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The inferno literary research essay
Systems theory fundamentals
The inferno literary research essay
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Dante Inferno is a story about the journey through hell to of Dante Alighieri, the Italian poet, to rescue Beatrice, his beloved, guided by the Roman poet, Virgil. The journey of Dante and Virgil briefly and concisely represented the Christian belief of the afterlife through the nine circles of hell, the sinners and their relatively punishments. Each circle of the Inferno specifically painted the picture of the sinners’ punishments according to the acts they did when they were alive. Nine different circles described nine different sins that people committed; however, the second circle, which was also called Lust, was the one I found most related to the system theory. The sin that people in the second circle committed was characterized by their stimulations of the flesh in life. The visualization of the afterlife in Christian belief and the love between man and woman represented the symbolic subsystem. The deaths and the wars that the sinners sacrificed for were the price they had to pay for their lust represented the trading subsystem. Lastly, their power of causing wars to satisfy their sexual desire represented the social hierarchy subsystem.
As Dante and Virgil left the first circle and entered the second circle of hell, Minos appeared to be the guardian of this circle. “Minos horribly, and snarls; Examines the transgression at the entrance” . This second level was the truth beginning of the torments of the Inferno which was also the place where the evil-born spirits truthfully confessed their sins in order to be placed in a proper level. After the sinner confessed their sins, Minos would assign them to a specific circle based on a certain number of times that he wrapped his tail around himself. In the second circle,...
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...se of their social hierarchies in society at that time. Consequently, the decisions of trading to satisfy their own lustful desires had significant impacts on the society such as Semiramis, who changed the law to erase the blame that she had, was King Ninus’s wife . Helen of Troy was the wife of Menalaus whose brother was Spartan King, and Paris was a princess of Troy. Taking away Helen from Menalaus had brought the war to the two greatest kingdoms at the time. The war could not have happened if Paris had not been the princess of Troy.
As a reader, I sometimes found it difficult to understand the reason behind the way Dante arranged the order of sin in different level of the Inferno. However, the entire journey through the inferno of Dante and Virgil helped me better understand the interactions between the subsystems which created the society at that time.
Dante went through each level of hell with his guide the poet Virgil starting from the top, from the sinners whose punishment was not as bad as the last level of Hell. To show , from high to low it was first, limbo in which the sinners in which did not sin, but were never baptized. Secondly, lust the sinners who have a sexual desire and were punished by have winds pushed them back and forward. Thirdly, Gluttony, here the sinners who are selfish suffer day and night in
In most ancient literature some sort of divine justice is used to punish people's acts in life. This is that case with Dante's Inferno, where the Author categorizes hell in 9 circles. Circle 9 being the lowest sins and punishments as the circles decrease. From the time this was written to now in days many things have changed, and things are not seen the same no more. Back then sins like greed and gluttony were ranked as high sins but now people would probably rank those very low with other things like murder way on top. Yet the basic structure set by Dante remains.
In Dante’s Inferno, hell is divided into nine “circles” of hell; the higher the number, the more likely the sin and the pain you will endure. However, I do not completely agree with Dante’s version of hell, perhaps due to the difference in time periods. In this essay, I will be pointing out my concerns with Dante’s description of hell and how I would recreate hell if I were Dante. The first level of hell in the Inferno is for those unbaptized yet virtuous. Although some did not have a sinful life, if they did not accept Christ, they were sent to Limbo.
middle of paper ... ... The various journey of Dante to hell helps the readers to have a picture of how hell is and how real it is. Dante uses his poem to expose the rot in the church and also how dirty politics has become. References Alighieri, Dante.
“Early in the spring of 1300, "midway along the road of our life," Dante is lost and alone in a dark, foreboding forest. To survive this ordeal, he must visit the three realms of the afterlife, beginning with Hell.” (Smith) Dante’s Inferno, one of the great classical poems that have come out of literature that’s topic is hell. Dante’s Inferno, gives a descriptive look into hell, from the eyes of Dante. Dante goes into detail about every part of hell. The people, what it looks like, sins to go there, the whole shah-bang. Dante splits up hell into nine different parts. In which he sends different types of sinners to each part. Each hell is made up differently, each has different systems that make up that particular systems. For example, circle three, has Cerberus the three headed dog, and another circle is completely frozen over. There are three circles of hell in Dante’s Inferno that are the best in the book: Circle one, circle six, and circle three.
In the Inferno we follow the journey of Dante as he wanders off the path of moral truth and into Hell. The Virgin Mary and Santa Lucia ask Beatrice, Dante’s deceased love, to send some help. Thus, Virgil comes to the rescue and essentially guides Dante through Hell and back to the mortal world from which he came. However, things begin to seem kind of odd. When reading the Inferno one may begin to question the way Dante describes Hell and the things that occur within, or even the things we have always believed about Hell. Despite the way it is described and well known in western civilization, Hell is not at all how we expect it to be because of Dante's use of irony throughout this poetic masterpiece.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
In conclusion, we can see that Dante presents the reader with a potentially life-altering chance to participate in his journey through Hell. Not only are we allowed to follow Dante's own soul-searching journey, we ourselves are pressed to examine the state of our own souls in relation to the souls in Inferno. It is not just a story to entertain us; it is a display of human decision and the perpetual impact of those decisions.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradise. Dante presents these principles in Inferno, where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell, the degrees of sin get progressively worse, as do the severity of punishment.
The beasts form an inherent and essential part of the narrative because of the excitement and terror that they add to Dante and Virgil's journey, as well as reinforcing Dante's classification of sin. They also illustrate the traditional motifs of Otherworld visions, whilst simultaneously expanding and developing previous representations of the afterlife in order to form original and exciting creations. This shows the importance Dante placed on the inclusion of these beasts as they not only express the influence of other works on Inferno, but also his own spectacular creativity and fantasy.
In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet. At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see man’s spiritual journey towards understanding God. While God loves man regardless of his faults, His greatest desire is to see man attain greater spirituality, in that man, already created in God’s image, may truly become divine, and in doing so, attain eternality.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
... Moreover, such belief in human reason signifies Dante's hope towards a bright society and the pursuit of God’s love as the other part of self-reflection. In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.