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The importance of drama in culture
Themes addressed in drama in the contemporary society
Setting a literary element in the storm
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Recommended: The importance of drama in culture
Culture and society have a strong effect on the individual, including decisions, relationships, and responsibilities. Often, one can lose their own identity in the midst of societal roles and stereotypes. Seeing human nature as it truly is, without external influences, is nearly impossible in realistic scenarios. Modern literature and cinema accomplish this seemingly impossible task, separating the individual from society and other influential forces, through storms or catastrophic events. In Shakespeare’s, The Tempest, the storm is the disaster which strands the characters on the Island on their way from a wedding. There are many modern examples where disasters, natural or caused by humans are used to strip the individual down to its most …show more content…
This storm serves a few different purposes in both the plot and the development of the characters. Prospero creates the storm because he is trying to punish and those who had done him wrong. His brother, Antonio, betrayed him and stole his dukedom and was assisted by other. In this case, the storm is not natural, but one Prospero created. Prospero did not kill them all in the storm, but rather had them, through Ariel, make it safely to the Island, becoming separated in small groups. In this scenario, they are being taken from any social hierarchy and each character is seen truly as they are at some point over the course of the play. One’s true identity fully makes itself present, whether that is through the attempt to acquire power of the fact that power has been stripped away, and therefore recognizes their wrong …show more content…
What was often revealed about the character's true self was the greed and desire for power. Without any elected leader or source of authority on the island, people begin to seek more power for themselves. This is evident through the plans to kill those in positions of higher power. When Ariel puts all but Antonio and Sebastian to sleep, they see the benefits of killing those who had fallen asleep. Antonio convinces Sebastian that they could rule Naples if they kill Alonso. They are about to kill Gonzalo and Alonso, but Ariel awakes them. Another example is when Caliban first meets Trinculo when he is carrying wood, mistaking him for a spirit sent by Prospero to torment him. Soon Stephano meets them and the three start drinking together. After a while, Caliban proposes that they kill Prospero and make Stephano king of the Island. The three agree to the plot and set off to kill Prospero. In the presence of Prospero, although resistant, recognizes him as a figure of superiority and authority. Without any form of punishment for their actions on the island, chaos occurred.
In modern cinema and literature, catastrophes or disasters are used to set up or start the plot. This has a very similar effect to the disaster used in The Tempest. This same way of exposing character’s true identity can be seen in many popular culture movies. A television show also uses a disastrous event to set up the scene on which
Prospero enslaved the spirit Ariel or other-worldly figure of sorts. And in-turn Ariel causes a violent storm that causes the shipwreck in the opening scene, due to Prospero's request, thus bringing those back that caused Prospero to lose his dukedom. After which Ariel asked for his freedom having done his deed for Prospero, but Prospero denied his request, saying to Ariel time must be served first. Prospero continues with something of a guilt-instilling speech, reminding Ariel that he had freed him and Ariel becomes submissive once again saying, “all hail, great master, grave sir, hail! I come to answer thy best pleasure; beat to fly, to Swim, to dive into the fire, to ride, on the curled of clouds”(1,2,189-190). This shows Ariel’s language is that of someone being oppressed imprisoned or enslaved and such is the relationship that of a slave and a master. Prospero does not only oppress Ariel but also enslaves Caliban the once ruler of the island simply because Prospero believed his new ideas were much better meaning slavery over freedom, which he did impose on Caliban by saying “Dull thing, I say so; he, that Caliban, Whom now I keep in my service.” (Act. I, Sc. II, Ln. 285-286). Furthermore Prospero makes it even clearer what he thinks of Caliban the native that had helped Prospero to survive on the Island has
Having been usurped and wrecked on an Island Prospero and his young daughter Miranda have to settle. It is here in Prospero's past that it first clear to see where any confusion about his character may appear. As a learned and powerful man Prospero is able to take direct control of the island, he frees a trapped and tortured spirit (Ariel) and befriends the inhabitants (Caliban). Prospero 'helps' Caliban, he tries to educate him and teaches him to communicate, in exchange Caliban helps Prospero to survive on the Island. But in taking power of the Island Prospero is committing the same act that happened to him as Duke of Milan, now Prospero himself has become the usurper. In this act of goodness Prospero has unknowingly shown his evil side.
