The Supernatural in H.P. Lovecraft’s The Outsider
One of H.P. Lovecraft’s many short stories, “The Outsider” has been praised since its publication as his most profound and meaningful. This story has been interpreted many different ways, varying from an autobiography of Lovecraft himself to several different philosophical analyses. One such interpretation, by Dirk Mosig compares the plot and settings of “The Outsider” to Lovecraft’s own doubtful views of religion and an afterlife. Mosig supports his interpretation with many facts from the story, I believe he pinpoints one very possible meaning of the story. His argument successfully uses the plot and details to convince the reader that his hypothesis is correct.
In order to understand Mosig’s interpretation, one must first understand “The Outsider” and its general themes, from an unbiased viewpoint. The story begins with the narrator explaining his origins. He, a nameless creature, tells of his environment: a dark, decaying castle amid an “endless forest” of high, lightless trees. (Lovecraft) He has never seen light, nor a single living human being. He lives among crypts lined with decomposing bones and rats. He never mentions eating, but lives alone, with only the thousands of books that the castle holds as a mental way to escape from the boredom of his prison-like home. Everything he know has come from his reading of the “antique books” that line the walls of his castle. (Lovecraft)
There is no escape from his world save one tall tower which seems to reach above the soaring treetops. He explains that he had once tried to escape through the forest, but became scared in the endless woods and returned before he became lost. He has...
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It seems strange that H.P. Lovecraft, who made his fortune from stories about the supernatural, would be seen as not believing in the subject which made him famous. This may subtract from Mosig’s arguments. Also, other sources suggest that this should be read as a horror story; not just for the people who saw the outsider, but also for himself, when he realized his own fate and past. Dirk Mosig’s arguments are convincing however, and his interpretation makes good sense with the complex story that is “The Outsider.”
Works Cited
Lovecraft, Howard Phillips. “The Outsider.” H.P. Lovecraft Library. 1921. 6 Nov. 2002 < http://www.gizmology.net/lovecraft/works/outsider.htm>.
Mosig, Dirk W. “The Four Faces of The Outsider.” Discovering H.P. Lovecraft. Ed. Darrell Schweitzer. Mercer Island, Washington: Starmont House, 1987.
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Religion is fraught with stories and myths of otherworldly journeys. There are a variety of reasons; however, the two main ones one may notice are humans’ innate pattern recognition, and our necessity to define and understand the world in which we live. These otherworldly excursions, out-of-body-experiences OBEs, near-death-experiences NDEs, and altered-states-of-consciousness ASCs are side effects of trauma rather than real experiences. In this paper ASC will be the basic reference unless otherwise noted. Therefore, it is prudent to explore those examples of forced ASCs, the causes, and the impacts on the society. An ASC experience within a religion may serve an important purpose in the belief system, yet it is a personal experience of the mind and not a legitimate experience in the real world.
Word Press editor. “An Analysis of Eudora Welty’s ‘A Worn Path’”. Word press. N.P., April 12,2013. Web. 17 Mar 2014.
...ation, and attempts to form theories and predictions that can later be proven or disproven through investigation and collection of evidence. Useful investigative information that could come out of this analysis could include identification of individual’s roles in the organization, mapping out the structure and individual groups/cells of the criminal enterprise, as well as identification of supply chains, tactics techniques and procedures (TTP)/modus operandi (MO and indicators and warnings (I&W).
It is often misread that women in Beowulf are presented as compliant to men, displaying them as the weaker gender of the human species. In the world of Beowulf, women serve as peace-weavers, cup-bearers, gift-givers and even monsters, all of which at first glance appear as inferior roles. Many examiners of Beowulf, who have touched on the role of women, have criticized on the words of Gillian R. Overing who believes they are "marginal, excluded figures." Although the women in Beowulf aren't as prominent as men are, they are not "excluded" from the picture as a whole. In fact, the roles these six women presented in Beowulf have, can be compared to real Anglo-Saxon women who held together nations, bring heirs and future generations into the world, all qualities that are necessary for the Anglo-Saxons to continue to strive. Wealhtheow and Hygd play the role of cup-bearer along with the political stance of queen allowing them to have equality among men. Freawaru and Hildeburh are what Anglo-Saxons consider peace-weavers which mend together nations if handled the right way. Then there are Grendel's mother and Modthryth who are described as monsters due to their aggressiveness as women, which is sought to be an unnatural trait that only males should hold. Lastly we have the few unnamed women that play roles similar or equal to the ones mentioned above but with little coverage or knowledge from the author for them to have no name. This essay will go further into the world of women in Beowulf and how their roles play in not only the poem, but also in Anglo-Saxon culture using Seamus Heaney’s translation.
Albert Camus is a widely renowned author and existentialist philosopher from the 1950s. He believed in a concept called “The Absurd” which he described as the notion that our universe is completely irrational, yet people continue to try and give order and meaning to it. For most normal human beings, this is an extremely difficult concept to accept, including the main character from the novel “The Stranger”, Meursault. Meursault does not express and ignores his emotions, even though it is evident in the book that he does experience them. However, once Meursault falls into a blind rage with the chaplain, the universe begins to make more sense to him. In order to come to an acceptance of the indifference of the universe, one must have an emotional breakthrough, which Camus shows through differences in sentence structure and elemental imagery between parts one and two.
