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Duality in literature
Robert Louis Stevenson's role in literature
Robert Louis Stevenson's role in literature
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The Strange Case of Dr. Jekyll and Mr. Hyde
Robert Louis Stevenson in “The Strange Case of Dr. Jekyll and Mr. Hyde” is telling us that we fear the knowledge of our duality so we keep silent. We are afraid of the truth, about ourselves, so we stay quiet. Everyone has a part of himself or herself that they don’t reveal to anyone. We are afraid to show it but when it comes out we’d rather not talk about it.
The author shows knowledge as a very important thing. “Now I shall know you again,” said Mr. Utterson. “It may be useful.” This quote is said when Mr. Utterson meets Mr. Hyde for the first time. Another quote that proves this is “I wish to see or hear no more of Dr. Jekyll.” Lanyon said this after he had seen Mr. Hyde turn into Dr. Jekyll and Mr. Utterson was asking him questions about Dr. Jekyll. “ Lanyon, you remember your vows: what follows is under the seal of our profession...” Lanyon is about to find out about Dr. Jekyll’s secret.
Another pattern that the author shows as being important is fear. Mr. Utterson and Mr. Enfield were walking together and seen Dr. Jekyll in his house. They were talking to him when all of a sudden he started to change into Mr. Hyde. When they saw this they looked at each other, both were pale and had an answering horror in their eyes. “ I am afraid, I think there has been foul play.” Poole says this when he goes and talks to Mr. Utterson about Dr. Jekyll. Also when Mr. Utterson and Poole want to talk to Dr. Jekyll and ask for him but find out that Mr. Hyde is inside they swing an axe at his door. They hear a “ dismal screech, as of mere animal terror.” Another way fear is shown is when Lanyon saw Mr. Hyde turn into Dr. Jekyll. “O God and O God again and again.” Lanyon said this after what he saw.
Another major pattern is duality. You can see duality through out the whole book. One example is Mr. Utterson and Mr. Enfield. Mr. Utterson is very popular around town. He is also involved with the town. On the other hand Mr. Enfield was always quiet and didn’t do anything around the town. But they were always together. Another example is Dr.
This passage is significant in the novel for the sudden changes which are revealed in the characters of Lanyon and Jekyll, which are as yet inexplicable for the reader. In the preceding chapter the reader has learned of the connection between the handwriting of Jekyll and Hyde, with Guest noticing that they are identical, yet 'differently sloped '. This chapter, therefore, comes as a shock to the reader, as there has been nothing to suggest why Lanyon should so suddenly fall ill, nor why Jekyll should decide to 'lead a life of extreme seclusion '. Later in the novel the reader will discover that it was Jekyll 's relapse into the form of Hyde while comparing his 'active goodwill ' to the 'lazy cruelty ' of those
Another major pattern is duality. You can see duality through out the whole book. One example is Mr. Utterson and Mr. Enfield. Mr. Utterson is very popular around town. He is also involved heavily with the town functions.
The definition of a hero is subjective. Accordingly, Robert Ray believes the hero is able to be divided into three categories: the outlaw, official and composite hero. In most cases, a hero can be categorized into one of these categories. Through the examination of Jekyll and Hyde, the Batman movie from 1943, and film of Batman in 1989, qualities of the hero will be depicted as a function of time.
The Strange Case of Dr. Jekyll & Mr. Hyde takes place during a time in London when people flocked to the city for jobs which resulted in great competition and deceit. As the city grew in size with powerful men there became issues of appearance and reputation where men of high status began to dance with the devil allowing their evil nature to show itself. The social scene at the time required people to hide this evil nature so men and women began to create two sides of themselves so that they could maintain and uphold their reputation hypocritically. The text of The Strange Case of Dr. Jekyll & Mr. Hyde reveals human nature to have two sides; one represented by what a man claims and the other represented by how he/she acts.
Within the text of The Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson portrays a complex power struggle between Dr. Jekyll, a respected individual within Victorian London society, and Mr. Hyde a villainous man tempted with criminal urges, fighting to take total control of their shared body. While Dr. Jekyll is shown to be well-liked by his colleagues, Mr. Hyde is openly disliked by the grand majority of those who encounter him, terrified of his frightful nature and cruel actions. Throughout Dr. Jekyll and Mr. Hyde, Stevenson portrays the wealthy side of London, including Mr. Utterson and Dr. Jekyll, as respected and well-liked, while showing the impoverish side as either non-existent or cruel.
... man. Society in the Victorian era was consisted of two classes, trashy and wealthy. Jekyll was expected to be a gentleman, but he wanted to have fun. This was the reason he created Hyde, so he could both be respected and have fun. He was delighted at the freedom he now had. Lanyon was overly contolled, but Utterson knew all men had both good and bad within them and could control it. In Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson, the dual nature of man is a main theme.
