The Statue of Hatshepsut

1844 Words4 Pages

The statue of Hatshepsut seated down is made with the material limestone. This limestone is lightly colored, which created a larger contrast with the other statues nearby. Her face was carved bringing out her eyes, eyebrows and other facial features. Her eyebrows also come slightly together towards the middle. Her lips forming a slight archaic smile. The dimensions are larger than an average female size. The statue is of great size, yet still in proportion. The body and head fit well with each other overall. However, it is greatly exaggerated in size.
It can be seen that the anatomy was handled quite ruggedly. There is much damage done on the knees, hands and forearms. Only these areas of the sculpture seem to be damaged most severely. The edges of her headdress and throne are also broken off. There are so many scars and broken areas all around. The parts of the face such as the nose and the side of her left eyebrow are chipped off. Her headdress is damaged especially on the top and along the side edges. Additionally, a huge chunk on the front left side of the throne has broken off as well. Despite the amount of damage on this piece, there is only one restoration made on her left eye by the Museum conservators (Hayter). Everything is left, as it is, remaining untouched and damaged. There are also hieroglyphics on the front and some on the sides of the throne Hatshepsut is seated on.
Hatshepsut’s posture of sitting down on the throne gives off great reverence. Her pose gives the idea of royalty and respect as she is sitting rather calmly but also straight up. Hatshepsut’s hands are laid flat on the top of her knees. Her position is very static and still. There is no urgency in her posture, seemingly peaceful and serene. However,...

... middle of paper ...

...r feminine figure.

Works Cited

"Amazon." Encyclopædia Briticanna. Ed. The Editors of The Encyclopædia Britannica. N.p., n.d. Web. 7 Dec. 2013. .
Ancient Egypt and Archaeology. N.p., n.d. Web. 8 Dec. 2013. .
"Marble Statue of a Wounded Amazon." Metropolitan Museum of Art. N.p., n.d. Web. 7 Dec. 2013. .
Robins, Gay. "The Names of Hatshepsut as King." Journal of Egyptian Archaeology 85 (1999): 103-12. Jstore. Web. 8 Dec. 2013. .
Ruffell, Julie. "Brave Women Warriors of Greek Myth: An Amazon Roster." Whoosh. Whoosh! Online Edition, n.d. Web. 7 Dec. 2013. .

Show More
Related

  • Compare And Contrast Khufu And Hatshepsut

    335 Words  | 1 Pages

    In this essay I will be comparing the two pharaohs Khufu (Koo - Foo) and Hatshepsut (haht-SHEP-soot). I will be comparing their achievements what they built and their time period. Come along and explore the depths of Ancient Egypt.

    Read More

  • Various Roman Portraits

    480 Words  | 1 Pages

    The color of the stone of the statue of Kouros I would describe it as beige. The repairs to the statue are all over the body. It has cracks all over the arms, chest, back, etc. his headband is fastened by some thing on his head that looks like beads with spaces throughout them. It is from 590-580b.c during the archaic period. It stands pretty tall and also has a little staggered going on with his right foot back and his left foot up.

    Read More

  • The Amida Buddha in Context

    744 Words  | 2 Pages

    The process by which this particular statue was created involved using a method developed by Kaikei, a Japanese sculptor. It was a groundbreaking process that involved carving different pieces of wood separately and then joining them together (“Amida”). Instead of using a single object for creating a sculpture, multiple parts could be used to make the statue easier to construct and put together. After the parts were all joined together, the statue was covered in a lacquer finish and gilt was added to the face to give it the golden look.

