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In 1818 Frankenstein was written by Mary Shelley. In Frankenstein, Victor Frankenstein brings a creature to life. The creature kills William, Henry Clerval, and Elizabeth. Victor had promised to make a female creature for the creature, but he did not fulfill his promise. This makes the creature enraged. The creature runs away and Victor follows him. Victor gets on a boat with Walton. Victor dies and the creature comes and is very sad that his creator has died. The creature says that he must end his suffering and he jumps into the ocean. In the novel Frankenstein, Shelley uses the theme of nature to show how it is like the characters of the story and how it affects the characters.
The theme of nature is shown throughout Frankenstein to represent the creature. For example the lighting and storm are like the creature. This is illustrated when Victor says,
During this short voyage I saw the lightnings playing on the summit of Mount Blanc in the most beautiful figures. The storm appeared to approach rapidly; and, on landing, I ascended a low hill, that I might observe its progress. It advanced; the heavens were clouded, and I soon felt the rain coming slowly in large drops, but its violence quickly increased. (49)
The lightning and storm are like the creature. The creature might be beautiful in Victor’s eyes, but the creature is also violent and dangerous. The creature is very destructive like the storm; he kills William. It takes Victor a long time to create the creature, but once the creature is created he quickly became violent. In the essay, The Sublime Setting, David Ketterer states, “It is the sublime settings- the region around Mont Blanc and the Arctic wastelands- which predominate among the books scenic effects” ( Ketterer...
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...he way he thinks. The creature is affected by the different seasons. Nature is a symbol for the creature and both Victor and the creature are affected by nature.
Works Cited
Brennan, Matthew C. “The Psychology of Landscape in Frankenstein. Bloom’s Guides: Frankenstein. Ed. Harold Bloom. New York: Infobase Publishing, 2007. 119.
Ketterer, David. “The Sublime Setting.” Bloom’s Guides: Frankenstein. Ed. Harold Boom. NewYork: Infobase Publishing, 2007. 86-89.
Phillips, Bill. “Frankenstein and Mary Shelley's 'wet ungenial summer'.” Atlantis, revista del Asociación Española de Estudios Anglo-Norteamericanos. 28.2 (2006): 59+. Literature Resources from Gale. Gale. Alabama Virtual Library Remote Access. Web. 12 Mar.2011. http://go.galegroup.com/ps/i.do?&id=GALE%7CA165578074&v=2.1&u=avlr&it=r&p-LitRG&sw=w.
Shelley, Mary. Frankenstein. New York: Dover, Inc, 1994.
Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. J. Paul Hunter. New York: W. W. Norton, 1996.
This new side arouse from desperation and rejection, he was scared, and he could not stand the loneliness. Victor’s did not create a monster. Victor changed the character of the creature, the creature showed more humanity than his creator and now he act as though he looks, like a
After killing his younger brother, Elizabeth , and his best friend, Victor after having no family left wanted to put an end to it all so he ended up chasing his creation and dying before catching it. After bringing the creature into this world and leaving it behind to fend for itself the creature endured lots of agony and pain from society which drove its rage to Victor and his family and he ended up kill this younger brother and soon to be wife. Both were isolated from society, Victor brought isolation upon himself through locking himself up to create the creature and ignoring everything around him as stated in the article, “The summer months passed while I was thus engaged, heart and soul, in one pursuit. It was a most beautiful season; never did the fields bestow a more plentiful harvest, or the vines yield a more luxuriant vintage: but my eyes were insensible to the charms of nature. And the same feelings which made me neglect the scenes around me caused me also to forget those friends who were so many miles absent, and whom I had not seen for so long a time. I knew my silence disquieted them; and I well-remembered the words of my father: "I know that while you are pleased with yourself, you will think of us with affection, and we shall hear regularly from you. You must pardon me if I regard any interruption in your correspondence as a proof that your other duties are equally neglected.” As
Mary Shelley’s Frankenstein describes a mad scientist by the name of Victor Frankenstein and the initially amiable creature assembled by him. Through questionable means of experimentation, this monster is constructed through the reattachment of several cadavers and a bolt of lightning. Upon achieving the magnificent feat of reanimation, Victor, rather than revelling in his creation, is appalled, abandoning the creature. The physical appearance of the monster terrorizes everyone he meets and is unfortunately shunned from the world. The newborn monster develops a nomadic lifestyle after being ostracized by nearly every community he travels to, but eventually finds refuge near a secluded cottage. While returning from a nearby forest, the creature
“Allure, Authority, and Psychoanalysis” discusses the unconscious wishes, effects, conflicts, anxieties, and fantasies within “Frankenstein.” The absence of strong female characters in “Frankenstein” suggests the idea of Victor’s desire to create life without the female. This desire possibly stems from Victor’s attempt to compensate for the lack of a penis or, similarly, from the fear of female sexuality. Victor’s strong desire for maternal love is transferred to Elizabeth, the orphan taken into the Frankenstein family. This idea is then reincarnated in the form of a monster which leads to the conclusion that Mary Shelley felt like an abandoned child who is reflected in the rage of the monster.