Albert Camus used The Stranger to develop the idea of a singular, solely physical life. This development was established through the protagonist, Meursault, and his thoughts. To some, Meursault’s philosophy may seem to some extent, a madness. Needless to say, Meursault is a sociopath, incapable of understanding the how and why of what he does. His mental defect contributed to the story’s plot as a whole and also encouraged the reader to reevaluate or reinforce their personal beliefs.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
as an outsider is to look at what the author did not tell us. Leaving
At last I arrived, unmolested except for the rain, at the hefty decaying doors of the church. I pushed the door and it obediently opened, then I slid inside closing it surreptitiously behind me. No point in alerting others to my presence. As I turned my shoulder, my gaze was held by the magnificence of the architecture. It never fails to move me. My eyes begin by looking at the ceiling, and then they roam from side to side and finally along the walls drinking in the beauty of the stained glass windows which glowed in the candle light, finally coming to rest on the altar. I slipped into the nearest pew with the intention of saying a few prayers when I noticed him. His eyes were fixated upon me. I stared at the floor, but it was too late, because I was already aware that he wasn’t one of the priests, his clothes were all wrong and his face! It seemed lifeless. I felt so heavy. My eyes didn’t want to obey me. Neither did my legs. Too late I realised the danger! Mesmerised, I fell asleep.
The Outsider, written by Albert Camus, and The Trial, written by Franz Kafka, are two books that have been critically acclaimed since the time that they were published. There are critics that claim that The Outsider is a dull book, and is not even a read-worthy book. Other people claim that it shows us how society actually acts upon people who do not want to be like the rest of society. The Trial falls under the same kind of criticism; but both books, although written by different writers in a different époque, fall under the same kind of genre: Imprisoned Lives. In both The Outsider and The Trial there are many people who influence the protagonists in a positive and in a negative way, but none of those characters are as important as the priest. The priest, being of the same profession in both books and trying to accomplish the same kind of tasks, have a totally different effect on the two protagonists. In The Outsider the priest changes the whole attitude that Meursault has to life, whereas in The Trial the priest tells Joseph K. how his life actually is.
Albert Camus, the author of 'The stranger' felt that " You will never live if you are looking for the meaning of life ". Existentialism although hard to define, is a collection of ideas that focus on individual existence. Under the larger umbrella of existentialism, Absurdism is a concept that stresses individual freedom, happiness and the essential meaninglessness of the world . The Outsider, by Albert Camus, is such a study of absurdism. Mersault, in his capacity as the absurd hero, serves as a vehicle for Camus' exploration of the absurd.
...rent and apathetic man to a human who has accepted his fate and role in the world. During this momentous transformation, Camus clearly brings his Absurdist philosophy to light. In this way, The Stranger could be seen as a tragedy. A man whom society fails to understand is condemned and is treated like an outcast because of his character. But it can also be viewed as a happy story instead. A man finally accepts the world as what it is, is content with what society views him as and is happy to have lived his life no matter what had happened in it. In any case, The Stranger by Albert Camus is a brilliant work of art that should be enjoyed as a hearty philosophical tome about man and his self-realization.
In The Stranger, Albert Camus misleadingly portrays his existentialistic views of life, death, and the world. Camus portrays the world as absurd or without purpose Meaursalt, who, as a reflection of Camus, is foreign and indifferent to his own life and death. Meaursalt eventually senses guilt for his crime, not because of the remorse of taking someone else’s life, but because it means he would lose the little things that he considers important in his life. Meaursalt is a puzzling character, who leaves readers to be uncertain about Camus’ views of life.
In 1962, writer Mark Esslin took pleasure in composing the novel Theatre of the Absurd and quickly became a major influence on the works of many inspired writers. Esslin subsequently made ensuing plays and stories which focused on nonspecific existentialist concepts and which did not remain consistent with his ideas, rejecting the “narrative continuity and the rigidity of logic.” As a result, the protagonist of these stories is often not capable of containing himself within his or her disorderly society (“Theatre”). Writer Albert Camus made such an interpretation of the “Absurd” by altering the idea into his view of believing it is the rudimentary absence of “reasonableness” and consistency in the human personality. Not only does Camus attempt to display the absurd through studied deformities and established arrangements; he also “undermines the ordinary expectations of continuity and rationality” (“The Theatre”). Camus envisions life in his works, The Stranger and “The Myth of Sisyphus,” as having no time frame or significance, and the toiling endeavor to find such significance where it does not exist is what Camus believes to be the absurd (“Albert”).
Supernatural elements – religious figures and activities, ghosts, witches, and anthropomorphized animals among others – have been used throughout the history of literature from its origins in oral folktales to Shakespeare’s plays to Tolkien’s Lord of the Rings series. Throughout the history of literature, supernatural elements have been useful in developing themes that reflect the nature of humanity. Supernatural elements are often used to outline and comment on conflict and power struggles: both within the plot of the work and within society at the time of the work’s publication. These otherworldly components are also commonly used to adapt, expand upon, and make a work of literature more applicable to its settings. Supernatural elements also play a r...