Director Nicholas Ray was lucky to have a talented composer create an original score for Rebel Without A Cause. Leonard Rosenman was born in 1924 and studied music in New York and Europe. His work as a film composer and arranger is very traditional, and has been regarded by some music critics as "insignificant." However, Rosenman received Academy Awards and Oscar nominations for his work. Along with film scores, Rosenman wrote theme music and scores for numerous television shows. The score in Rebel Without A Cause is much like another film starring James Dean, East of Eden. The sounds and music in this film are very realistic, and to the point. There is not anything abstract or out of place, and everything is very appropriate. The sound effects in the film are diegetic (sounds that the actors can hear), with the score being nondiegetic (sounds that the actors cannot hear). The film falls under the category of realism, with no stylizing or manipulation of images and sounds. The film starts out with orchestral music, and shows James Dean's character, Jim, drunk on the ground of a sidewalk. The sound of a police siren is heard and used as a transition into the next scene that takes place, understandably, in a police station. While in the police station, Jim is yelling along with the sound of the siren, and humming loudly to give the impression that he is drunk. At one point in the scene he is brought into another room with an officer, and begins to punch a desk. The sound effects are loud, and the he pauses, and music begins again when he begins to hurt. Again, a siren is played at the transition to the next scene. However, for the most part, score music is played during all transitions. The score music in this film w... ... middle of paper ... ...portant because since, like Jim and Judy, Plato has not grown up with a father figure, this leading to "Plato's scrutiny of, and contempt for, any paternal gesture" (Wood, 2). Overall, the score was beautiful and appropriate, adding suspense and mystery at all the right times. The sound effects added psychological flavor to the story without drawing too much attention to it. Works Cited Seger, L., & Whetmore, E. (1994). From script to screen . New York: Henry Holt and Company, Inc. Giannetti, L. (2005). Understanding movies. 10th ed. Upper Saddle River, NJ: Pearson Education, Inc. Wood, C. (2000). Finding the father: a psychoanalytic study of rebel without a cause. Retrieved Oct. 21, 2005, from Senses of Cinema Web site: http://www.sensesofcinema.com/contents/00/5/finding.html.
The sound effects grabbed my attention and continued to make me yearn for what could come next. The sounds bring me to a place where I can’t help but believe in the situation that’s happening. The music heightens my mood and helps create illusion. For example, the first extraordinary sound technique I noticed that the filmmaker used was the echo effect. It was not only used to support the mood the characters were at, but also to express that idea of the ‘emptiness’ in them. This technique dominated the audio when I was taken to a story in the film of a boy who was 18 and poisoned by his own sister. Those are some of the dominant examples of sound usage throughout the movie The Poisoners Handbook. The entirety of the soundtrack is a solid cocoon for the film to stretch and grow
The music has rather suspenseful and at times over intensified the overtone of the moment instead of accessing the undertones of the moment. The acts were extremely exaggerated including Irene Papas who played Clytemnestra. During her acting at times it felt as though she was being extra exaggerated making it awkward to watch. That being considered there was never a moment that occurred when you felt as though she did not genuinely care about every moment. The actor for Agamemnon Kostas Kazakos there were times that it would have been more appropriate to add more feeling into his scene. Often was a viewer it felt as if he would not make a decision for himself but instead was constantly waiting for someone to react. The setting was incredible. It seemed as if it was truly taped in ancient Greece. It was beautiful and embodied what I would image ancient Greece would look like. The soundtrack was over exaggerate. It would be nice if there was not as much drums. Often times it made the scene have an increased moment of anticipation when nothing major was really
The chapter “A Fathers Influence” is constructed with several techniques including selection of detail, choice of language, characterization, structure and writers point of view to reveal Blackburn’s values of social acceptance, parenting, family love, and a father’s influence. Consequently revealing her attitude that a child’s upbringing and there parents influence alter the characterization of a child significantly.
The film conveys the feelings of the characters very well. Phillip Noyce uses lighting which always goes very well with the scenes even though he uses a lot of non-diegetic and contrapuntal sounds. The film?s shots are always correct and seem to have a purpose and the editing is wonderful.
The vast majority of sound used in the film is non-diegetic, especially the musical ideas, which is
One of the major themes that are presented throughout the whole entire movie is the dysfunctional relationship between one of the characters and their fathers. The movie portrays father figures as problematic which then shape the actions and the characters themselves as the movie progresses. We can see all three dynamics of the father figure presented through Jim, Judy, and Plato. Through Jim, the father figure that he is presented with is a father who is weak allows himself to be walked on by Jim¡¯s mother and grandmother. Judy¡¯s father, on the other hand, is quite the opposite of Jim¡¯s father in that he is the overbearing, masculine, and insensitive. Lastly, we see the absence of a father figure in the life of Plato which completes the list from all three sides.