Prospero’s Abuse of Power in The Tempest. In William Shakespeare's The Tempest, Prospero lives with his daughter Miranda on a deserted island. On the surface, he appears to be a benevolent leader doing his best to protect and care for the inhabitants of the island, especially for Miranda. On closer inspection, however, Prospero plays God, controlling and creating each individual to fit the mold he desires.
Shakespeare's "The Tempest" forms a world within itself. Within this world, many topics regarding government, power and colonization are addressed. Shakespeare tackles the discovery of new places and races, the relationship between the colonized and the colonist, old world ideologies on new soil, as well as theories on civilization and government. These aspects at the core reveal a very clear struggle for political power. Prospero's first major monologue creates the foundation of such a theme. In 1.2 lines 30-175 Prospero tell his story recounting the usurpation of the power he had as Duke of Milan, then quickly renews his power on the island. Prospero beings his story with an authoritative tone stating: "Obey and be attentive" (1.2 48). Desiring political power and authority becomes the core from which other themes derive.
Prospero's intent throughout the course of The Tempest is neither to revenge himself upon his enemies, nor to reconcile himself with his estranged brother. It is, rather, to orchestrate the reclamation of his lost duchy, Milan, through both his magic and a shrewd manipulation of both the shipwrecked party and the islanders (Caliban and Miranda).
The nucleus of the plot in Shakespeare's The Tempest revolves around Prospero enacting his revenge on various characters who have wronged him in different ways. Interestingly enough, he uses the spirit of Ariel to deliver the punishments while Prospero delegates the action. Prospero is such a character that can concoct methods of revenge but hesitates to have direct involvement with disillusioning his foes. In essence, Prospero sends Ariel to do his dirty work while hiding his involvement in shipwrecking his brother, Antonio, from his daughter, Miranda.
Ariel goes on to tell Prospero that all the people had made it to shore safely and that she had separated the people on the island into groups so that they wouldn’t know of each other 's survival. Prospero then ask what happened to the King 's ship and the rest of the ships. Ariel said that she had hidden the King 's ship and had sent the other ships back to Naples so that they would go back to Naples and tell everyone about the shipwreck and death of their king. Prospero wisely orders the separation of the factions in order to create a belief in their mind that would help him institute his master plan. One person that Ariel singles out is Ferdinand, "The king’s son have I landed by himself, Whom I left cooling of the air with sighs In an odd angle of the isle, and sitting, His arms in this sad knot." By placing Ferdinand alone Prospero makes Ferdinand believe that his father is dead and that he is now the King of
The illusions of justice and freedom, and what they truly are, has been a reoccurring theme throughout the works. The definitions of justice and freedom have become so construed throughout the times. In William Shakespeare’s The Tempest, Prospero tries to enthrall his audience in his narrative of social justice. The idea of justice the play portrays represents one individual who controls the fate of all others. Their freedom is controlled by the interference of those around them. Although he spends most of the play righting the wrongs done to him, he is misdirecting so to hide his true motive. Prospero misconstrues the definitions of justice and freedom by enslaving Ariel and Caliban, using magic for his own good, and creating a false happy
The play opens with a fearful tempest threatening to destroy the king's ship and all of its passengers. This situation along with the terrified emotions of the characters appears to the reader to be very real. However, in the second scene, the reader meets Prospero and his daughter Miranda. Through their conversation we learn of Prospero's magical powers, his brother's unjust claim as the Duke of Milan, and the exile of the two to this mysterious island. Next unveiled is Prospero's plot of revenge to regain his rightful title, the first step being to shipwreck the royal party on his island with the creation of the magical tempest. The reality of the situation is that there never was any danger from the storm at all.
