In the stories the “Tell-Tale Heart”, “The Cask of the Amontillado”, and “The Fall of the House of Usher” there is an underlying theme of obsession that ultimately leads to the main characters’ downfall. Using different plots, the author Edgar Allen Poe writes three stories that all end with destruction because of the infatuation the characters demonstrate. In the “Tell-Tale Heart” the obsession of the narrator is evident from the beginning. The narrator himself tells the audience, that he cared for the old man and that the old man never wronged him. The only problem the narrator had with the old man was his eye. The eye starts to haunt the narrator and soon enough that is all he can think about and it cannot escape his thoughts. His obsession …show more content…
Unlike the “Tell-Tale Heart” however, both main characters have an obsession that lead to their doom. The character Montresor is making all his decisions in order to feed his hunger for vengeance. He lets the idea of getting revenge on Fortunato get the best of him and is willing to do anything including murder in order to fulfill this need. “At length I would be avenged…I must not only punish, but punish with impunity.” (1109) From this quote alone the audience gathers that Montresor is crazed with the idea of revenge. His obsession for this revenge turns him into a murderer and even though he is never caught, it leads to his downfall. Once the murder is over, Montresor becomes obsessed with the satisfaction he feels from the revenge. The audience can conclude this because he still goes down to his vault to relive the experience and because he retells the story again. Montresor in the end becomes very obsessive in nature. The addiction and thirst for wine brings the character Fortunato to his death. Fortunato’s dependence on wine turned out to be a fatal flaw that worked in Montresor’s favor. If Fortunato had the ability to turn down the offer of wine it would have saved his life. Even while feeling sick in the vaults, the wine is what drove him to continue to follow Montresor. After drinking, Fortunato was not capable of thinking clearly. Even when Montresor started to burry him alive Fortunato was …show more content…
After rereading the story the audience is able to pick up that there is an obsession or longing for companionship. The siblings have lived by themselves for many years and not surprisingly felt lonely in that big house. They began to rely on each other for company. Their need for companionship becomes so strong that they feel incomplete without the other by their side. This becomes a problem when Madeline “dies”. Instead of just giving up and dying Madeline tortures herself for eight days to escape in order to embrace her brother one more time. Roderick feels that he needs his sister in order to continue on living. Without her he goes insane and in the end he dies with his sister just so they can be together. Their need to be together leads to their
Most contemporary authors lack the creativity, or simply the desire to construct a story that focuses on the evil and sinful ways of humans. But during the Dark Romantics period, several writers openly embraced this new style of writing. Edgar Allan Poe was one such writer. His view on man’s inherent evilness is evident in his stories, “The Fall of the House of Usher” and “The Masque of the Red Death.” Although the characters in each of the stories are in different settings, their prevalent trait represents the hedonistic, obsessive, and deranged beings humans are.
The protagonists Montresor wants to get back at Fortunato for deeply insulting him and Montresor vows for revenge. During the fall carnival, he sees his opportunity and is quick to pounce on this and put his plan into place. “With Fortunato intoxicated and falling and stumbling all over the place Montresor knows that the time is now” (Russell 211). Montresor knows Fortunato’s weakness for wine and Montresor tells him he found Amontillado a very rare wine and it is in his vault. Montresor knows how far Fortunato will go for wine as rare as Amontillado and that is what eventually leads to his tormented and revengeful death. Edgar Allan Poe also gives lots of scenes that foreshadow to the future and the plotting about the death of Fortunato and the steps leading up to it. “The great example is putting Montresor into the future fifty years later telling the story and everything that went into the murder that he had committed” (Elliot 268). Poe depicts that revenge is very sweet and even fifty years later, that the deep gothic death and revenge themes still show up in Poe’s writings (Russell
Edgar Allan Poe, a famous American writer and a poet, had written several short stories such as “William Wilson,” “The Fall of the House and Usher,” “The Cask of Amontillado,” and poems such as “The Bells” and “The Raven,” which was one of the most famous poems ever written in English. There is always something different about Poe’s writing. Most of the classical murders make a person ask “who’s done it?” but his writings such as “The Cask of Amontillado” makes one ask the why question “why did he [Montresor] do it?” (Baraban). Every “detail in his [Poe’s] works that appear” has a purpose behind it (Baraban) and he “rarely depended on much dialogue in constructing his stories (Benton). In “The Cask of Amontillado,” Poe uses setting, foreshadowing,
Montresor is portrayed as a man that turns on his former friend, leaving him to die showing little to no remorse for his deed. The reader can use these clues to believe he is insane, or possibly just a heartless person. The reader knows that the two characters had a previous dispute that created tension between the two. Fortunato seems to not be bothered by this previous argument, but Montresor appears to be a holding a grudge to no end. After he had almost sealed Fortunato’s death, he says “My heart grew sick; it was the dampness of the catacombs that made it so.” (169-170) That statement shows the reader that it is not the man he just killed that is making his heart sick, but it is the atmosphere he was standing in. Any man in his right mind, would feel guilty for these actions, but Poe showed through Fortunato, that no guilt was shown whatsoever. The reader does not know if she can trust the narrator because he is obviously a little
The power to change is man’s greatest struggles, since a strong influence that lead them to where they are now. It is also the price and journey that both Montresor in Edgar Allan Poe’s short story “The Tell Tale Heart” and the narrator of the “The Cask of Amontillado”, another of poe’s story. In both story the narrators, both indicate that they want to get rid of an addiction they had that is driving them to madness, and in order to do so they, must do it at any cost. Both narrator clearly plan on their instincts and carefully plans out methods in which leads them to their satisfaction. These stories contain many similarities and differences in the use of tone, irony and symbolism, of the protagonist. Through these characters and their actions,
In "The Tell-Tale Heart", the storyteller tells of his torment. He is tormented by an old man's Evil Eye. The storyteller had no ill will against the old man himself, even saying that he loved him, but the old man's pale blue, filmy eye made his blood run cold. And when the storyteller couldn't take anymore of the Evil Eye looking at him, he said, "I made up my mind to take the life of the old man, and thus rid myself of the eye for ever." This is the start of the storyteller’s madness, and as the reader listens to what he says, the madness within the storyteller becomes very apparent.
