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an analysis of hamlet
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an analysis of hamlet
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The Troubled Relationship Between Gertrude and Hamlet
In Shakespeare’s Hamlet, Claudius murders his brother, the King of Denmark, and subsequently usurps the Danish throne. Shattering the purity of the royal family, he allures Queen Gertrude into an incestuous wedding so hastily that “The funeral baked meats / Did coldly furnish forth the marriage tables” (I.ii.180-1). Lost in this sullied household is Prince Hamlet, shrouded in the black of mourning, who condemns his mother’s quick, lustful willingness to marry his uncle. Hamlet’s abject tears melt into vengeance, however, when the ghost of his father orders him to “Revenge his foul and most unnatural murder” (I.v.25). He complicates his command to the Prince by admonishing him to “Taint not thy mind, nor let thy soul contrive / Against thy mother aught” (I.v.85-6). Although he must avenge his father’s assassination without harming Gertrude, Hamlet’s disappointment, disgust, and frustration with his mother obviate his duty to insulate her from his revenge; and his failure to do so ultimately leads to her death.
Gertrude’s limited substantive involvement in the play creates difficulty for understanding her relationship with Hamlet. Of the nearly four thousand lines in the work, Hamlet takes almost half while Gertrude has a meager 157. Before the climatic “closet scene” (III, iv), she speaks only 18 times – usually in brief sentences. Why does Shakespeare devote so few lines to Hamlet’s mother? The answer is not clear; however, although the queen is detached verbally from the play, she maintains a significant presence during the ten scenes in which she appears.
Critics interpret Gertrude in a number of different ways; however, they tend to judge her by her silences or by wh...
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...blood is tame, it’s humble, / And waits upon the judgment; and what judgment / Would step from this to this? /... / What devil was’t / That thus hath cozen’d you at hoodman-blind? / Eyes without feeling, feeling without sight, / Ears without hands or eyes, smelling sans all, /... / O shame! where is thy blush? (III.iv.65-82).
In response, Gertrude confesses herself shamed, almost admitting their truth: “O Hamlet, speak no more! / Thou turn’st my eyes into my very soul, and there I see such black and grained spots / As will not leave their tinct” (III.iv.89-91). Before Hamlet is swallowed by his anger, however, the ghost reminds him of his duty to leave Gertrude alone:
Do not forget. This visitation /
Is but to whet thy almost blunted purpose. /
But look, amazement on thy mother sits. /
O, step between her and her fighting soul!
(III.iv.110-113).
Ouditt, Sharon. "Explaining Woman's Frailty: Feminist Readings of Gertrude." Hamlet. Ed. Peter J. Smith and Nigel Wood. Theory in Practice. Buckingham: Open UP, 1996. 83-107.
These questions prove that Gertrude is much more complex than the reader thinks initially. However, her character in the play is an enigma, shallow in depth. Gertrude seems to put on a facade of ignorance. She must protect her own interests.
After the death of Old Hamlet and Gertrude’s remarriage to Claudius, Hamlet feels extremely angry and bitter. “How weary, stale, flat, and unprofitable / Seem to me all the uses of this world!” (1.2.133-134). Due to the death of his father, he is already in a state of despair and the lack of sympathy that his mother has towards his sorrow does not aid him in recovering from this stage of grief. “Good Hamlet, cast thy knighted colour off, / And let thine eye look like a friend on Denmark” (1.2.68-69). Hamlet is struggling to accept the fashion in which Gertrude is responding to the death of Old Hamlet; she seems quite content with her new life with Claudius, which is a difficult concept for him to accept as after the d...
Act 3 Scene 4, so called the closet scene, is the first time we see Hamlet and Gertrude together alone. In this scene Hamlet releases his anger and frustration at his mother for the sinful deed she has committed i.e. her marriage to her brother-in-law and the murderer. We can see that Gertrude is unaware of her husband's murder when she says `As kill a King?' and it is the first time she confronts her own behavior. There is a conflict between the two; Hamlet gives powerful replies
Shakespeare’s Hamlet shows a unique mother and son relationship between Gertrude and Hamlet. Stemming from the death of King Hamlet, Hamlet’s depiction of his mother signals a heinous relationship amongst the two. Hamlets and Gertrude relationship looks complicated, but Gertrude still considers Hamlet as her son. After the marriage of Gertrude and Claudius, her affection towards Hamlet is not encountered, excluding for when she questioned his dark demeanor, “Good Hamlet, cast thy nighted colour off, And let thine eye look like a friend on Denmark” (I, II, 68-69). Initially in the plot, Hamlet realizes that his mother is completely oblivious and naïve to her relationship with King Hamlet. Her questioning Hamlet’s character indicates that she
Gertrude was Hamlet’s mother. She was a selfish and evil woman. She cheated on Hamlet’s father with Claudius, Hamlet’s uncle. She married Claudius a month after her husband’s death. Gertrude wanted Hamlet to stop his grieving. She told Hamlet, “thou know’st ‘tis common, all that lives must die, passing through nature to eternity” (I.2.72-73). When Hamlet was depressed and grieving, it reminded Gertrude of the terrible sin she had committed. She wanted Hamlet to be happy just so she could feel better about herself. Throughout the play Gertrude’s motives do not waiver; she looks out for her own well being.
not thy mind, nor let thy soul contrive against thy mother aught . . . leave her
Gertrude is the Queen of Denmark and has experienced significant life changes in the last few months. She buries her husband and has remarried her brother in law. This rapid transition to a new marriage does not bode well on her son, Hamlet. Hamlet discusses his distaste in this situation and reflects on this as he tries to overcome the grief of losing his father. Of course it does not sit well with grieving Hamlet that his mothers new marriage has created a lust-filled environment, and that Gertrude has portrayed herself as a very sexual character. At the beginning of the she play she also continuously takes Claudius’ side over Hamlets. An excerpt from Rebecca Smith’s A Heart Cleft in Twain: The Dilemma of Shakespeare’s Gertrude analyzes Hamlet’s first soliloquy in the first act where he voices his disgust for his mother and his shame for her and women in general. In Rebecca’s passage, she states that “Hamlet's violent emotions toward his mother are obvious from his first ...
