Despite illustrating the same culture, “British Columbia Memorial” by Darcy Large and "The Spirit of Place" painting by Taylor Tabry-Dorzek prove to have various differences if we consider criteria of inherent meaning, significant beauty and fulfilled intent. Both have an inherent meaning. The historical painting by Large wishes to depict the darker side of the indigenous history and culture. For this reason, the artist uses her work to evoke emotions of heartbreak and remorse in the viewer. Contrastly, “The Spirit of Place” painting by Tabry-Dorzek wishes to depict the natural beauty and wonders of the Aboriginal culture. Both display significant beauty. The beauty of Large’s work consists of a darker, adjacent colour scheme. On the other
Tuele, Nicholas. British Columbia women artists, 1885-1985: an exhibition. Victoria, B.C., Canada: Art Gallery of Greater Victoria, 1985. Print.
The two pieces of art that I have chosen to compare reside in Toronto’s ‘Art Gallery of Ontario’. While the two pieces are very different in terms of artistic medium and period, the painting, “The Academy”, by Kent Monkman, makes direct reference to Auguste Rodin’s sculpture “Adam”. The sculpture is a giant bronze cast from 1881 inspired by Michealangelo’s “Creation of Adam” Ceiling Fresco in the Sistine Chapel. “The Academy” by Canadian painter, Kent Monkman was commissioned by the AGO in 2008. The piece was created as a visual commentary on the “injustices and oppression Aboriginal people have suffered” (Filgiano) However different they may appear to be, Kent Monkman ‘borrows’ the theme of Rodin’s “Adam” sculpture to create an analogy between Adam’s banishment from paradise and the Aboriginal’s loss of paradise through colonization.
...Veterans Memorial is not primary focus. Louis Torres points out Fredrick's Hart's sculptor "Three Soldiers" and Glenna Goodacre's "Vietnam Women's Memorial" as significant works of art. The articles shows the unjust and tainted opinion of the New York Times author, Daniel Orkrent's commentary. This argument was one primary ideas to contrast the positive and negative impact of the memorial.
Examining the formal qualities of Homer Watson’s painting Horse and Rider In A Landscape was quite interesting. I chose to analyze this piece as apposed to the others because it was the piece I liked the least, therefore making me analyze it more closely and discover other aspects of the work, besides aesthetics.
Though people can look into color and composition, others can still even look into the source of the art itself. Cole goes deeper, delving into the source of the art, looking in particular into the idea of cultural appropriation and the view a person can give others. Though it is good for people to be exposed to different opinions of a group or an object, sometimes people can find it difficult to tell the difference between the reality and the art itself. Sometimes art can be so powerful that its message stays and impacts its audience to the point where the viewer’s image of the subject of the art changes entirely. Cole brings up an important question about art, however. Art has become some kind of media for spreading awareness and even wisdom at times, but in reality, “there is also the question of what the photograph is for, what role it plays within the economic circulation of images” (973). Cole might even be implying that Nussbaum’s advertisement can sometimes be the point of some media, and that sometimes the different genres of art can just be to make someone with a particular interest happy. One more point that Cole makes is that “[a]rt is always difficult, but it is especially difficult when it comes to telling other people’s stories.” (974) Truthfully, awareness and other like-concepts are difficult to keep going when a person or a group is not directly involved.
My friends, after traveling through the Asian continent and Japan, I continued on to the Americas. The art in the Americas has three regions, North America, Central America, and South America. Each region has a very distinct aspect to their forms of art. All cultures have some kind of art. Being curious about art, I have collected samples from five different areas. The following works of art are very different from European art, but there are still some similarities. The similarities of the human spirit are evident in the following images.
Grant Wood’s American Gothic is one of the most famous paintings in the history of American art. The painting brought Wood almost instant fame after being exhibited for the first time at the Art Institute of Chicago in 1930. It is probably the most reproduced and parodied works of art, and has become a staple within American pop-culture. The portrait of what appears to be a couple, standing solemnly in front of their mid-western home seems to be a simplistic representation of rural America. As simple as it sounds, when looking deeper into this image, it reveals something much more complex.
