The Statue Of Ovid's Metamorphoses

1641 Words4 Pages
bulb-icon

Recommended: The power of literary analysis

Pygmalion gets its name from the commended story in Ovid's Metamorphoses, in which Pygmalion, sickened by the isolates and abhorrent lives of the women of his period, decides to live alone and unmarried. With wondrous workmanship, he makes a superb statue more flawless than any living woman. The more he looks upon her, the more significantly he falls head over heels in adoration for her, until he wishes that she were more than a statue. This statue is Galatea. Lovesick, Pygmalion goes to the asylum of the goddess Venus and supplicates that she accommodate him a critical one like his statue; Venus is touched by his friendship and brings Galatea to life. Exactly when Pygmalion returns from Venus' haven and kisses his statue, he is satisfied to …show more content…

Because of an inquiry from the Gentleman, the Note Taker answers that his ability originates from "just phonetics...the exploration of discourse." He goes ahead to boast that he can utilize phonetics to make a duchess out of the Flower Girl. Through further scrutinizing, the Note Taker and the Gentleman uncover that they are Henry Higgins and Colonel Pickering separately, both researchers of tongues who have been needing to visit with one another. They choose to strive for a dinner, yet not until Higgins has been persuaded by the Flower Girl to provide for her some change. He liberally tosses her a half-crown, a few florins, and a half-sovereign. This permits the pleased young lady to take a taxi home, the same taxi that Freddy has brought back, just to find that his eager mother and sister have left without …show more content…

In this demonstration, everybody is presented in exceptionally sorted parts. In this scene, Shaw presents just about all his real characters, however alludes to them by part instead of name in his stage bearings: Note-Taker, The Flower Girl, The Daughter, The Gentleman, and so forth. Besides, his stage headings portraying where characters stand with each line, especially in connection to different characters, appear to be more than meticulous in their point of interest. This brings out a general public whose parts have inflexible relations to each other. The odd, apparently unessential scene when The Mother gives the Flower Girl cash to figure out how she knew her child's name demonstrates the Mother's expect that her child may be taking up with the wrong sort. The occurrence additionally conflates a genuine name with a typical term that can apply to anybody; Freddy is for a minute both term and character. Before the end of the demonstration, The Note-Taker, The Gentleman, and The Flower Girl have gotten to be Higgins, Pickering, and Eliza, individually. This move will proceed through the length of the play, where a less unmistakable blossoming of genuine persons out of negligible social positions happens. In the event that Higgins is one sort of Pygmalion who makes a blossom young lady a

Show More
Related

  • A Comparison of The Aeneid and Metamorphoses

    1104 Words  | 3 Pages

    This gives the readers a clue that what is to happen in the upcoming text is a

    Read More

  • The Politics Of Forbidden Love In Ovid's Metamorphoses

    979 Words  | 2 Pages

    Pygmalion was a man who only dated women that lived shameful and deviant lives. Ovid writes: “Pygmalion had seen them spending their lives in wickedness, and offended by the failings that nature gave the female heart.” … (Book X, 243-297). He decides to build a sculpture of a woman. Pygmalion treated this sculpture like a human. This sculpture was so life-like that it would bruise when he would touch it. Pygmalion attended the holiday that honored Venus. He prayed to the goddess to bring him a woman that looked like the sculpture he built. Pygmalion’s prayer came true, and he married the woman. They had a daughter named Paphos, and she had a son named Cinyra. The politics of forbidden love comes into place when Cinyra got married and had a daughter name Myrrha. Myrrha had a crush on her father. She was very ashamed her of her feelings. Her nurse caught her trying to commit suicide one night and made Myrrha tell her what was going on. “Cinyra’s daughter wakeful, stirring the embers, reawakens her ungovernable desires, one moment despairing, at another willing to try, ashamed and eager, not yet discovering what to do” (Book 10, 356-430). When Myrrha’s mother went to pray at night, the nurse would go to Cinyra’s room and get him drunk so the daughter could go in there with him. Cinyra eventually wanted to know who this person was, and when he found out he wanted to kill his own

    Read More

  • Classism in "An Inspector Calls"