By disposition, Gertrude turns to the positive side of life and can’t bear to face pain. The pain she felt after her adultery with Claudius may have been what motivated Claudius to murder her husband. When the conditions were right for her to marry her lover, she was most happy and wished for the difficulties of the past be forgotten.
Compared to Shakespeare’s Hamlet, Almereyda’s adaptation creates a new reading and highlights various elements more directly through a change in the characterization of Gertrude, Hamlet’s mother. The movie advances her position as a woman, making her a commanding and prominent figure throughout. This new reading of Gertrude from the movie reflects the changes in societal views regarding women, due to varying time periods, progressing the position of Gertrude as a woman, and exploiting ideas of incest, misogyny, and
The relationship between Hamlet and Gertrude is strained at first. From the beginning of the play to act III, Hamlet is bitter with his mother. He feels this way because it has been less than four months since the death of his biological father, yet she is already remarried to Claudius. He feels his father is being betrayed from her lack of mourning. She tells her son to "cast thy nighted color off" (I.ii.68) and "all that lives must die" (I.ii.72). Clearly, she isn't grieving over her late husband's death and instead puts forth an optimistic attitude to her new husband and life. Gertrude's concern with Hamlet's odd behaviour after his encounter with Ophelia in act II scene i also shows the strain in their relationship. For example, she agrees with Claudius' words that "of Hamlet's transformation" (II.ii.5) and suggests Rosencrantz and Guildenstern to spy and find out the underlying cause of her son's problems. In addition to that, she consents Polonius to hide behind the tapestry in act III scene iv without Hamlet knowing. These two decisions suggest their inability to communicate. Instead, spying is required for Gertrude to find out about her son's inner mentality. The mother and ...
The position of Gertrude’s character in the play raises numerous questions about her involvement with her former husband’s murder, along with her reasoning for marrying Claudius. Failing to question Claudius’ intentions with her son, Hamlet, Gertrude includes herself in the corruption. She is present at various meetings discussing her son’s whereabouts and plots to spy on him (83). Though she is conscious of the corruption in the court, she does not seek to resolve the matters. But rather, she involves herself in the conflict and schemes. Claudius’ ways definitely influence her judgment, which is seen when she allows Polonius to spy on her private conversation with Hamlet (169). Furthermore, when confronted by Hamlet, she admits, “Thou turn’st mine eyes into my very soul, And there I see such black and grainèd spots, As will not leave their tinct” (175). Her response to Hamlet’s raging interrogative and accusatory speech insinuates that she too has in some fashion contributed to the corruption in Denmark, though the specific circumstance is never revealed. Shakespeare’s portrayal of Gertrude shows a woman who is more concerned about self-preservation and remaining in power so much so that she involves herself with the plots of a man, who murdered her
Hamlet’s philosophy on life is also much different than Gertrude’s. Hamlet doesn’t care at all for his mortal life and is in search of life’s most elusive answers. Gertrude on the other hand, only cares for her mortal life. She enjoys the many pleasures that comes with being a beautiful, prominent queen and takes full advantage of it. She takes pride in her personal possessions and also is very sexual while Hamlet care more about the greater things in life. One person argues than, “It was her sexuality that turned Hamlet so violently against her in the first place.
At times it seems that Gertrude does not know or pretends not to know why Hamlet is so angry with her and with Claudius ('What have I done, that thou dar'st wag thy tongue/ In noise so rude against me?'). At other times she seems to know exactly what is troubling him ('His father's death and our o'er-hasty marriage', II.2.57). But Hamlet, too, does not come clean directly. He does not confront her with the murder, but rather sets out 'to wring her heart' (III.4.35), and plays upon her emotions rather than on her reason. Instead, he shows her two pictures, and compares at great length his father with his uncle (55 ff.). In this long speech, the son touches on many matters so delicate that critics can be forgiven for detecting more than a whiff oedipal sentiment in Hamlet himself. He plays on his mother's sense of shame, even bringing her eroticism or lack of it into play, and culminating in a vision of his mother making love in a bed stained with semen - not a pretty sight:
In Act I scene V, Hamlet is told by his father’s ghost to “revenge his foul and most unnatural murder.” The ghost then goes on to tell Hamlet that as he was “sleeping in my orchard, A serpent stung me” and that “The serpent that did sting thy father’s life Now wears his crown.” Hamlet is told by the ghost to seek revenge, telling him that Claudius has corrupted Denmark and corrupted Gertrude, having seduced her in the foul lust of their incestuous marriage. The ghost urges Hamlet not to act against his mother in any way, telling him to “Leave her to heaven, And to those thorns that in her bosom lodge, To prick and sting her.”