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Feminism in Hamlet
Feminism in Hamlet
Ophelia character analysis hamlet
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The Symbolism of Ophelia’s Character
The name Ophelia has been most commonly associated with William Shakespeare's play, Hamlet, where she is referred to as the title character's mad lover. She is believed to have killed herself out of madness by drowning herself in a river. Interpretations about Ophelia's character have ranged from being a woman who lost her sanity upon her father, Polonius' death to being the object of hatred by Hamlet. However, despite her supporting character in the play, her personality has roused numerous criticisms and interpretations from philosophers and critics. This is probably due to the fact that her role in the play is more of a descriptive character rather than a speaking one. There are also various symbolisms towards the current society such as gender issues which her character represents. The character of Ophelia portrays relevant symbolisms to the feminine history which is continuously open to different interpretations from the sixteenth century up to this present day. Ophelia's character embodies the intrinsic sexual struggle that women in her time have commonly encountered.
The concept of religion in Ophelia's apparent pious character roused several critiques discussing the relevance of the Catholic religion in her sexuality. In Chapman's article, she argues that the history of England's religion reflects that of Ophelia's time as Gertrude reports her drowning while “chanting snatches of old lauds / As one incapable of her own distress” (qtd. in Chapman, 112). Gertrude is most probably referring to Ophelia's sexual frustration when she reports about Ophelia's “[incapability] of her own distress”. As a woman passionately and physically in love with a man w...
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...dearly yet they are the reasons for her “suffocation”.
Ophelia's character has always been a complex one to discuss. She might seem just a simple supporting character in William Shakespeare's Hamlet but her personality as a woman suffering all the consequences of the male characters' wrongdoings in the play makes her an extremely important one. Her character alone symbolizes the inner struggles of women as a victim of oppression and at the same time a victim of the world's sociological structure at the time itself.
Works Cited
Campbell, Erin E. “Sad Generations Seeking Water": The Social Construction of Madness in O(phelia) and Q(uentin compson).” Faulkner Journal; Fall 2004 / Spring 2005, Vol. 20 Issue 1/2, p53-70, 17p.
Chapman, Alison A. “Ophelia's 'Old Lauds': Madness and Hagiography in Hamlet.”
Shakespeare, William. Hamlet .Oxford University, 2007.
Often overlooked in Shakespeare’s famous play Hamlet, Shawna Maki analyzes Ophelia’s restricting role as a woman in a patriarchal society and how it essentially leads to her death being the true tragedy of the play. Maki supports this argument by stating, “Whereas Hamlet has the power and potential to change his fate, Ophelia does not and her death is tragic because the only escape she sees from her oppression is madness and death.”. The comparison between Hamlet and Ophelia is a common parallel because both characters are inevitably labeled as tragic deaths due to the quick deterioration of their state of mind.
Ophelia serves as a mirror or foil of Hamlet throughout the play. Being a weak and sensitive woman, Ophelia compliments Hamlet’s strengths in his ability to cope with problems he faces and the corruption within his family. Where Ophelia is weak, Hamlet is
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
Elaine Showalter begins her essay, Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism, by criticizing analyses of Shakespeare's Hamlet that have virtually ignored the character of Ophelia in the past. The feminist critic argues that Ophelia is an important character in her own right, not just a foil to Hamlet. Further, she says that Ophelia's story is important to tell from a feminist perspective because it allows Ophelia to upstage Hamlet, and that this re-telling can be done by tracing the iconography of Ophelia in visual art, theater, movies, and even psychiatric theory.
Culturally, women have been expected to be soft spoken, gentle, delicate flowers. They should not question a man's opinion or go against their will. Ophelia, in William Shakespeare’s Hamlet, is an example of a young naive girl who faces the dangers that come from only following what others want, and not thinking for herself. The men in this play use her for their own benefit and she suffers the repercussions, which leads her to madness and “accidental” death.
This leads to Ophelia becoming impregnated with Hamlet’s baby in her ultimate abandonment. Ophelia drowns herself, which is only fitting as she is the ultimate symbolic character (Showalter 286). When a woman is about to give birth, her water breaks. Since this will never happen for Ophelia, she dies by completely immersing herself in water. Nevertheless, some may interpret taking her child’s life, in addition to her own, as an extremely selfish act. However, Ophelia may have thought she was doing her unborn baby a favor. Throughout the play, she has no mother,
Vest, Rob. “Country Matters and Sins Remembered: Ophelia in Hamlet, Prince of Denmark”. Indiana University Southeast. n.p. 22 July 2002. Web. 28 May 2014.
Ophelia is conditioned to obey Polonius and Laertes’ commands, thinly veiled as guidance for her “own good.” She is never trusted to have a mind of her own, often having her intelligence openly insulted, causing her to be dependent on the men in her life. These men exercise authority over her, patronize, and degrade her, lowering her self-esteem to a non-existent level, and leaving her a...
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
order of her father. She does as her father says regardless of how it could affect her own
All of the male characters in her life control Ophelia. She is inferior to all the men and has to obey them because it is her duty as a woman. The men in the play can easily manipulate her and use her as a pawn in their plots to gain insight about Hamlet. Polonius uses her to gain more affection from the king and to gain more power. Laertes asserts himself and tells her how to behave, and Hamlet shows that she can be easily manipulated. As a woman she is not able to show her emotions or opinions on events in the play. The men dominate her life. Ophelia is a young woman who is portrayed as naïve and easily controlled. Ophelia cannot show her emotions, her opinions, or her desires within the court because it was male dominate.
Ophelia loves Hamlet; her emotions drive her to perform her actions. Some would say that Ophelia’s emotions could have actually been what ended her young
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.