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Hamlet: its universal appeal
Hamlet: its universal appeal
hamlet's power struggle
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The Slipping Slope of Sovereignty
Before the Middle Ages, women were societally submissive to male supremacy. As the Middle Ages progressed, one develops a sense that women sought a change in societal order. Upset that they are not able to share their beliefs due to their position, women began to become more vocal. In comparing two great poets Geoffrey Chaucer and William Shakespeare, one sees a connection in their most well known works. Chaucer's view on women, demonstrated by the “Wife of Bath’s Tale” and the Wife’s belief that all women desire sovereignty, is welcomed by William Shakespeare but not achievable by Hamlet’s female protagonists, Gertrude and Ophelia.
Chaucer’s view aren’t clearly stated but it can be interpreted that he respected the male social hierarchy. However, he liked women to show their beliefs and be able to gain their respect in society. In, Women in Geoffery Chaucer’s The Canterbury Tales: Women as a Narrator, Women in the Narrative, written by Vladislava Vaněčková, Chaucer classifies women into their distinct social levels and claims to give them a chance to express their somewhat selfish beliefs so they can achieve happiness (4-5). Some women seek to mainly better themselves, while other women seek to better all women; demonstrating hardly known traits of a feminist (Vaněčková 5-6). For example, the Wife in the “Wife of Bath’s Tale”, represents a ignorant feminist because she has a view for all women but has no moral that completes her idea.
Additionally, Wife of Bath’s idea and desire is for all women to achieve sovereignty which doesn’t necessarily mean that it won’t favor men. As you can see, the Wife acts as a feminist here. Although, Alison wants to have the power in the relationship, she b...
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...red.” Shakespearean Criticism. New York: Gale, 1997. 238-244. Print.
Marcotte, Andrea. “Geoffrey Chaucer's The Canterbury Tales: Rhetoric and Gender in Marriage.” Lumirarium.Org. Anniina Jokinen, 6 Sept. 2012. 5 May. 2014
Savu, Elena, Laura."In desire's grip: Gender, politics, and intertextal games in Updike's Gertrude and Claudius." Papers on Language and Literature 39.1(2003):22. eLibrary. Web. 05 May. 2014.
Updike, John. Gertrude and Claudius. New York: Alfred A. Knopf, 2000. Yerkes, James. "Gertrude and Claudius". Rev. of Gertrude and Claudius, by John Updike. Christian Century. 117.6 (2000): 220-21
Shakespeare, William. Hamlet. New Jersey: Prentice Hall, 2010. Print.
Vaněčková, Vladislava. “Women in Geoffrey Chaucer’s The Canterbury Tales: Woman as a Narrator, Woman in the Narrative.” Luminarium.Org. Anniina Jokinen, 6 Sept. 2012. 5 May. 2014
Uéno, Yoshiko. “Three Gertrude’s: Text and Subtext.” Hamlet and Japan. Ed. Yoshiko Uéno. Hamlet Collection 2. New York: AMS, 1995. 155-68
The moral compass of mankind has always piqued the interest of authors. The Middle Ages was a time of immoral behavior, corrupt religious officials, and disregard of marital vows. Geoffrey Chaucer used The Canterbury Tales to explore his personal views of this dark time. In particular, he crafted “The Wife of Bath’s Tale,” “The Prioress’s Tale,” and “The Shipman’s Tale” to portray the tainted society, using women in all of them to bring forth his views. In The Canterbury Tales, Chaucer depicts women as immodest and conniving beings to suggest the moral corruption of the Middle Ages.
Cox, Catherine S. Gender and Language in Chaucer. Gainesville, Florida: U of Florida P, 1997.
Chaucer's Canterbury Tales are filled with many entertaining tales from a variety of characters of different social classes and background. The first two tales told, by the knight and the miller, articulate very different perspectives of medieval life. Primarily, The tales of both the knight and the miller bring strikingly different views on the idea of female agency, and as we will discover, Chaucer himself leaves hints that he supports the more involved, independent Alison, over the paper-thin character of Emily.