In the article, “The Question of Poe’s Narrators” James W. Gargano discusses the criticize in “The Tell-Tale Heart” by Edgar Allen Poe and tries to help the readers understand why Poe writes the way he does and identifies some of the quotes in his work. According, to Gargano, other authors view’s Poe’s work as “cheap or embarrassing Gothic Style” (177). The author is saying that Poe’s work makes the reader look at themselves not only the work. The author explores three main points. Some author thinks that Poe’s life is reflected in a lot of his work, uses dramatic language to show his style in work, and explains how Poe’s work manipulates his readers to understand.
Poe writes “The Tell Tale Heart” from the perspective of the murderer of the old man. When an author creates a situation where the central character tells his own account, the overall impact of the story is heightened. The narrator, in this story, adds to the overall effect of horror by continually stressing to the reader that he or she is not mad, and tries to convince us of that fact by how carefully this brutal crime was planned and executed. The point of view helps communicate that the theme is madness to the audience because from the beginning the narrator uses repetition, onomatopoeias, similes, hyperboles, metaphors and irony.
Poe 's work as an editor, a poet, and a critic had a deep impact on American and international literature. His stories mark him as one of the originators of both horror and detective fiction. Many anthologies credit Edgar Allan Poe as the "architect" of the modern short story. Poe was the author of the two short stories “The Tell Tale Heart” and “The Cask of Amontillado”. In Edgar Allan Poe’s “The Tell Tale Heart” the narrator has an obsession fixed on the old man’s “evil” eye which leads him into madness and hate, and to killing the man he claims that he loved. The Montresor of Edgar Allan Poe’s “The Cask of Amontillado” hates his enemy Fortunato and he becomes obsessed with the thought of getting back at Fortunato, his hate becomes increasingly
"The Tell-Tale Heart" is one of the most successful fables ever written. It took off its most fantastic details regarding the murdered man 's vulture like eye, and the long drawn out detail concerning the murderer 's slow entrance into his victim 's room, the story stays at an unforgettable recording of the guilty conscience of the man 's voice.
In the first lines of “The Tell-Tale Heart”, the reader can tell that narrator is crazy, however the narrator claims the he is not crazy and is very much sane, because how could a crazy person come up with such a good plan. “How, then, am I mad? Hearken! And observer how healthily – how calmly I can tell you the whole story,” (Poe 74). The reader can see from this quote that narrator is claiming that he is not insane because he can tell anyone what happened without having a mental breakdown or any other problems that people associate with crazy people. This is the begging of the unreliability of the narrator. Here the reader is merely questioning the amount of details. The narrator then goes on to explain how he didn’t hate the old man but he hated his eye.
Poe presents the narrators of "The Tell-Tale Heart" and "The Cask of Amontillado" as devious, obsessed characters. Both are overpowered by the need to consume the life of their victim. Though they use different strategies to carry out the murders in different ways, obsession is the driving force in both. It is this obsession that inspires them to design cunning strategies and carry out the executions.
Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" (Poe 34) lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult" (34). The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.
In “The Tell Tale Heart” Edgar Allan Poe builds up suspense by guiding us through the darkness that dwells inside his character’s heart and mind. Poe masterfully demonstrates the theme of guilt and its relationship to the narrator’s madness. In this classic gothic tale, guilt is not simply present in the insistently beating heart. It insinuates itself earlier in the story through the old man’s eye and slowly takes over the theme without remorse. Through his writing, Poe directly attributes the narrator’s guilt to his inability to admit his illness and offers his obsession with imaginary events - The eye’s ability to see inside his soul and the sound of a beating heart- as plausible causes for the madness that plagues him. After reading the story, the audience is left wondering whether the guilt created the madness, or vice versa.
The characters in The Tell-Tale Heart are complex, interesting, and elaborate. Although much is not known about them, they each have minor details that make them stand out. Whether it be the old man’s eye, or the narrators growing insanity.