In Dr. Jekyll and Mr. Hyde, Hyde becomes Jekyll's demonic, monstrous alter ego. Certainly Stevenson presents him immediately as this from the outset. Hissing as he speaks, Hyde has "a kind of black sneering coolness . . . like Satan". He also strikes those who witness him as being "pale and dwarfish" and simian like. The Strange Case unfolds with the search by the men to uncover the secret of Hyde. As the narrator, Utterson, says, "If he be Mr. Hyde . . . I shall be Mr. Seek". Utterson begins his quest with a cursory search for his own demons. Fearing for Jekyll because the good doctor has so strangely altered his will in favor of Hyde, Utterson examines his own conscience, "and the lawyer, scared by the thought, brooded a while in his own past, groping in all the corners of memory, lest by chance some Jack-in-the-Box of an old iniquity should leap to light there" (SC, 42). Like so many eminent Victorians, Utterson lives a mildly double life and feels mildly apprehensive about it. An ugly dwarf like Hyde may jump out from his own boxed self, but for him such art unlikely creature is still envisioned as a toy. Although, from the beginning Hyde fills him with a distaste for life (SC, 40, not until the final, fatal night, after he storms the cabinet, can Utterson conceive of the enormity of Jekyll's second self. Only then does he realize that "he was looking on the body of a self-dcstroyer" (SC, 70); Jekyll and Hyde are one in death as they must have been in life.
In Robert Louis Stevenson’s novel, Dr. Jekyll and Mr. Hyde, Dr. Jekyll, in grave danger, writes a letter to his good friend Lanyon. With Jekyll’s fate in Lanyon’s hands, he requests the completion of a task, laying out specific directions for Lanyon to address the urgency of the matter. In desperation, Jekyll reveals the possible consequences of not completing this task through the use of emotional appeals, drawing from his longtime friendship with Lanyon, to the fear and guilt he might feel if he fails at succeeding at this task. Through Jekyll’s serious and urgent tone, it is revealed that his situation is a matter of life and death in which only Lanyon can determine the outcome. Jekyll begins his letter by mentioning his and Lanyon’s long-lasting friendship saying, “[Lanyon is] one of my oldest friends.”
Robert Louis Stevenson’s Gothic 1886 novella The Strange Case of Dr. Jekyll and Mr. Hyde can be read in a number of ways through any number of different lenses, which makes for a versatile novella, and an interesting read for just about anyone. It also makes for a great novel with which to learn literary analysis. Using The Strange Case of Dr. Jekyll and Mr. Hyde one can see how Freudian psychoanalysis, though it had not been so developed at the time of the novel can intersect with homosexual undertones, and how the manifestations of the repressed can come to light when the subject of homosexuality is not properly addressed.
Texts are a representation of their context and this is evident in Robert Stevenson’s novella: “The Strange Case of Dr Jekyll and Mr Hyde”, where many values of late nineteenth century Victorian England values were reflected through the themes of the novel using language and structural features. These values included: technological advances, reputation and masculinity and are demonstrated in the text through literary and structure devices as well as the characterisation of the main character.
Dr Jekyll and Mr. Hyde I have been reading the book Dr Jekyll and Mr. Hyde. The book was written by Robert Louis Stevens on during in the 19th century. This book was written during a time where Victorian society had a lot of strong moral values. These codes were very strict and controlled every aspect of the Victorian lifestyle. People in these times believed to settle things verbally rather than aggression so fighting was looked down upon.
The reader is drawn to the plot of The Strange Case of Dr. Jekyll and Mr. Hyde through the literary devices Stevenson employs. Foreshadowing displays the sense of mystery throughout the novel, the foreshadowing of the actions of Mr. Hyde leaves the reader wondering what will happen next. The ironic nature of Dr. Jekyll relates to the reader as a person, no person is completely perfect and Dr. Jekyll exhibits the natural wants and desires of humans. The irony behind Mr. Hyde adds an enigmatic side to the plot. These two devices expose the readers to the complexity of the novel and reveal the inner meaning of the hidden details.
In conclusion, Dr. Jekyll and Mr. Hyde, represents many themes of duality in human nature. This is represented by the characters of Henry Jekyll, Edward Hyde, Hastie Lanyon, and John Utterson. Some themes represented are the duality in conforming to societal conventions, curiosity, and temptation. Stevenson utilizes significant events including the deaths of Lanyon and Jekyll, and the transformations of Jekyll into Hyde to prove “that man is not truly one, but two” (125)
Normally, when Dr. Jekyll would have a visitor he would greet his guest with a warm welcome, but as the text illustrates in Chapter 4, Dr. Jekyll did not have the strength to greet Mr. Utterson: “He did not rise to meet his visitor but held out a cold hand and bade him welcome in a changed voice”( Stevenson 25). Another example of Dr. Jekyll’s behavioral change is seen when he physically separates himself from his colleagues for days on end locked in his laboratory resulting in his friends to repeatedly check on him. This act of withdrawal connects to the reality an addict faces during rehabilitation. The said addict has to seclude himself from temptation in order to be successful in the recovery stage. The final behavioral change for Dr. Jekyll is shown through his reiteration of him cutting off all ties to Mr. Hyde and his outburst of violence.
Mr. Hyde and Dorian Gray are characters that nearly match each other in their symbolism and manner. However, it is the key differences that make them remarkably interesting as a pair. They symbolize the battles between good and evil, though they have differing interpretations of morality.