The Statute of Anne and Copyright Law

1317 Words3 Pages

Prior to the enactment of the Statute of Anne in 1710, the idea of copyright law, remained in the private law context, was in hands of profit-making stationers' company who only served to uphold their own interests in printing the materials. The Statute of Anne deeply affected the American law of copyright (Patterson, 1965) marking the beginning of copyright in a public context. Although the Statute itself had handful of loopholes like it only governed the printing of books and did not stipulate any means to identify the author, it was still often referred as the most authoritative legislation document because of its groundbreaking, historical impact on its protection to the natural and property rights of authors. In my essay, the Copyright Ordinance in Hong Kong will be illustrated to show that it succeeded the spirit of Statute of Anne, favoring the vigorous and prospering development creative work in our city. I would also suggest some ways to amend the Law in the modern circumstances where Web 2.0 Communication Tools reinvented the creative industry significantly.
To begin with, the Copyright Ordinance inherited the spirit of the Statute of Anne that it recognized the copyright of owners and respect their originality to a very large extent. At the very beginning of the Text in the Statute, it mentioned that this law served to prevent the liberty of printing, without the consent of the author, to the detriment of him and his family (Patterson and Joyce, 2003). The provisions in subsequent chapters all overturned the tradition of monopoly of publishers (Deazley, 2004) by licensing to the author instead. This fundamental goal of the Statute can be still found in the Copyright Ordinance. Section 4 of the Ordinance is a highly in...

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