    Read More

  • Khafre's Statue Analysis

    1094 Words  | 3 Pages

    The statue of Khafre is an example of how pharaohs utilized their wealth to elaborate the power they possessed while they were alive and to utilize while they were dead. They ordered statues to be made in their name to decorate the valley temple. The valley temple is a funerary setting in which Khafre ordered 23 statues to be made for it. In this case, Khafre’s statue was made and place near the

    Read More

  • The Statue of Kouros

    782 Words  | 2 Pages

    The Statue of a kouros represents a Greek male. With one foot forward, the statue at the same time, represents movement and is able to stand on it own. This also gives the over life size figure, visible weight. In this early figure, geometric forms seem to predominate, and anatomical details, such as the chest muscles and pelvic arch, are presented with somewhat of exaggerated lines. Although the exaggerated lines show where these muscles belong, the detail is still missing. Looking up and down this nude body, at this miss proportioned and lacking of detail body, the hair is what grabs my attention. The hair is carved with detail not noticeable in the rest of the body. As well, although the fists are clinched and still bonded to the body, the legs and elbows are separated. The ability to move around and inspect the statue makes a big difference than if it was up against a wall, or just looking at its picture. The legs, which support the weight of the statue, have a visible strength which is seen in the knees. The head is what carried the most detail, the ears although to far back, are intricately designed. It is the ability to walk around the entire statue that allows me to see the different aspects and places where attention to detail was placed. However, he does not expand into three dimensional space; he has a closed-off, column-like appearance

    Read More

  • Lansdowne Hermes

    1076 Words  | 3 Pages

    Viewing the Lansdowne Hermes with a naked eye and what you will see is a larger than life-size statue depicting a man with an ideal body leaning with the majority of his weight on his right foot. His right arm is resting on his right buttock in an almost effortless pose. The left side of his body tells a different story. His left foot has barely any weight on it, and his left arm is supporting a pretty large portion of cloth wrapped so it perfectly wraps around the shoulder and rests just above the wrist. It appears that he was at one time holding some sort of sword or stick. To the naked eye that is what this sculpture seems to be, accepting a sculpture as a piece of art. Glancing at the Lansdowne Hermes you can appreciate beauty of art for beauty of art. However the sculptor had much more in mind when he created this figure from a large unscathed piece of marble.

    Read More

  • Sculpture: The Betrayal and Arrest of Christ

    639 Words  | 2 Pages

    If you look closely, you can see the scrapings of lines made from the tool used to sculpt the stone. In addition, if you look close, you can see that at one time this sculpture was completely covered vibrant colors. At first, I was not aware of what polychrome or gilding was, but apparently, it is in reference to the color or painting of a piece and the technique used. I only realized this while looking under the soldier's clothing. This tells me that the soldiers were dressed in blue uniforms. The reason for the loss of color of the sculpture is unknown to me, but I could figure that since it was created in the thirteenth century, that time has taken its toll, or maybe at one point someone had stripped it of its color.

    Read More

  • Analysis Of Monumental Statue Of The Pharaoh Ramesses II

    856 Words  | 2 Pages

    Ramesses is sitting down in his throne with his hands resting on top of his tights facing forward. There are some scriptures carved in the back of the throne, which are dominant in the structure because they are more detailed and try to give a message.

    Read More

  • Hatshepsut His Majesty Herself Analysis

    1234 Words  | 3 Pages

    Hatshepsut was bold because while she was her nephew, Tuthmosis III’s regent, she gathered power and influence to unexpectedly name herself pharaoh. In paragraph eleven, it states, “Gradually, over seven years, her power and influence grew. In the end, Hatshepsut was ruling Egypt in all but name.” In addition to this quote, in paragraph twelve, it states, “...Hatshepsut took a bold and unprecedented step: She had herself crowned pharaoh with the large, heavy, red-and-white double crown of the two Egypts…” These quotes explain that Hatshepsut knew that her nephew was too young to be effective and used this to her advantage. Hatshepsut was also bold because she did not want to break the tradition of a male. Instead of dressing as a woman, Hatshepsut appeared as a man in public and took the name of Maatkare. In paragraph fourteen, it states, “She was concerned with preserving and continuing traditional order as much as possible, so to the people of Egypt she made herself look like a man in her role as pharaoh.” This quote supports that Hatshepsut was aware that she broke the men as pharaoh tradition, but wanted people to take her seriously and continued to dress as a man so it did not seem like she was a woman. Despite her dressing as a man, Hatshepsut continued her feminine delights. In paragraph sixteen, it states, “Hatshepsut might have had to look and act like a man in public, but she never gave up feminine pleasures.”