Teenage films are often thought of films focused on issues such as teen angst, conflict with parents, coming of age, and most notably rebellion. Nicholas Ray’s Rebel Without a Cause(1955) is one of the first films that could be classified as such. In today’s times, many films that fall into this genre follow the same structure as Rebel without a Cause in that perceptions and activities of youth defy what is considered to be a seemingly more stable adult life. Prior to Rebel Without a Cause, there wasn’t a film that challenged the ideas of masculinity in society and the struggles that teenagers endured in that era, so it is no surprise that the film is considered to be the poster child of youth rebellion in the 1950’s. Ray brings to light a
Rebel without a Cause is a powerful performance that demonstrates the struggles of an all-American, middle-class family. James Dean, Natalie Wood, and San Mineo are remarkable actors that play significant roles of adolescent characters in the film. This tale is based on teenagers that have troubled lives due to the ignorance of their parents. The main message the film portrays is that children’s behaviour is influences by their parents and their parenting skills. There are several themes in this film, however the predominant theme is that conflict within the family can encourage disaffected youth.
There is no music in the shots until the very end. There is nondiegetic, faint, disjointed, sounds of horns that begin to play. Then a sound of xylophone or keyboard and violins join in. The volume increases from faint to a more full sound, as Ennis embraces the blood stained jacket and shirt. I must note that during the course of the movie, there was a very signature musical motif. We hear a steel guitar strumming a very serene melody as violins and a faint hint of a slide guitar play this beautiful recurrent melody. This beautiful musical motif is significant in that it is repeated every time Jack and Ennis are together on Brokeback Mountain. The song signifies their time spent together as their love affair grows. It signifies the beauty and serenity of the mountains and a secret place where Jack and Ennis could go and share their love without being judged or scrutinized by the public's disapproval of homosexuality in the 1960’s.There are few sound effects in the shots. Most of the sounds heard are natural sounds like the wind blowing or the floor creaking. We can hear a crow cawing in the distance and a cow mooing when Ennis opens the window in the scene. This helps us understand that we are in the
The role of a father could be a difficult task when raising a son. The ideal relationship between father and son perhaps may be; the father sets the rules and the son obeys them respectfully. However it is quite difficult to balance a healthy relationship between father and son, because of what a father expects from his son. For instance in the narratives, “Death of a Salesman,” and “Fences” both Willy and Troy are fathers who have a difficult time in earning respect from their sons, and being a role model for them. Between, “Death of a Salesman,” and “Fences,” both protagonists, Willy and Troy both depict the role of a father in distinctive ways; however, in their struggle, Willy is the more sympathetic of the two.
Next, we hear Norman’s voice as he yells “mother, oh god, mother, blood, blood”; his voice, is a very distant, reverbed, non-diegetic wet sound. Afterwards, we hear the soundtrack, which is non-diegetic, playing simultaneously along Norman’s figure in frame. The reason behind it, is a way to demonstrate that he is, indeed, the killer, hence why the same track takes part when the killer commits the crime as well as when Norman approaches the room.
The music suited the movie very nicely. By the type of music playing, you could determine what sort of scene was coming up, either fast and light...
Sound is an extremely important element to a film. Music, the sound chosen in this scene, is categorized as non-diegetic, which means that the music is not in the story world. The directors use deep, dramatic, intense music when Nick is interrogating Judy about her speech. The music in the scene helps the audience feel the anxiousness that Judy is feeling towards predators, particularly Nick. As the music plays in the background, the intensity of the scene grows immensely. The directors use the music to help heighten the emotion during this encounter and reveal Judy’s inner fear of predators that gets the best of her in this
In the romantic fantasy film, The Twilight Saga: Eclipse (2010) music played a key part in the movie from scene to scene allowing the audience to feel emotions and become attached the characters and story plot. Howard Shore composed the score for The Twilight Saga: Eclipse film adding his magic touch to the film. The soundtrack itself managed to make to make it to Number two on U.S Billboard 200. Throughout the movie Howard Shore incorporated a lot of hip and current music into the film along with his own original score pieces. This allows the audience to understand the emotions which are being portrayed by the characters in the film. As well as the suspense which is being brought on also the mood of the dialogue in each scene.
Freer, Justin. "The Importance of Music in Film." Los Angeles Brass Ensemble RSS. Los Angeles Brass Ensemble, n.d. Web. 24 Nov. 2013.