Some say women can get the worst out of a man, but in The Canterbury Tales, written by Geoffrey Chaucer in 1485, proves it. The tales were originally written as a collection of twenty four tales, but has been narrowed down to three short tales for high school readers. The three tales consist of “The Miller”, “The Knight”, and “The Wife of Bath” along with their respective prologues. In The Canterbury Tales, Chaucer shows the weak but strong role of women throughout the “The Knight’s Tale” and “The Wife of Bath’s Tale” to contrast different human characteristics and stereotypes on the spectrum of people.
In Shakespeare’s Hamlet, the role of hierarchy is supported but also challenged. The writing in his play reflects the stereotypes of the roles of both men and women, especially because the play is written by a man. Shakespeare brings into action the undermining roles men play towards women, while giving nothing but judgement to the women characters. The play is written in a culture dominated by men, allowing the lack of women representation to be even more apparent. The dialogue and actions of the play, too, are written through the point of view of a male and not that of a female. Through the feminist theory, Shakespeare brings into question the way men treat women in dramatic English playwriting.The feminist theory, according to theorist Helene
The structure Geoffrey Chaucer chose for his masterpiece, The Canterbury Tales, of utilizing a melange of narrative voices to tell separate tales allows him to explore and comment on subjects in a multitude of ways. Because of this structure of separate tales, the reader must regard as extremely significant when tales structurally overlap, for while the reader may find it difficult to render an accurate interpretation through one tale, comparing tales enables him to lessen the ambiguity of Chaucer’s meaning. The Clerk’s Tale and The Merchant’s Tale both take on the institution of marriage, but comment on it in entirely different manner, but both contain an indictment of patriarchal narcissism and conceit.
Hansen, Elaine Tuttle. Chaucer and the Fictions of Gender. Los Angelos, CA: University of California Press, 1992. Print.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.
In this conclusion to the "marriage debate" Chaucer makes his case against courtly precept and social custom, as well as against the religious ideas expresses in medieval times. The case he makes establishes his own highly civilised and indeed Epicurean idea of "gentillesse" in general and in particular, in marriage.
Claudius begins his speech with an acknowledgement of Hamlet’s death and his own marriage to Gertrude. Claudius claims that the “green” memory of his “dear brother’s death” “befitted” Denmark to contract into “one brow of woe” (1.2). Despite Claudius’ affectionate reference to Hamlet, his hypocrisy is transparent. The colour imagery reveals the freshness of Hamlet’s death. The metaphor used suggests the kingdom is expected to unite and share the grief over its loss but the diction in “befitted” hints Claudius disapproval of expected mourning rites, causing the audience to doubt his sincerity. Furthermore, Claudius adds that “discretion fought with nature” causing him to think of Hamlet together with a “remembrance of [himself]” (1.2). The metaphorical conflict between “discretion” and “nature” contrasts Claudius’ hasty marriage to the expected mourning after Hamlet’s death. Moreover, in Claudius’ statement, the dependen...
Compared to Shakespeare’s Hamlet, Almereyda’s adaptation creates a new reading and highlights various elements more directly through a change in the characterization of Gertrude, Hamlet’s mother. The movie advances her position as a woman, making her a commanding and prominent figure throughout. This new reading of Gertrude from the movie reflects the changes in societal views regarding women, due to varying time periods, progressing the position of Gertrude as a woman, and exploiting ideas of incest, misogyny, and
The Wife of Bath’s insecurity and cynicism are just two of the ways in which she fulfils negative stereotypes of women. She tries to separate herself from other women of her time by taking control of her life by means of sex, but if she were truly progressive, she would have found a way to elevate herself without using her body. Alisoun is exactly what men fear and dislike about women; she is promiscuously sneaky, and she takes advantage of men. This is why while trying to present herself as strong and independent, her actions ultimately confirm misogynistic stereotypes of women; in the end, she is even more digressive to the cause feminism than a normal woman would be.
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.