The growth of art in Canada has played a pivotal role in the development of Canadian culture. An individuals ability to connect themselves to their country has increasely been linked to artistic works and their representation of national ideals. Earlier pieces such as After the Rain by Homer Watson represent an artistic sense of agrarian society, which later shifted to an increasely modern perspective through the work of the Group of Seven. Group member Arthur Lismer’s, A September Gale, reflects represents a dramatic departure away from earlier styles of panting and its representative ideals feed into a similar vision the North portrays for Canada.
At first glance, John Taylor and Howling Wolf’s visual representations of the treaty signing at Medicine Creek Lodge appear very different from one another. It is more than apparent that the two artists have very different interpretations of the same event. This paper will visually analyze both works of art by comparing and contrasting the compositional balance, medium, and use of color, as well as how the artists narrated their views using different visual elements.
Gardner, Helen, and Fred S. Kleiner. Gardner's Art Through the Ages: The Western Perspective. N.p., 2014. Print.
Forest Woodward is well known as one of the adventures photographer and the filmmaker. As a young shooter, Woodward, shows unique techniques to direct few documentaries features films. Although, his contribution towards the photographer let him to a successful filmmaker and he able to manages good relationship between a photographer and a film director. Later on his life, filmmaker Woodward was able to discovers that he was a great influence by this dad, Doug Woodward, who walked into the wild and discovers the important place when he was a young man. The Important Places is one of my favorite documentary film directed by Woodward in 2013 from his dad landscapes’ memories when his father was a young man down the Colorado River, which ultimately
“The main thing is to root politics in place. The affinity for home permits a broad reach in the process of coalition building. It allows strange bedfellows to find one another. It allows worldviews to surface and change. It allows politics to remain an exercise in hope. And it allows the unthinkable to happen sometimes.” Allen Thein Durning, This Place on Earth , P.249
Looking at landscape art, especially when painted by one of the masters, many have undoubtedly pondered: what would it be like to live there? Shapes and attention to detail are, of course, important in a painting. However, it is color that draws the eye and inspires the heart. Oscar Wilde, an Irish poet and dramatist, spoke well of this when he noted that, “Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways. (qtd in “color”)”. Vincent Ward had a similar understanding of this impact when, in 1998, he directed the movie What Dreams May Come. Looking at this film, one can easily imagine being inside a living painting. The use of color to emphasize the emotional state of a character or event is common in films; nevertheless, Director Ward goes even farther in using color to represent the actual characters themselves. Red is the shade chosen to signify Annie and likewise, blue is used for Chris. Both of these, as will be shown, are accurate in defining these fictitious people. However, it is the profound use of purple in this film that is the true focal point. When mixing red and blue paint, one would find that, after being mixed, they cannot be separated. Likewise, this is true of the life and love these characters build and share. Purple represents the many ways in which Chris and Annie are melded, and joined.
Clifford Geertz once said: “Cultural analysis is intrinsically incomplete. And, worse than that, the more deeply it goes the less complete it is.” I recently spent a short amount of time at a busy 5-way traffic circle near my residence. While sitting in one spot for about 25 minutes, I observed many people doing many different things (mainly driving). Observing the various people made me think of what their particular cultures may have been, and from there, I began thinking of culture in and of itself. What is culture? Culture is defined as: Ideas and behaviors that are learned and transmitted. Nongenetic means of adaptation (Park, 2008). Culture plays a vital role in anthropology. After all, anthropology is the holistic, scientific study of humankind (Park, 2008). One cannot study humans as a whole without studying and understanding their cultures as well.
Everyone has a special place that people will never forget. Sometimes it is because there were places that people experienced great joy or comfort. A special place represents peoples’ special memories either good or bad. Memory will following people whole life, and store people’s heart deeper. Good memory will coming all time. My special place and my memory is my grandparent’s house; my grandparent’s house practically is my second home. I would never forget that special place because of things going on my grandparent’s house, which is symbolized by my grandparent’s love.