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the metamorphosis point of view analysis
the metamorphosis introduction
the metamorphosis introduction
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In The Metamorphosis, through the characterization of Gregor Samsa, Franz Kafka can question the existence of unconditional love. Throughout the post-modernist era, writers argued against society’s ideas and customs, and Kafka decided to narrow it down to focus on was the lack of love among people in this time. Kafka begins by making his argument evident through a through description of Gregor’s room, which is depicted as an isolated area in the house for Gregor. He later on goes to describe Gregor’s personality as one who is dedicated to his family and gives little time to himself and his own social life. Also, Kafka’s choice of what creature Gregor is transformed into, a large bug, helps establish the idea of the Gregor’s unimportance to his family and the idea that Gregor’s disability now makes him a pest rather than one who the family should care for more. By combining the setting of the room, with Gregor martyr like personality and his pest like existence according to his family and society, Kafka can justify his idea of the non-existence of unconditional love today in society.
Through the description of the setting of the room, Kafka illustrates Gregor’s sense of alienation from others. From the very beginning, Kafka depicts a “regular human bedroom, if a little small, lay quiet between four familiar walls” (Kafka 7). Through this thorough description, establishes that Gregor lives a very quiet and alienated life, solely dedicated to his family and responsibilities with his boss and job. By showing his alienation from society and dedication to being at home, Kafka depicts Gregor as the only character in the story to unconditionally love someone, which is his family. This contrast between the amount of characters who truly ...
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...n a person in need and who cannot work needs the support of others, is nothing more than a useless bug in everyone else’s’ eyes.
Overall, Kafka’s usage of elements such as characterization and setting, help justify his skepticism of whether unconditional love really exists or not. Through the representation of alienation of Gregor, and Gregor’s portrayal of being a martyr to an unloving family and an overall unloving society, he reveals the evils in our society. Kafka forces these ideas by using his metaphor of the transformation of Gregor into a bug to show the family’s lack of love and compassion to an unwanted creature. Through Kafka’s combination of these various literary elements, he can pose the question to the reader; does unconditional love truly exist today?
Works Cited
Kafka, Franz. The Metamorphosis. Trans. Stanley Corngold. New York: Bantam, 1972.
Gregor Samsa is the protagonist in the famous novella The Metamorphosis, written by the Czech author Franz Kafka. Gregor goes through a physical metamorphosis during his sleep, awaking to find himself entrapped in the body of a giant insect, not knowing how or why it happened. Yet, throughout the story you see that Gregor’s humility, as a human and as an insect, shows that he truly cares for his family in the 1915 classic. Through Gregor’s love for his now neglectful family, we can ask this question: is Gregor actually more human than his family? This question can be answered by looking at one of Gregor’s greatest attributes, his selflessness.
Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.
The protagonist of Gregor is meant to resemble Franz Kafka. Out of sense of duty to his parents, Kafka took jobs that he did not enjoy. His relationship with his father remained strained throughout his life; his father’s impact can be seen in much of Kafka’s writing (Kafka Birthday: A Letter From Franz Kafka To His Father). Gregor’s relationship with his father is similar to Kafka’s relationship with his father. For most of Kafka’s life, he did not live to fulfill his own needs; Kafka was living under his father’s expectations. He was under enormous pressure to become a successful businessman like his father, but Kafka had a profound love for literature which went against his father mindset; hence, the strained relationship between Kafka and his father (Kafka Birthday: A Letter From Franz Kafka To His Father). Franz Kafka had two younger brothers, Georg and Heinrich; unfortunately they both died leaving Kafka as the only...
“It has to go”, cried his sister. “That’s the only answer, Father. You just have to try to get rid of the idea that it’s Gregor. Believing it for so long, that is our real misfortune. But how can it be Gregor? If it were Gregor, he would have realized long ago that it isn’t possible for human beings to live with such a creature, and would have gone away of his own free will” (Kafka 52). The relationship between family member’s in Kafka’s Metamorphosis is an interesting theme addressed, and somewhat distressing subject. Why is it so hard to accept that this monstrous bug is Gregor? Is it so bad for him to want to stay and be near his family- the only thing he’s ever had and known? For the sister to even come out and say these words seems somewhat selfish. Why can’t it be turned around to a viewpoint through which we have a family loving their son, unconditionally, regardless of what state he’s in? The word love is definitely one which is not seen in close companionship with the Gregor family. And we can see that this lack of affection carries on to be one of the driving forces behind the theme of alienation in the novel.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
As illustrated in Metamorphosis, Kafka demonstrates the isolation of Gregor, the protagonist through the medium of his room. The “room” symbolizes how Gregor lacks relationship with his surroundings, his family and others. Kafka describes it as being “ A regular human room …” with “the four familiar walls”(3). This is society’s standards. It is portrayed as being full of ones basic essentials; with the regular old furniture. However, as the novel continues, Gregor’s life continues to change. His room is transformed to his new life and essentials. He begins to lose all his furniture, that “he had been use to [for] so long”(33). As a result there is a sense of emptiness and hollowness which is reflective of his surroundings and within himself. ...
