Back in 1920s and 1930s in America began new period called The Swing era, where the new generation became governed and exited about the Swing music and dances. It was the beginning of the pop culture. Swing dance is extensive idiom describing a diversity of partner dances developing from the 20s to the nowadays, started in Harlem New York by Afro-Americans. Big influence on Swing dance did entertaining development of jazz music that was invaded in New York’s Harlem district. Moreover, this fresh sound did a huge influence on a new Swing dance styles such as Texas Tommy ‘consider it to be the first swing dance because it was the first to include a breakaway from closed partnering position to an open position that allowed for acrobatics, antics, improvisations, and showing off’ (Malnig, 2009: 58). …show more content…
But before the lindy hop was discovered there were a lot of different styles of swing dancing, but only few main dance forms that became popular during this era were called the animal dances, Charleston and breakaway that were the roots of the lindy hop. Furthermore, in the deep Swing dance roots the Charleston which was independent style later became a part of the developing Lindy Hop 'There is evidence to suggest that the Charleston step was part of African cultures which then spread through parts of the American south' (White, 2013). But Swing dance also involves solo jazz routines, for example, Shim Sham, that arise as a warm -up for the tap dancers. That is when the term 'swinging' appeared that described a feeling of these dances. Lindy hop had not only set choreography for the performances, it was also about the improvisation between partners. Swing dances were described as a social dances, as it was danced not only in the competitions and marathons but also danced socially, in the clubs and even
Dancing skyrocketed during the 1920s. Many styles of dance that were created before the era did not become popular until the 1920s. For example, the Charleston did not swept the world until after the moves appeared in “Running Wild”, a show on Broadway. The Charleston dance was a fast paced dance that went with the song “The Charleston” by James P. Johnson. Many dance clubs banned the Charleston because the dance was unsuitable for the youth to be dancing. Also new dance styles were being created, for example, the Foxtrot. The Foxtrot was one of cherished dances during the era. The Foxtrot is a partner dance and many disapproved of how close the partners were to each other while dancing, often cheek-to-cheek.
Even though the Great Depression was a time of suffering economically, it was also a time for creativity in country music. Wester swing appeared in Texas in the 1930s and quickly spread to other states. The exciting new sound appealed to many teens in the 1920s. By the 1930s they had taken the reels, waltzes, fiddle breakdowns, and other styles they had learned from their elders and combined them with blues, rags, jazz, swing, and pop to create a remarkably diverse and dynamic new sound that would come to be known as Western swing (Hartman, 144).
Swing, the predecessor of bop, was big, sweet, and hot. The performers were big bands, fronted by a charismatic bandleader, yet the success of a piece depended mostly on the unity of the ensemble as a whole, rather than on the showcasing of prodigious individuals. The requisite instrument was the saxophone, which was often smooth and mellifluous. Songs were old favorites, or simple jazz standards, that had been arranged to suit a large ensemble. Swing bands played in large venues, such as ballrooms, and to large audiences, who seized the opportunity to not just tap their toes, but to "jump, jive, and wail." The swing era became the most popular form of jazz, as it catered to audiences as a form of social and interactive entertainment.
By the 1930’s the movement had shifted yet again and began to incorporate larger bands in what came to be known as “swing.” Broadcast radio was also an important factor by this time, giving swing music a far-reaching national influence. The size of the bands had a standardizing ...
As is so often the case in jazz, when a style or way of playing becomes too commercialized, the evolution turned in the opposite direction. A group of musicians, who had something new to say, something definitely new, found each other reacting against the general Swing fashion.
“His relaxed phrasing was a major change from the staccato style of the early 20’s and helped to set the stage for the Swing Era” (“Life & Legacy”). And as such a prominent artist, and in particular, jazz artist, Armstrong did not only change the perception of jazz and swing, but the views on African Americans and their culture. Armstrong and the Harlem Renaissance reflected black history and culture, and it became popular, even in white communities and clubs. Jazz as a whole genre helped further society’s views through the universal language of music, where any ethnicity could partake in it. And the revolution of jazz was lead by the stylings of Louis Armstrong. The duration of the jazz and swing era, lasting decades past the 1920s, symbolized the civil rights movement directly through the lyrics, sounds, and artists
The Roaring Twenties were a time of prosperity, happiness, liveliness, and new ways. One of the many new ideas that were introduced was jazz music. Jazz fit the atmosphere perfectly, with it's upbeat and exciting sounds. Although jazz seemed to be a new world-wide obsession, there were people who saw it in a different light, one that was a lot darker, perhaps even evil. These people had negative opinions about the music, and saw it as a, "cause of loosening morals and frightening dislocation". The different generations had completely different views on the rapid change, and both views were just as correct, but only one was logical. The music brought change, freedom, and brought black America together with white America.