    Read More

  • Athena Parthenos: The Goddess of Wisdom

    861 Words  | 2 Pages

    This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.

    Read More

  • Hatshepsut

    3025 Words  | 7 Pages

    Was she the archetypal wicked stepmother, an unnatural and scheming woman ?of the most virile character who would deliberately abuse a position of trust to steal the throne from a defenceless child? (Gardiner, 1961:184)? Or was she ?an experienced and well-meaning woman who ruled amicably alongside her stepson, steering her country through twenty peaceful, prosperous years who deserves to be commemorated among the great monarchs of Egypt? (Budge, 1902:I)? According to biographer and historian Joyce Tyldesley, Queen or as she would prefer to be remembered, King Hatchepsut became the female embodiment of a male role, whose reign was a carefully balanced period of internal peace, foreign exploration and monument building (Tyldesley, 1996:1). This study will show that it was Hatshepsut the Pharaoh?s devotion to the god Amen and her protection of the maat of 18th Dynasty Egypt that allowed her to forge her successful New Kingdom regime.

    Read More

  • The Visit Of The Metropolitan Museum

    902 Words  | 2 Pages

    Let’s begin with what was going on during the time period for each sculpture. During the 2458-2446 BCE. Userkaf was thriving over his brother Sahure, and he became the new ruler of Egypt. In the start of 2446 BCE, Neferirkare beings his dominant over Egypt. King Sahure and Nome God is a high relief it is still attached to a surface of a stone. The Pharaoh sitting on his thorn wearing a Nemes headdress (it is usually blue and gold striped), fake beard. The king has an emotionless facial expression. It was made for a decoration for the king pyramid complex. The symbol behind this statue could be the gathering of the Nome gods form Upper and Lower Egypt around t...

    Read More

  • Equestrian Statue Of Marcus Aurelius

    463 Words  | 1 Pages

    The bronze statue stands 4.24 meters tall. The horseman has curly hair and a curly beard that covers his cheeks and upper lip. He is wearing a short sleeved tunic with a cloak that is clasped on his right shoulder. The emperor’s body is slightly turned to the right and his right arm is outstretched, almost as if he were commanding a large army. The rider’s left hand is surprisingly empty, with his palm open and facing the sky, but he is wearing a ring. His ring was more than likely a symbol of his power at the time. It looks as if he was originally holding something, but there does not appear to be any proof because the palm of his hand is intricately

    Read More

  • Ancient History: The Legacy of Hatshepsut

    861 Words  | 2 Pages

    An essential characteristic for being a great leader, consistent within many, is confidence. A person may have ideas, but for them to be carried out takes confidence in themselves to bring those ideas to reality. Hatshepsut portrayed herself as a very confident woman by taking the initiative to do things that only Pharaoh’s would commonly do, such as performing certain religious rituals, making offerings directly to the gods, and commissioning various building projects. These actions made it evident that she saw herself as important and powerful, and others soon believed this as well; she was considered as God’s wife of Amen and became a priestess in temple rituals. Hatshepsut also depicted herself as a male—she dressed in a kilt, crown, and wore an artificial beard. This clearly shows that she had great ambition to be King, as she took on the daring task of creating a false persona just so that she could reach her goal. Despite the typical male dominating society, Hatshepsut displayed confidence in herself that she could become ...

    Read More

  • Rahotep And Nofret Analysis

    153 Words  | 1 Pages

    A statues of Rahotep and Nofret: It is Painted Limestone, reign of Snefru. This height size is 121 cm and wide is 51 cm. Their color of paints are in reddish brown, to make it as realistic on skins and crystal pupils on the eyes. Even though Nofret use light tone for females. Mariette at Meidum found this sculpture in 1871. It believe this was in year between 2575-2551 BC. Rahotep were hold several offices names: unique Chief of Seers at Heliopolis, Chief of Hall, Keepers of Ames Sceptre, Eldest of Palace, great unique one at place of beer measurers, Great one of city of Pe, overseer of transporters, general, controller of archers, and a physical son of King. Via Egypt Origins site, those figures are on display in the Cairo Museum. However,

    Read More

More about The Statue of Hatshepsut

Open Document