    1822 Words  | 4 Pages

    Although the author’s intention is to entertain the audience just like every play would, however he also isn’t just entertaining the audience because his intention shows that he is more interested in showing the audience about the structure of the class system. The play is set at the turn of the century and is centered on a wealthy family who are successful and prosperous at a time of poverty for many. They are oblivious to this, and given the fact that the play was

    Read More

  • Perception Versus Reality In Katherine Mansfield's Miss Brill

    1080 Words  | 3 Pages

    Still in her imaginative, theatrical play trance, Miss Brill notices two young people, a boy and a girl, and identifies them as the hero and heroine. She “soundlessly sing[s]” in her head as she “prepares to listen” for their lines in the play, just as she listens to others’ conversations in the garden. However, in much contrast to her anticipation, the boy asks his girlfriend, “who wants her?”, referring to Miss Brill, and the girl subsequently teases her fur, calling it “fried whiting.” The hero and heroine of the play that Miss Brill crafted detest her. In her imaginary theatrics, she degrades from someone “on the stage” to someone unwanted. The imaginative lens from which she views the world around her shatters like glass as a wave of reality hits, and she realizes her true insignificance to others. Immediately, she retreats back to

    Read More

  • Apollo's Human Gardening in Ovid's Metamorphoses

    1101 Words  | 3 Pages

    In Ovid's epic poem Metamorphoses, he uses many transformations of humanoids to explain the existence of many natural entities such as animals, plants, rivers, and so forth. Ovid uses the Roman gods to be the active agents in many of the metamorphoses, although some of them are caused simply by the will of the being. In the Melville translation of Metamorphoses, the stories "The Sun in Love" (book IV, ln226-284) and "Hyacinth" (book X, ln170-239) have occurrences of both agencies of transformation of people into plants. Apollo is the catalyst that causes the metamorphoses in each of the stories. The metamorphoses involved support the concepts of the "Great Chain of Being" and the metaphor "People are Plants" expressed in the book More than Cool Reason by George Lakoff and Mark Turner due to the aspects involved in the Ovidian metaphors and what the people transform into.

    Read More

  • Humanity In Ovid's Metamorphoses

    1600 Words  | 4 Pages

    In Ovid’s Metamorphoses Book I lines 452 – 567, the two protagonists, the gods Apollo and Cupid, are both portrayed as arrogant and powerful deities. However, Ovid’s true characterization of these immortals extends far beyond their obviously shared traits of arrogance and dominance. In reality, Ovid’s characterization of Apollo and Cupid is such that they represent completely different, but equally significant, symbols in the story. More specifically, one should read Apollo and Cupid’s respective characterizations as the former being a representation of humanity and the latter being a representation of truly omnipotent and transcendent immortality.

    Read More

  • Analyzing Ovid's Metamorphoses

    911 Words  | 2 Pages

    Ovid’s Amores, which were originally written in Latin, have been translated by many English translators in order to allow the enjoyment and understanding of his works in more parts of the world. Looking at translations from three different authors allows comparisons and contrasts to be made between them to allow light to be shone on the original ideas which Ovid brings forth in his Latin writing. A.D Melville, Catherine A. Salmons, as well as G.S Fraser have all translated Ovid’s Amores 5, enabling English cultures to see what Latin literature customarily used or show what the translator uses to input their own ideas into these popular works. These ideas from Latin literature as well as the translators

    Read More

  • Cupid Research Paper

    1553 Words  | 4 Pages

    Pygmalion was a young sculptor who made beautiful statues. His statues were the only thing he loved; he hated women. Pygmalion said that his art was all he needed; he didn’t need to marry someone. One day, Pygmalion decided to make a sculpture of a woman. He worked day and night, his fingers making her more beautiful by the second. Ironically enough,

    Read More

  • A Comparison Of The Aeneid Vs. The Metamorphoses

    1573 Words  | 4 Pages

    In many ways, judging and comparing Vigil’s Aeneid and Ovid’s Metamorphoses is inevitable because each of the writers lived at roughly the same time in history, both sought to create a historical work that would endure long past their mortal existences, and while each man was ultimately successful in their endeavors, they achieved their desired goals in vastly different ways. That being said, the epic poem by Ovid is superior because unlike Virgil, whose epic poem utilized a character centered narrative steeped in historical inferences and a theme that celebrated the moral virtues of Greek and Roman society, Ovid defied tradition by creating an intricate narrative that looked