The Enlightenment age encouraged everyone to use reason and science in order to rid the world of barbarism and superstition. In fact, Kant argued that the "public use of one's reason must always be free, and it alone can bring about enlightenment among men" (Kant 3). Enlightenment thinking not only influenced philosophy and the sciences, but also literature (especially in Pope's Essay on Man). In reaction to Enlightenment's strict empiricism, Romanticism was born. In Frankenstein, Shelley argues (1) that Victor Frankenstein's role as an Enlightenment hero, not only pulled him out of nature, but made him a slave to his creation; (2) that Frankenstein's role as a revolting romantic failed, because he didn't take responsibility for his creation; and (3) mankind must find a balance between the Enlightenment and Romantic ideologies.
Works Cited Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. J. Paul Hunter. New York: W. W. Norton, 1996.
Mary Shelley and Samuel Taylor Coleridge are two recognized writers of the Romantic era. The influence of Coleridge’s The Rime of the Ancyent Marinere is reflected in Shelley’s Frankenstein in terms of narrative structure, literary techniques and themes. For example, bo...
Shelley, Mary. Frankenstein: A Norton Critical Edition. Ed. J. Paul Hunter. New York: W. W.
Shelley, Mary. “Frankenstein.” In A Norton Critical Edition. New York: W. W. Norton & Company, Inc. 1996.
The monster of the novel is often misattributed with the name, “Frankenstein.” However, Victor Frankenstein can ultimately be considered the true monster of this tale. His obsession would lead to the corruption of his soul and the creation of two monsters—one himself, and the other, the creature. In attempting to take on the role of God, nature would become a monster to Victor and destroy his life. These elements of monstrosity in Frankenstein drive the meaning of its story.
Since the beginning of time, water has been a source of utmost power. In the Bible’s book of Genesis, the story of creation is told. On the third day, God is said to part the waters to give life to men, animals, and vegetation inhabiting the land. This is similar to how Victor Frankenstein gives life to his monster. Later in Genesis, God approaches Noah, who is a righteous man of God. He tells Noah to build an Ark because he intends to flood the Earth to rid it of the evil and corruption. The Bible, written over 3,000 years ago shows the ability and power of water to transcend time. This allusion shows the power which water can have. In Mary Shelley’s Frankenstein, she relates water to her main character, Victor Frankenstein. He gave life to a monster with innocent intentions, yet the monster goes on to kill and destroy. In Mary Shelley’s Frankenstein, Victor Frankenstein’s actions symbolically relate to water and the antithesis in which it not only creates, but also destroys life.
Mary Shelley’s world renowned book, “Frankenstein”, is a narrative of how Victor Frankenstein, a brilliant chemist, succeeds in creating a living being. Although Frankenstein’s creation is benevolent to begin with, he soon turns murderous after being mistreated by humans. His anger turns towards Frankenstein, as he was the one who brought him into the world that shuns him. The Monster then spends the rest of the story trying to make his creator’s life as miserable as his own. This novel is an excellent example of the Gothic Romantic style of literature, as it features some core Gothic Romantic elements such as remote and desolate settings, a metonymy of gloom and horror, and women in distress.
Walter Scott’s critique in the 1818, Blackwood's Edinburgh Magazine Review of Frankenstein, is that Frankenstein is a novel of romantic fiction depicting a peculiar nature that narrates the real laws of nature and family values. This review explains that Mary Shelley manages the style of composition, and gives her characters an indirect importance to the reader as the laws of nature takes course in the novel. In addition, Walter Scott appreciates the numerous theme...
Frankenstein by Mary Shelley is a gothic science fiction novel written in the romantic era that focuses on the elements of life. The romantic era was sparked by the changing social environment, including the industrial revolution. It was a form of revolt against the scientific revolutions of the era by developing a form of literature that romanticize nature and giving nature godliness. This element of romanticized nature is a recurrent element in Frankenstein and is used to reflect emotions, as a place for relaxation and as foreshadowing. Frankenstein also includes various other elements of romanticism including strong emotions and interest in the common people.