common occurrences of iconographic elements in a certain way, ‘style’ acts as the paradox that exemplifies the generality and singularity at the same time, in Film Noir, through the notion of morality. In other words, Film Noir is a genre that exquisitely entwines theme and style, and henceforth sheds light on individual difference in perception of a common phenomenon. Pertaining
...o survive and flee the inevitable evil. With World War II raging, viewers in the United States could feel the fear and anxieties as well as compassion for the characters. Although some movies can be rewritten to obtain a better effect over the viewers, Casablanca cannot be redone. The mere fact that the evil of the day was a reality of the time prevents this movie from ever having the same effect on the audience.
Run Lola Run, is a German film about a twenty-something woman (Lola) who has 20 minutes to find $100,000 or her love (Manni) will be killed. The search for the money is played through once with a fatal ending and one would think the movie was over but then it is shown again as if it had happened ten seconds later and changed everything. It is then played out one last time. After the first and second sequence, there is a red hued, narrative bridge. There are several purposes of those bridges that affect the movie as a whole. The film Run Lola Run can be analyzed by using the four elements of mise-en scene. Mise-en-scene refers to the aspects of film that overlap with the art of the theater. Mise-en-scene pertains to setting, lighting, costume, and acting style. For the purpose of this paper, I plan on comparing the setting, costume, lighting, and acting style in the first red hued, bridge to that of the robbery scene. Through this analysis, I plan to prove that the purpose of the narrative bridge in the film was not only to provide a segue from the first sequence to the second, but also to show a different side of personality within the main characters.
...t it is clearly obvious what is about to happen using an establishing shot. Casablanca also uses camera angle specifically portraying Captain Renault and Strasser as less powerful people in the office scene. Editing allows for smooth transitions between shots and allows for us as viewers to experience the scene like we are seeing through the characters eyes. Lighting provides us a mood of the scene, specifically when Rick first sees Ilsa for the first time since Paris. The Music plays a role in how we as audiences should feel while watching the movie. And without production design movies would not flow correctly. Every setting is specifically chosen to depict the location where the scene takes place. Casablanca is a quintessential film because it ties up all the formal elements of classical Hollywood. Without this movie Hollywood may be a completely different place.
The plot of Casablanca is that during World War 2 many people were trying to escape Europe and out of all these people we study three interesting characters. As we get to know these characters we learn that they are willing to sacrifice things that are important to them just so that humanity can be better. Getting to know the characters is a very important part of the whole movie because the characters can represent certain things. I think the climax of the movie is when Rick gives the transits to Iisa and her husband. He loves this woman so much that he is willing to do this for her. At the beginning of the movie Rick says "I stick my neck out for noboby" or something along those lines and this sacrifice proves how much love has changed him for the
...s when it cuts Richie’s forearm skin. The use of diegetic sound allows the viewer to feel as if this montage is going through Richie’s head as he cuts himself. As Richie is standing in front of the mirror we see things from his point of view and we understand his reality at the moment. The rapidly edited montage of memories is analogous to the immediacy of his actions.
The extraordinary film The 400 Blows (Francois Truffaut, 1959) skillfully uses cinematic devices appropriately within the context of the theme. Part of the underlying theme of this movie as explained by Truffaut himself is, “... to portray a child as honestly as possible...”(Writing About Film, 1982). It is the scenes in this movie that are most helpful in disclosing the overall theme of the film. Within the scenes, the camera angles in this film play an important role in accentuating the emotions behind the scene. The camera angles used in this film will be the primary focus of this paper. The high angle shots utilized in The 400 Blows are effective in helping to develop the overall feel of a scene. This movie uses the high angle shot in three different scenes to evoke three different emotions and it still works extremely well.
Casablanca is a great American film whose movie stories continuous to inspire us. It is the ultimate classic movie, which is created prior to its time. This film is wartime movie, which is shot during World War Two. Casablanca is French occupied land in Morocco, North Africa, which is also called the city of hope to many European refugees in order to escape to the free land of America. However, during that time, there was a strong political tension between the Nazi and the Anti-Nazi allies, which was the source for prejudice, crime, and bribe that hold the refugees back from escaping to the secure land of the United States. The political conflict, the scene of refugees, the story of everlasting love, the smoky environment, and the small
The Michael Curtiz’s 1942 film Casablanca depicts Richard Blaine as an isolated individual obsessed with his memories of his former love. He begins to challenge his own policy of isolationism with the return of his love, Ilsa, and the spread of Nazism; his conflict with himself over his ideals forces him to consider the future of others and helps him overcome his past. Throughout the film, Richard begins to internally battle himself to overcome his own differences and help not only himself, but others for his own freedom.
Throughout history, the film industry has seen many directing styles and techniques. The early part of the 20th century saw a factory style of film production, but as the years went by, director's began to employ new and untried techniques in their pictures. One such technique which these director's implemented was a new approach to the use of the camera and camera angles. "Casablanca," an Academy Award winning film of 1942 saw director Michael Curtiz manipulate the camera in ways others had not. He uses the close-up, point-of- view, and creative shot motivation methods in his film starring Humphrey Bogart and Ingrid Bergman, to create an American cinema classic.
Popular music’s affect on a film’s narrative is demonstrated in the film Casablanca released in 1942. The film uses a song called “As Time Goes By” to create a transportation affect for the characters and audience. The song was written by Herman Hupfeld in 1931 and gained modest popularity through its inclusion in the Broadway musical Everybody’s Welcome. In Casablanca, there is a scene inside a restaurant where a woman, Ilsa, runs into an old friend of hers named Sam who is a pianist at the restaurant. She asks him about a mutual friend of theirs, Rick, and then asks Sam to play the song “As Time Goes By.” By the expression on Ilsa’s face and the tears in her eyes it is clear that the song makes her see something, however, the audience does not know what she is seeing. In his chapter on “Transport and Transportation in Audiovisual Memory,” Berthold Hoeckner describes how the audience knows “the song is a carrier, but we don’t know the cargo.” But as the audience listens to the lyrics of the song, they begin to understand the scene as they realize that the lyrics are about an old romance. While Sam is singing Rick enters the room and both Rick and Ilsa meet eyes and both freeze. At this point the audience assumes that the song was about Rick and Isla’s history.
Robert B. Ray categorizes Casablanca as "the most typical" American film. Ray uses Casablanca as a tutor text for what he calls the formal paradigm of Classical Hollywood as well as the thematic paradigm that addresses the conflict between isolationism and communitarian participation. The film is typical in its appropriation of an official hero Laszlo, who stands for the civilizing values of home and community, and an outlaw hero Rick, who stands for individu...
Film editing by definition is part of the creative postproduction process of filmmaking. In today’s modern world, film has made use of advanced digital technology to help with the editing. The editor or editors are usually given a complete compilation of all the footage. These various separate shots that can be regarded as ‘ raw’ footage. Their task is to create a finished motion picture through combining and selecting shots and putting them into a coherent sequence of events. Whenever we are viewing a film it is extremely difficult to consciously perceive all the editing that has been undertaken. Every single time there is a change from one image to another, this is an edit. For editors, it could be a possible annoyance or perhaps a blessing that critics and the audience never specifically point out the editor’s contribution. However it must be noted that film editors aren’t the only ones that will contribute to a films editing.