The word “jazz” is significant to America, and it has many meanings. Jazz could simply be defined as a genre or style of music that originated in America, but it can also be described as a movement which “bounced into the world somewhere about the year 1911…” . This is important because jazz is constantly changing, evolving, adapting, and improvising. By analyzing the creators, critics, and consumers of jazz in the context of cultural, political, and economic issue, I will illustrate the movement from the 1930’s swing era to the birth of bebop and modern jazz.
What comes to mind when thinking of the 1920’s? Most people think of the freedom the United States felt after World War I and that is exactly what jazz and the Charleston symbolize (Boundless.com par. 1). Jazz and the Charleston were extremely controversial in the 1920’s because they promoted a new way of thinking, which outraged the older generations (Knowles 160). Older generations did not like the fact that young people were becoming more and more daring with their actions just by playing music and dancing (Boundless.com par. 6). Today, jazz and the Charleston are thought of as out of date, but without them, music today would be completely different. Jazz and the Charleston revolutionized modern music and dance by altering the rhythm of classical music, changing the culture of American society (Boundless.com par. 1).
A club known as the Whitey’s Lindy Hoppers possibly began this trend in 1935 when they formed their group of 12 dancers (Swingin’). This group of dancers began, and performed the majority of their lifetime as a group in the Savoy Ballroom. They created the Lindy Hop quite simply, using movements from the Charleston as well as basic tap movements. And because of their dance, they had the opportunity to perform both on Broadway, and even in some movies. First, two partners would dance around together in various ways. Then, the man would complete a series of lifts with the girl, usually ending with them apart. Finally, a section of solo footwork would occur to bring the couple back
It is argued that the start of the “Swing Era” started the day that Louis Armstrong joined Fletcher Henderson’s band in 1924. The style Armstrong played on the trumpet, which was shown off to the world after joining Henderson’s band was the main thing that would lead to swing jazz. The official start of the swing era began ten years after Armstrong joined the band and almost a full ten years after the first swing dance, the Lindy Hop.
The 1920’s through 1940’s were incredibly influential years for America, as this was the first period when the commonwealth could partake in entertainment and leisure activities. Although these years had great impact on all of entertainment,the jazz rebirth of the Swing Era was the dominant cultural overtake in the 20th century. The Swing Era impacted America predominantly through its new found discovery as a social commodity, its reimagination of music, and the effect it had on the people who played it.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
Jazz and “boogie-woogie” of the Thirties moved popular music away from the light entertainment of the publishing houses toward a more exciting and dance oriented style that made the swing era a golden age. As the bigger bands died out and the star singers again grabbed the spot light the songwriters again found their services in demand. Without jazz driving it and Americans rebuilding their lives and starting baby booms people were too busy to waste time dancing. Popular music turned back to light sentimental songs and cute novelty music song by polished voices and backed by sweetly generic instrumentals.
The swing style was greatly influenced by jazz and also a multitude of popular dances from before it’s time, for example the Black Bottom, Big Apple and the Turkey Trot. The style of Swing dancing is named after the type of jazz music that swing dancing is traditionally danced too. Swing dancing is said to have been created at a club called the Savoy Ballroom. The Savoy Ballroom was a block-long dancehall in New York City and was so popular that it was frequented by many of the greatest dancers of the 1920’s and 30’s such as “Shorty George” Snowden. The Savoy was so large that it had 2 bands playing Jazz at all times, one on either end of the dance floor. Another thing that made the Savoy Ballroom so unique is it was one of the few places at that time that were desegregated, so the black and whites were dancing in the same room. A typical night at the Savoy ballroom would entail the patrons starting the evening doing line dances then pairing up according to ability and continuing to dance the night away in pairs. Usually the better dancers would gather, dance together, and try new moves in one corner of the dance floor known as the “cat’s corner.”