The Theme of Death in William Shakespeare's Hamlet
In the play Hamlet, by William Shakespeare, the protagonist, Hamlet is obsessed with the idea of death, and during the course of the play he contemplates death from numerous perspectives. He ponders the physical aspects of death, as seen with Yoricks's skull, his father's ghost, as well as the dead bodies in the cemetery. Hamlet also contemplates the spiritual aspects of the afterlife with his various soliloquies. Emotionally Hamlet is attached to death with the passing of his father and his lover Ophelia. Death surrounds Hamlet, and forces him to consider death from various points of view.
In the first scene of Act 5, Hamlet discovers Yorick's skull in the graveyard. While Hamlet is speaking to Yorick, his father's jester's skull, as well as about him, Hamlet focuses in on the physical deterioration of the human body. He also touches on the inevitability of death as everyone's fate. He orders the skull to "get to my lady's chamber, and tell her, let her paint an inch thick, to this favor she must come"(5.1. 178-179), which means no one can avoid death. Hamlet also imagines the jester's features still existing on the skull, consequently showing his enthrallment with the physical outcome of death on the body. This concept is a very prominent motif throughout the play. Hamlet repeatedly makes observations alluding to every man's physical decomposition. "A man may fish with the worm that have eat of the king, and eat of the fish that hath fed of the worm," a symbol in which he states, " how a king may go a progress through the guts of a beggar" (4.3. 26-31).
The ghost of the elder Hamlet is described as a very genuine looking ghost. The spectators ...
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...s that he has slain Polonius the father of his "love" Ophelia. He comments, saying "I'll lug the guts into the neighbor room. / Mother, good night indeed. This counselor/ Is now most still, most secret, and most grave, / Who was in life a foolish prating knave. -/ Come, sir, to draw toward an end with you." (3.4. 235-9).
Death is approached through many facets in the play Hamlet. Shakespeare has used a great deal of imagery and symbols in order to portray death as a major theme in this play. The play is seeped with literal death as well as figurative death. By Hamlet approaching death in physical, spiritual, and emotional terms forces death to become a major theme in the play.
Sources Consulted
Fagan, Garrett G. Death in Hamlet. 24 July 1998.
Shakespeare, William. Hamlet. Four Great Tragedies. Sylvan Barnett, ed. New York: Signet 1998.
It could be perhaps argued that Hamlet's state of mind which has become debased, but this is until Horatio claims, "Something is rotten in the state of Denmark (I, IV, 90)." The notion of festering carrion being a metaphor for King Hamlets death epitomizes this notion. The ghost furthers this idea by stating at the moment of his death, his skin became "Most lazar-like with vile and loathsome crust all my smooth body (I, V, 72)." This attempts the elucidate on the feeling of death almost like becoming like a leper before death finally takes its toll.
In the beginning of the play Hamlet's view of death is mournful but, as the play continues he begins to think of death as this incredibly terrifying concept, this is clear when he states “To die,to sleep-- to sleep, perchance to dream […] But that the dread of something after death, The undiscovered country of whose bourn” (Shakespeare III i
From the appearance of the Ghost at the start of the play to its bloody conclusion, Hamlet is pervaded with the notion of death. What better site for a comic interlude than a graveyard? However, this scene is not merely a bit of comic relief. Hamlet's encounter with the gravedigger serves as a forum for Shakespeare to elaborate on the nature of death and as a turning point in Hamlet's character. The structure and changing mood of the encounter serve to move Hamlet and the audience closer to the realization that death is inevitable and universal.
To begin with, Hamlet starts off his speech asking, “Whether ‘tis nobler in the mind to suffer/ The slings and arrows of outrageous fortune/ Or to take arms against a sea of troubles/ And by opposing end them” (Shakespeare 3.1.57-60). He wonders if he would be more noble if he took his own life and end his sorrows than if he continued to endure him. This question shows the pain and grief that Hamlet has experienced since the death of his father. According to Ophelia, later in Act 3 Scene 1, she reveals that Hamlet was once the obvious successor to the throne since he was charismatic and admired by the people. Clearly, in this part of the play, he is suicidal, and he is uncertain about many of the big decisions in his life. This extreme change in Hamlet’s behaviors makes the audience worry about Hamlet’s mental health. Is his feigned madness transforming into true insanity? However, his comparison to death and sleep suggests that Hamlet is in a state of reflection and learning. Hamlet’s analogy between death and sleep is the musings of an ordinary man who wonders what happens to a soul once its body dies. Just as no one knows what dreams they will experience when they lay in bed, no knows what they will experience when their body is finally laid in a grave.
Firstly, Shakespeare proves that Hamlet’s attitude towards death changes throughout the play because he starts off desiring death. The play begins with the ghost of Hamlet’s father visiting the courtyard while Bernardo and Horatio are there (1.1) Bernardo is the first to notice the ghost, and exclaims “In the same figure, like the King that’s
Sadness is the first emotion that is usually related to death. In the play, Hamlet does not try to disguise his sorrow after his father’s murder. This sadness is intermingled with disgust for the others around him who moved on with their grief and criticized him for continuing to mourn. After being criticized by Gertrude and Claudius, Hamlet chooses to talk to open space to reveal his feelings (1.2.129-158). Hamlet clearly shows the sadness in his heart, as well as the idea of bitterness. He continually attacks his mother’s quick grieving: “O God, a beast that wants discourse of reason / would have mourned longer” (1.2.150-151). This sadness continues in his fake madness, seeping into conversations that show his need for escape. In a confrontation with Polonius, Hamlet ends the con...
