This paper reviews the two perceptions of computer in architecture. Some criticize computer use because computers—by their nature mechanistic and algorithmic—support only uncreative thinking and production. However, some increasingly view computers as valuable tools of creative production. Educational research indicates that there is no single "effect" of the computer on creativity; technology can support either uncreative drill or creative production.
In recent years, contemporary architecture has been changed by the evolution of digital technologies not only as production process and design techniques but also as the way of thinking. Computer is an exciting new graphic medium and a research instrument that permits rapid visualization of design but it is unable to explore design, theory and systematic methods. Professionals use digital technology to improve the effectiveness in practice and for better performance of design/build process. Technology affects architects on two planes – first at skill level, second at level of work processes and professional culture.(1). Architects are bound to perform creative, imaginative , intuitive acts, but are forced to do many things that are non-creative and done by some kind of slave i.e. the computer.
Talking to a computer as apparent human being with an intelligence that will accept our remarks, interpret them, understand them and take appropriate action in accordance with our commands is what we are up to. The man and the machine can do engineering ,arrange spaces and forms and design formats but will not play the passive role of pencil and paper. Instead it will be an active partner congenial and helpful, it will anticipate in some ways you wish, will and extent.
Herman Hertzber...
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...ign. For Gehry, technology offers a way of regaining the architects control over the design and construction process that was lost to industrialization. ‘It’s the old image of the architect as master builder’ (3.)as he puts it. The idea of bringing the computer into the office was to introduce it in a way that it did not change Frank’s design process.(4)
The computer program must offer new possibilities rather than simply aping existing ones. The program must be in hands of an artist who can be creative in the medium.
References-
1.Stephen A. Coons, Computer, Art & Architecture, Art Education
Vol. 19, No. 5 (May, 1966), pp. 9-11
2.H.Hertzberger, Lessons for Students of Architecture (Rotterdam,
The Netherlands 010,1991).
3.Friedman, M.ed (1999), p.18
4.Zehra, A. (1995). Information technology at Frank O. Gehry & Associates.
El Croquis,74-75, p.152.
Lawson, Bryan. How Designers Think: The Design Process Demystified. 4th ed. Oxford: Architectural Press, 2006.
Gehry draws his inspiration from famous paintings such as the Madonna and Child which he qualifies as a “strategy for architecture” (Friedman M. , 2003, p. 42) and which he used as an inspiration for a project in Mexico . Through his interpretation of the paintings and artwork, Gehry looked for a new kind of architecture. His search for a new type of architecture culminated in 1978 with his own house in Santa Monica. What was once a traditional Californian house would be redesigned to become one of the most important and revolutionary designs of the 20th century, giving Gehry international prestige and fame. Frank Gehry’s “Own House” uses a mixture of corrugated metal, plywood, chain link and asphalt to construct a new envelope for an existing typical Californian house. This house has been inspired by Joseph Cornell, Ed Moses and Bob Rauschenberg. Gehry comments on his house by saying that there was something “magical” (Friedman M. , 2003, p. 54) about it. He admits having “followed the end of his [my] nose” (Friedman M. , 2003, p. 54) when it came to constructing the “new” house, which led Arthur Drexler, former Director...
“The architect’s role and their intellectual responsibility is to fight to maintain their vision and little bits get chopped off all the time, but if they’re only little bits, it’s not too bad.’’
Sorkin, Michael., Mildred S. Friedman, Frank O. Gehry, Frank O.Gehry Associates. Gehry Talks: architecture + Process. New York: Universe Publishing: Distributed to the U.S trade by St. Martin’s Press, 2002.
Lawson, Bryan. How Designers Think: The Design Process Demystified. NY: Architectural Press, 1980, 2007. Massachusetts: NECSI Knowledge Press, 2004.
After several years of use and abuse of natural resources, humanity begins to awaken from its stunned by the advances of technology, to understand the magnitude of the impact caused by its presence in the environment. At present, trends in various aspects of human activity seek to achieve a harmonious relationship with nature; one of them is the practice of interior design. The main reason because the construction industry, in particular, has incorporated especially such attention, is the result that it has proved to be one of the main sources of pollution in water, air, and noise
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
architecture to just the designing of buildings. He feels that architecture involves more than just
In conclusion, although the development of modern architecture and the intervention of computer technology to advocate this development, the contemporary architectural outcomes have became more complex and complicated with potential formulation problems. As a result, the new architecture theories came to put boundary lines between being in the range of these problems and producing elegant modern built environment. The seduction of computer-produced form also enhances architects to involve in seeking for new theories to develop the discipline and work to combine formulization with materialization. Finally, some of these theories are accepted and some other still a controversial aspect in architecture.
There are 25 major specialties in engineering that are recognized by professional societies. In any one of those 25 specialties, the goal of the engineer is the same. The goal is to be able to come up with a cost effective design that aids people in the tasks they face each day. Whether it be the coffee machine in the morning or the roads and highways we travel, or even the cars we travel in, it was all an idea that started with an engineer. Someone engineered each idea to make it the best solution to a problem. Even though engineer’s goals are similar, there are many different things that engineers do within their selected field of engineering. This paper will focus on the architectural field of engineering.
Jencks believes “the glass-and-steel box has become the single most used form in Modern Architecture and it signifies throughout the world ‘office building’” (27). Thus, modern architecture is univalent in terms of form, in other words it is designed around one out of a few basic values using a limited number of materials and right angles. In...
As I have been using some of the graphics software program such as Adobe Illustrator and Photoshop CS6 their lots of innovation and creation to play around and I have used...
Constantly judged and evolving, the practice of architecture is forever plagued by the future. The future of people, of culture, technology and its resulting implications on the built environment that more often than not, outlives their creators. Much of the conversation surrounding this future architecture currently hinges itself on the creation of new experiences, forms and spatial relationships brought about by technological innovation.
Every person with a job, no matter what occupation, makes an impact on society in some way, shape, or form. Some people leave their legacy by defending people in court, some saving lives in a hospital, and others planning and building works of construction. These planners have a large-scale effect on everybody in society and have an eye for detail, as well as enjoy using mathematics to ensure proper construction. That is why I have chosen architecture to be my career. An architect is a person who designs buildings and supervises their construction. A broader view of an architect is a person who is responsible for inventing or realizing a particular idea or project. Architecture varies from the pillars of the Greek Parthenon, to peoples’ homes. I often find myself marveling over the design of large-scale building projects such as the skyscrapers of New York City. Most of these buildings belong to a myriad of well-known companies such as Chase and Toshiba. That is why I have particularly chosen to become a commercial architect.
The modern project was developed during the beginning of the modernist era, this was a development of the main ideas and manifestos of the time.Habermas describes modernist ideas and theories in his writing,“To develop objective science, universal morality and law, and autonomous art according to their inner logic” (Habermas,1983,9). This shows how modernism aimed to create universal standards which created a framework for all design. It has been argued that “ "modern" is a project, active, forward-looking, constructive, building a better world” (Earl, 2014). Furthermore this shows how the modernist era produced a complete new set of theories ultimately revolutionising design of the time, leading to a shift in the ideas of design and the methods used. Conclusively, this idea of the modern project shows how the modernist era had a strong influence on today’s architecture, the new thinking brought to light fresh and modern ideas in design, moving away from the his...