    Read More

  • The Metamorphoses By Ovid

    1060 Words  | 3 Pages

    Ovid’s wrote the Metamorphoses during an important time period in Roman history. Ovid is growing up during the last days of Julius Caesar’s reign and the beginning of Augustus’ new reign as Emperor. This period marked great change, or metamorphosis, in Roman ideology. Although it was not obvious to the average person until many years later, genius’ like Ovid understood the change that Roman society was going through. At this time, Ovid was already a highly successful poet, writing erotic poetry. However, there was a genre Ovid had not yet established his dominance. This genre was epic poetry, dominated by Virgil and his work, the Aeneid. Ovid took this opportunity to write an Epic poem that would rival Virgil’s Aeneid, and explore the theme of metamorphosis, drawing from the Heraclitian paradox that the only thing constant in the universe is change. Ovid weaves together 250 myths and legends from both Greek and Roman history, and tweaks some of them to his purpose, creating interesting twists on the classic stories that are already well-known by everyone. In fact, many of his tweaked versions of the stories became the standard version that are still told today. In the Metamorphoses, Ovid presents women and the gods differently than his contemporary Virgil, reflecting his motives and the society in which he was living in.

    Read More

  • The Pygmalion Effect

    1116 Words  | 3 Pages

    The Pygmalion effect was named after Pygmalion a Cypriot sculptor who fell in love with a statue of a woman he had carved. Upon Aphrodite’s festival arrival, Pygmalion made an offering at the altar of Aphrodite, where he, too scared to

    Read More

  • Essay On The Well Beloved

    1901 Words  | 4 Pages

    As M.H. Abram’s explains, the doctrine of Platonism states that all beauty in the material world, including the aesthetic object or work of art, is an emanation from an absolute or ideal form of beauty from which the human soul is permanently exiled. The Platonic lover is drawn by the physical beauty of the beloved person but recognises that this is merely the outer manifestation of the deeper spiritual beauty that radiates out from the divine ideal which should for the true object of reverence and desire. (M.H.Abrams p.157) ‘Pygmalion’ is a myth of transformation, a representation of the seamless metamorphosis of the ideal in to material form. In this respect it is an inspiration for all artists and for lovers driven by the desire to achieve this impossible consumption. One of the main problems with the myth, however, is its definitive gendering of the relationship between artist and muse and artist and artwork, male subject and female object. As an archetype it reinforces and naturalises the unequal distribution of power implicit in the gender relations of the second half of the nineteenth century -a period that witnessed the rise of the feminist movement and in particular the campaign for women’s

    Read More

  • My Fair Lady Essay

    728 Words  | 2 Pages

    My Fair Lady is a 1964 American musical film adaptation of George Bernard Shaw’s Pygmalion. The origins of Pygmalion are found in Greek mythology. In Ovid’s Metamorphoses, Pygmalion was a Cypriot sculptor who was not interested in women. However, he felt in love with Galatea, his masterpiece, a beautiful statue of a woman out of ivory. He prayed so long and constantly to Aphrodita that the Goddess finally brought the statue alive. Afterwards the couple got married and they lived together a ‘happy ending’.

    Read More

  • Transformations in Ovid's Metamorphosis

    1371 Words  | 3 Pages

    Transformations from one shape or form into another are the central theme in Ovid's Metamorphoses. The popularity and timelessness of this work stems from the manner of story telling. Ovid takes stories relevant to his culture and time period, and weaves them together into one work with a connecting theme of transformation throughout. The thread of humor that runs through Metamorphoses is consistent with the satire and commentary of the work. The theme is presented in the opening lines of Metamorphoses, where the poet invokes the gods, who are responsible for the changes, to look favorably on his efforts to compose. The changes are of many kinds: from human to animal, animal to human, thing to human, human to thing. Some changes are reversed: human to animal to human. Sometimes the transformations are partial, and physical features and personal qualities of the earlier being are preserved in mutated form.

    Read More

  • Tragically Inane: The Cherry Orchard And Six Characters

    1972 Words  | 4 Pages

    The action the audience is forced to recognize in Six Characters is subtly broached in Chekhov's play. It is discussion, and it is real discussion. People are different, and people are unpredictable. Reality is tragically inane, and that is what the theatre shows best.

    Read More

More about The Statue Of Ovid's Metamorphoses

Open Document