The tempest in the beginning of the play is a symbol of Prospero’s magic. His magic is used as an abusive form of power, utilized for the purpose of self indulgence and personal profit. Prospero’s magic and the manner in which he uses his powers unethically reveals his willingness to go to any lengths to achieve his goals. He uses physical and psychological manipulation to achieve his goal of regaining his dukedom, disregarding the possible effects of his actions on those he manipulates. Prospero abuses his power over his servants so they can perform the tasks needed to execute his plan. Prospero also benefits from his manipulation of his own daughter. His influences in Miranda and Ferdinand’s relationships are to his advantage in furthering his scheme for vengeance. The members of the royal party are those which suffer the most from Prospero’s unethical use of magical power. Prospero first creates the Tempest to capsize their ship for the purpose of enacting his plan for revenge. While on the island, he continuously uses his magic to terrorize the group, he allows Alonso to grieve Ferdinand and believe him dead. Prospero also manipulates them with magical illusions in sending Ariel as Harpy to threaten them, “Lingering perdition, —worse than any death / —shall step by step attend / You and your ways” (3.3.77-79) After which he works their minds into a madness, and then later imprisons them. Even Prospero’s supposedly virtuous decision to give up his magical powers and release the prisoners is a selfish one. Moreover, it is Ariel, not Prospero, who proposes that the royal party be pardoned. From the beginning of the play until this point, Prospero has been wholly consumed by his need for power and revenge. Prospero shows no mercy or remorse to those he manipulates until
Prospero's magical powers allow him to single-handedly take control of a situation of slowly developing chaos, caused by his eviction from Milan, and turn the plot of The Tempest. Prospero has powers over his surroundings, far greater than those of an ordinary mortal, and he uses them for good in the course of the play. This essay will discuss whether Prospero combines his magic with power over the self, and whether Shakespeare actually presents him as an ideal ruler.
The play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character, takes great advantage of his power and authority, both properly and improperly. The epiphany of this however, is realized at the end of the play.
Throughout history, the struggle for power has led mankind to commit unspeakable acts of violence in order to obtain or maintain dominion over others. Imprisonment, torture and murder are all tools tyrants such as Caligula of Rome, Ivan IV of Russia and Pol Pot of Cambodia used to subject their will on others. At the most basic level these are all stories of men obsessed with power. The Tempest, by William Shakespeare is another such story that shows just how far a person will go to gain control and power over others. The character relationship between Prospero and his slaves, Ariel and Caliban, provides insight into the overall theme of the story which is the struggle between those who have power and those that are envious of that power and will stop at nothing to take it from themselves.
The Tempest, like any text, is a product of its context. It is constructed in relation to moral or ethical concerns of 17th century European Jacobean society. The resolution of conflict appears 'natural' or an inevitable consequence if regarded in relation to the concerns of its context. The resolution of conflict in this play incorporates Prospero being returned to his 'rightful' or natural position as Duke of Milan, his daughter Miranda getting married to Ferdinand, and the party returning to Milan leaving the island to the 'monster', Caliban. The resolution is a consequence of the concerns of the time, including the idea of the divine right of kings, courtly love, and colonisation.
The Tempest by William Shakespeare, is full of symbolism, imagery, and point of view; throughout the play Shakespeare uses these literary devices to convey a message of betrayal, forgiveness, and lessons learned. In the first act, Prospero uses his magic to create a storm that shipwrecks the King of Naples on the island. Like the storm, Prospero's anger is apparent; yet he never wants to do any real harm to the crew. The crew is safely washed ashore on to what seems to be the ideal utopia. Prospero is not an evil guy, he may be controlling and bitter, but only because he lost his dukedom, to his own family. The purpose for his actions essentially lead to forgiveness and a lesson learned by Antonio and Alonso. In the end everyone seems to get what they deserve.