In Franz Kafka's "The Metamorphosis," some might argue that Gregor was a terrible person and his metamorphosis was not real, but only an illustration of the terrible person he had become. However, it can much more strongly be argued that he was an extremely unselfish person and his actions were largely taken for granted by his family. Kafka was emphasizing the common practice of selfless actions being unappreciated through his story of Gregor and his family.
People want their family to love and support them during times of need, but if they are unable to develop this bond with their family members, they tend to feel alone and depressed. In the novel The Metamorphosis by Franz Kafka, Kafka describes the theme of alienation and its negative effect on people and their relationships with the people around them. This theme can be shown through Gregor Samsa, the main character in The Metamorphosis. After Gregor’s metamorphosis, or transformation, he is turned from a human being into a giant bug which makes him more and more distant from the people in his life. The alienation that Gregor experiences results in his eventual downfall, which could and would happen to anyone else who becomes estranged from the people around them. Gregor’s alienation and its effect on his relationship with his family can be shown through his lack of willing interaction with his family members due to his inability to communicate to them, the huge burden he puts on the family after his metamorphosis, and his family’s hope to get rid of him because he is not who he was before.
In The Metamorphosis, Franz Kafka manifests naïveté of Gregor Samsa by prolonging his realization of societal banishment due to underexposure. Revelations made by Samsa later prove his ignorance of his purpose in the eyes of his family. In addition to the many instances in which Gregor is trialed, Kafka’s continuous stream of distractions mimic Gregor’s persona.
... to do this every day Gregor would have had to have some sense of time. His dwindling human aspects are prominently marked in two places: the first when Gregor is incapable of communicating with his family and the sales manager and the second when he takes pleasure in rutting about in dirt and filth. Lastly, Gregor's loss of consciousness causes a polar change within his family. As Gregor is no longer able to earn money to support the family, everyone else is forced to take action to bring in capital. The most obvious change is in the father who transformed from a dead weight into a zealous worker. Despite Freedman's employment of flawed logic to formulate some of his theories, the majority of his conclusions are quite valid and probe deeply into the meaning behind Kafka's writing.
The Metamorphosis by Franz Kafka is the story of Gregor Samsa, his turning into a bug, and his ultimate death. In the beginning of the novel Gregor wakes up as a bug and struggles to become used to his new body. Gregor is locked in his room and late for work; he is the only one who works in his family, so it is important that he shows up and earns money to pay off his parents debts. His office manager shows up wondering where he has been and everyone is shocked to see Gregor’s transformation when he finally makes his way out of his room. Upon seeing him, his father shoves him forcefully back into the room, scraping Gregor’s back. Grete, Gregor’s sister, is his primary caretaker throughout the book and she makes certain he is receiving the food he wants and is the only one to clean his room for him. Gregor’s mother and father do not pay much attention to him at all throughout the book. The mother occasionally checks on him, but can barely stand the sight of him. Eventually, Grete starts working and stops taking care of him too, leaving Gregor all by himself. Betrayal is evident in The Metamorphosis and contributes to
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
When comparing Franz Kafka and his personal life to The Metamorphosis it is obvious in more ways than one that he was writing a twisted story of his life. The emotional and physical abuse Gregor goes through are similar to what Kafka went through in real life. They were both abused and neglected by their fathers when they were disappointed with them. Kafka uses Gregor transforming into a bug as a way of exaggerating himself, trying to express his feelings and point of view. When writing, Kafka felt as if he was trapped in his room which he referred to as "the noise headquarters of the apartment". Gregor was an exaggeration of this because he could not leave the house to escape the noises and abuse.
In The Metamorphosis Kafka illustrates a grotesque story of a working salesman, Gregor Samsa, waking up one day to discover that his body resembles a bug. Through jarring, almost unrealistic narration, Kafka opens up the readers to a view of Gregor’s futile and disappointing life as a human bug. By captivating the reader with this imaginary world Kafka is able to introduce the idea that Gregor’s bug body resembles his human life. From the use of improbable symbolism Kafka provokes the reader to believe that Gregor turning into a bug is realistic and more authentic compared to his unauthentic life as a human.
In The Metamorphosis, by Franz Kafka, Gregor’s evolution to an insect symbolizes the loss of thorough communication, representing the disconnection of the individual from his family and his surroundings. Through this metamorphosis, the once loving family begins to remove itself from any past interactions with Gregor. In addition, the setting and surroundings of Gregor completely overcome him and persuade him to lose hope. The family and surroundings, not the change to an insect, lead Gregor towards death. Not only do the uncontrollable surroundings change Gregor, but so does the family.