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Different representation of death in poems
Essays on death in literature
Western religion beliefs
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The Sisters – Repetition and Death
It tells the narrator’s experience of dealing with deaths in life and shows how deaths could interrupt human’s life. Ex. Priest Father Flynn
“Every night as I gazed up at the window I said softly to myself the word paralysis.” (page 3) → Window symbolized the feeling of escape, fear and quietness.
When the narrator knew that Father Flynn is close to dying, the narrator kept thinking of his physical appearance- These bizarre physical images draw out the awkward nature of death.
“His face was very truculent, grey and massive, with black cavernous nostrils and circled by a scanty white fur.” (Pg.9)
After looking at the corpse, the narrator rejected eating crackers because he fears that it would be too much
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(Physical paralysis)
Paralysis is reflected from the practices and teachings that Father Flynn does or teach to the narrator. Emphasized that that routine practice of religion rituals leads to paralysis.
An Encounter – Repetition over Desire to escape
“The adventures related in the literature of the Wild West were remote from my nature but, at least, they opened doors of escape.” (Pg 15)
The narrator and his friends play games about the Wild West to make school not that bored - The unnamed main character shows that it is not only just him that wants to escape from boring life but a lot of people. Small symbolized big.
A group of schoolboys stage mock “cowboy and Indian” battles.
A unnamed boy, the narrator explains that fictional adventure games and stories bonded the boys together.
Joe Dillon, a winner who always ends his victory when playing games.
His father caught Leo Dillon, Joe’s younger brother keeping the magazines that carry games and stories in his pocket; scolded Leo for not reading his Roman history. - Parents disapproves and paralyzed, which further influences the children to do the same things over and over again and be
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We followed him with our eyes and saw that when he had gone on for perhaps fifty paces he turned about and began to retrace his steps.” (Pg 20)
Retrace steps symbolize the repetition in life even within strange and new experiences
“When he passed at our feet he glanced up at us quickly and then continued his way. We followed him with our eyes and saw that when he had gone on for perhaps fifty paces he turned about and began to retrace his steps.” (Pg 22)
The awkward man’s speech paralyze the narrator. Even though they are in a different open space where they finally find resting, but he still cannot get away from the fate that he still have to suffer from monotony.
The boys were alone resting and suddenly a old man appears and he walked in circles and leaning on a stick.
He joined the boys talking and reminiscing what was like in his boyhood and all the romance books he have read. (the works of Lord Lytton)
Then the conversation turns to “sweethearts” as the man asked the boys whether they’ve got any girlfriends and he got excited along his own talking.
The stranger (pervert) walked away and masturbate. “After a while, the man crosses the field and does something that the boys find "queer".
Have you ever wanted to explore the world, or even “start a new life” in the country? In the novel, Into the Wild, by Jon Krakauer, the author emphasizes about a historical young man, Chris McCandless, who is trying to begin a new life in a series based on factual evidence. Throughout the novel, Krakauer guides us to have many questions and concerns about Chris McCandless, his past life and what he had set out to do. Although McCandless was a man that many readers misunderstood, readers were still able to figure his personality out by continuously scrutinizing and taking notes. Jon Krakauer allows us to examine Chris McCandless by providing actual text and dialogue from his family and peers that he had known and ran into while living in the wild.
After a few moments, he settles and reflects, “I thought about him, fog on the lake, insects chirring eerily, and felt the tug of fear, felt the darkness opening up inside me like a set of jaws. Who was he, I wondered, this victim of time and circumstance bobbing sorrowfully in the lake at my back” (193). The narrator can almost envision himself as the man whose corpse is before him. Both deceased from mysterious causes, involved in shady activities, and left to rot in the stagnant lake water, and never to be discovered by the outside world. This marks the point where the main character is the closest he has ever been to death.
Into the Wild by Jon Krakauer revolves around the wilderness’ role on the American imagination. Chris McCandless, is a young man who experiences the things that pulls people toward the wilderness. The wilderness being very vast has many roles in the american imagination and plays multiple parts in people’s minds.Wilderness’s role in the American imagination is to beckon people towards its peace and excitement.
In the beginning the narrator concentrates on a typo on the hospital menu saying “…They mean, I think, that the pot roast tonight will be served with buttered noodles. But what it says…is that the pot roast will be severed…not a word you want to see after flipping your car twice…” (Hempel 53) as if he’s trying to keep his mind off of everything. Nevertheless, the narrator continues on to speak regarding his memory, the realization of eventual death, and the duality of experience. Although from time to time, as a coping mechanism, he restrains himself from getting too serious—by means of making jokes on the surface—he finds himself plunging into deeper meaning.
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
I went off to tend to my sheep and was wise enough to place the stone back to its position to prevent the men from escaping. I returned only in the evening. I drove all my flocks inside the cave for I wanted to keep my eye on them. After all the sheep had been milked, I felt weary and hungry. I chose another two men to satisfy my belly.
would turn and a ship would pass his way, or to go up the mountain,
Narrator-In the Sold Hallway at Warthogs three kids were walking and enjoying themselves when a young boy walked up to them.
By way of example, This Boy’s Life reads like the work of a writer who understands that he’s in fact “surrounded by stories” (Wolff 271). Additionally, its novelistic style and details have been altered in order to give Wolff’s memoir a fiction shape. Furthermore, much of the book was written in scenes, and dialogue which Jack felt it was due to his “good memory” (15). Not to mention that, “most of the people” Jack “lived with repeated themselves a lot” which allowed him to remember how certain characters spoke, and behaved while writing the memoir (26). Wolff’s book is entirely different from his brother’s Geoffrey’s book, which takes on a completely different view.
what he saw. He then went to his father to be praised an purified. His father
which he lived in order to fully understand what he was trying to express and/or
For boys, boyhood is an era characterized by an inability to control future events. This idea is introduced in Eric L. Tribunella’s “Boyhood” in which Tribunella analyzes the purpose of having boy literature and brings to surface the plethora of subgenres within boy literature. This chapter is included in the 2011 publication Keywords for Children’s Literature, edited by Philip Nel and Lissa Paul. Just a few years later, in 2014, Richard Linklater debuts his movie Boyhood which is about a fictional boy, Mason, growing up. By following Mason’s growth, Linklater offers commentary of how Mason is both plagued by but at points, escapes from what Tribunella refers as the “subaltern status.”(Tribunella 22) However, Tribunella ultimately fails to
Twain describes local customs and the ways that the characters behave to create a more realistic setting for the story. In the story the characters engage in behavior or activities that would be unusual for a regular person to do. For example, the narrator says:
In the second part of the story, the bachelor successfully tells the children a story. His imaginative story amazes the children. When the boy ...