In the first act of the play, King Hamlets ghost emerges in front of some sentinels and Hamlets frien...
In act 3, Hamlet questions the unbearable pain of life and views death through the metaphor of sleep. "To be or not to be: that is the question: / whether 'tis nobler in the mind to suffer / the slings and arrows of outrageous fortune, or to take arms against a sea of troubles / and, by opposing end them. To die, to sleep / no more" (3.1.64-68), details which bring up new thoughts about what happens in the after life. Thus, Hamlet contemplates suicide, but his lacking knowledge about what awaits him in the afterworld causes him to question what death will bring. For example he states, "The undiscovered country, from whose bourn / no traveler returns, puzzles the will / and makes us rather bear those ills we have / than fly to others that we know not of" (3.1.87-90), again revealing his growing concern with "Truth" and his need for certainty. Once again, death appears in act 4 with the suicide of Ophelia, the demand for Hamlet's execution and the gravedigger scene. All of these situations tie back with how death is all around Hamlet and feeds his obsession with it. Finally in act 5, Hamlet meets his own death, as his obsession to know leads to the death of himself.
When Hamlet begins discussion with the gravedigger, he is presented with a skull of someone he finds out is rather close and dear to him. It also brought Hamlet to reality with Ophelia’s death, as he resumes discussions with Yoricks skull, he jokingly says “Now get you to my lady’s chamber and tell her, let her paint an inch thick, to this favor she must come. Make her laugh at that.” (170) revealing how one wastes so much time putting make up on their face, to mask over the inevitable aging process; and how ones fate lies within the very ground we stand on at this moment, no matter how great one is.
The basis of one 's mortality and the complications of life and death are talked about from the opening of Hamlet. In the mist of his father 's death, Hamlet is having a hard time not thinking about and considering the meaning of life and how life ends. Many questions emerge as the story progresses. There was so many question that Hamlet contemplated. He was constantly worrying that is he revenged on his fathers’ death then what would happen. He would ask himself questions like, what happens when and how you die? Do kings go to heaven? If I kill, will I go to heaven?
... So in essence, Hamlet believes that a person’s soul is to go to either hell or heaven, but still part of it is left behind. What part of them that is left behind Hamlet does not specify, but there has to be something since he refers to a dead physical body of an important person having meaning. The finding of Yorick’s skull troubles Hamlet greatly because he remembers him when he was alive, and how he affected Hamlet’s life in a positive way.
Death threads its way through the entirety of Hamlet, from the opening scene’s confrontation with a dead man’s ghost to the blood bath of the final scene, which occurs as a result of the disruption of the natural order of Denmark. Hamlet is a man with suicidal tendencies which goes against his Christian beliefs as he is focused on the past rather than the future, which causes him to fall into the trap of inaction on his path of revenge. Hamlet’s moral dilemma stems from the ghost’s appearance as “a spirit of health or a goblin damned”, making Hamlet decide whether it brings with...
After a death, we find ways to overcome grief in this painful world. Some people binge eat their way out while others find the easy way out, which is suicide. In the play Hamlet, Shakespeare portrays mortality in the image of death and suicide. Shakespeare develops Hamlet as a man who is sensitive and uncontrolled by his actions. Hamlet faces challenges that mess with his subconscious, making him feel vulnerable to making decisions that will affect his life.
Shakespeare shows the ideology of death internalizing within Hamlet first with Hamlet’s emotions following the death of Old Hamlet. In the scene in which Hamlet is introduced, Hamlet is portrayed as an embodiment of death, dressed in “suits of a solemn black”(1.2.81) and has “dejected havior of the visage”(1.2.84). Hamlet’s physical representation as death signifies his lack of desire to continue living himself, being detached and discontent with the world around him. Hamlet, in his first soliloquy, opens by stating, “Sullied flesh would melt/Thaw, and resolve itself into a dew,/ Or that the Everlasting had not fixed/His canon ‘gainst Self Slaughter!”(1.2.133-135). This is significant, as it shows Hamlet’s full willingness to commit suicide and end Hamlet’s internal pain, if not for suicide being a sin under religion. The reason for Hamlet’s desire for death and his dis...
Suicide is one of the major themes throughout Hamlet. Hamlet contemplates suicide many of times, and continues to constantly ask himself if he really has any reason to live. Hamlet has a very wide range of emotions; he becomes angry with things and situations, and tries to look for escapes. He always seems to think about it, but for some reason he just keeps on living. Maybe he wants to continue to live because he wants to complete revenge for his father, or maybe he is scared of the idea of death and the place he might have to be in his afterlife. We all know that no matter what you have going on in life, that there must be at least one thing that keeps you living from day to day. To Hamlet, that was probably revenge.