The poem, “The Skeleton in the Dogwood” by Ron Rash, dramatizes the conflict between love and how easily that love can be shattered, as demonstrated by two lovers who, while taking a walk in spring, find a skeleton hanging in a dogwood tree. The lovers get the town’s sheriff, however, he cannot figure out who the person was, who killed him, or why. So the sheriff helps the lovers bury the bones and moves on. In the winter the lovers get married and on their wedding night they dream about the dead man with “spring flowers” (15) in his hand.
The first stanza tells of the lovers finding the skeleton in the dogwood branches. The stanza uses the words “promised blessing” (2) to describe what a new spring, just like a new love, brings to people. However, neither spring nor love nor anything else is perfect. The skeleton is in stark contrast to the rebirth and new life that is associated with spring, but it exists just like problems will always exist in lovers’ relationships. People go looking for the beauty of spring, like lovers try their best to make their love last, but sometimes they find dead animals or, in this case, a skeleton, and sometimes love doesn’t last.
Line two and three are “more than spring’s promised blessing; on new beginnings hanging”. Using the word hanging demonstrates how the promises of spring, and more importantly love, are very fragile gifts that can easily fall off the tree, that is their life, and disappear from a person forever. If lovers want their love to last they should not shake the tree, or test their love, but simply let it be. Hanging also creates a very ugly image with almost anyone, whether they think of people being hanged or meat hanging in a freezer like in Rocky, very few people can get a pos...
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...you do not need to know them so you are not told them. “The Skeleton in the Dogwood” does not try to be a confusing poem.
“The Skeleton in the Dogwood” starts so lovely with a couple taking a walk on a spring day. Suddenly, a mysterious skeleton creates a shift in the tone of the poem. However, the tone quickly shifts back to being pleasant when the lovers decide to treat the skeleton as one of their own and give him a funeral. For their efforts the lovers are blessed on their wedding night by the dead man. The poem goes through the same stages of a struggling relationship. At first, everything is great and new and exciting and nothing can go wrong. Eventually troubles emerge, but for the couple that puts the effort into fixing their relationship the darkness, like the dark tone of the poem, will disappear and the original wonders of the relationship will return.
The tree “swings through another year of sun and leaping winds, of leaves and bounding fruit.” This sentence evokes images of happiness and serenity; however, it is in stark contrast with “month after month, the whip-crack of the mortgage.” The tone of this phrase is harsh and the onomatopoeia of a “whip crack” stirs up images of oppression. The final lines of the poem show the consequences that the family accepts by preserving the tree—their family heritage. When the speaker judges the tree by its cover she sees monetary value, but when she looks at the content in the book she find that it represents family. Even though times may be tough for the family, they are united by memories of their ancestors.
The poem can be very touching to those who understand its true meaning. Dana Gioia was able to take this poem that was about a death of a young boy and turn it into something beautiful allowing him to live forever. This story is not only about the mourning of a lost soul, but about the beauty of life itself. Dana also allowed to reader to understand the compassion she had for the speaker. Without verbally saying it she used symbolic images to interpret the hurt and pain the man experienced from the loss of this unborn child. Instead of the common Sicily tradition for planting a tree for the first born child, the speaker does what he feels will honor his son. The sequoia is planted to compensate for the time he has lost and to outlive the child’s family. T
In the second stanza, the poet reveals that in the face of death, the criminal will still be unhappy, even though it is was he wanted all along. Line (7) of the poem, the poet means that hangings are a means of curing society, ridding it of pests (criminals).
Fire, ash, and the “red branch of the slow autumn” are all mentioned in his first thought about how their relationship currently is as if to describe it as dangerous, and out of control. However, it’s contrasted to water at the end of the second stanza through words like “boats,” “sail” and “isles.” Even though there is a wind flame-like element, there is still a water-like calmness because everything reminds him of her. The third symbol of wind is mentioned in the fifth stanza. Wind blows freely and provides descriptive imagery as he explains what would happen if she left the place where roots are. This leads to the fourth symbol of Earth which is depicted through roots and, oater, flowers. Plants contrast with wind because they can’t leave like the wind does. They also symbolize how their love would grow if she stayed and loved him as described in the last
In the second and last stanza of the poem we are reminded that he was but a child. The thought of losing the berries “always made him feel like crying” the thought of all that beauty gone so sour in the aftermath of lust. The lack of wisdom in younger years is emphasized by the common childish retort of “It wasn’t fair.” He kept up the childish hope that this time would be different, that this time the berries would keep and that the lust, work, and pain might not have been in vain, that others would not “glut” upon what he desired.
Although their love has endured through many years, it has come to an end in the story. All throughout the story the couple is reminiscing about their life and while they are there are some odd details that are strewn throughout.
The poem contains the central idea that many of these children never understood what home really means. In Native American culture the people venerate earth and it is referred to as mother nature which we see in the poem. The rails cut right through their home but they don’t view them like the average person. They view the tracks as if they are scars across mother earths face and her face is the Native American’s homeland. She is scarred for eternity but she is perfect in their dreams. This symbolism is ironic because the children try to reach home using the railroad that ruined natural life for them and many other Native Americans. In the second stanza the speaker says “The worn-down welts of ancient punishments lead back and fourth” (15-16). Which can be talking about the marks on the children’s bodies after getting caught while running away. But the “word-down welts” can also symbolize the welts that were put on mother nature throughout history. The last five lines of the poem sums up the symbol of hope through their memories and dreams. The last line of the poem says, “the spines of names and leaves.” (20-24). The “spines” symbolize the physical strength of the children and their ability to maintain hope individually “names”, and for their tribe
Although, I wished that the poem included more about the resurrection. It was good that it discussed Jesus return and the Day of Judgment, to encourage man’s repentance and salvation in Christ. I wondered if this poet who must have lived sometime in the Early Middle Ages actually had a dream where he imagined a tree speaking to him about the death and resurrection of Christ and then he wrote it down. If that was the case, then I can understand why the poem is not perfectly accurate and somewhat jumbled, when compared to scripture. Often our thoughts are jumbled, when we dream. The order of events seems to be a little offset. For example, the earth did not tremble, until after Jesus spirit left Him. The poem appears to put the trembling ahead of Jesus death. However, there is a lot of the good, the true, and the beautiful in this poem. It celebrates the sacrifice that Jesus made on the cross and it encourages us to look to Him on the cross, so we don’t forget how much He loves us. Also, it encourages us in our faith and knowing that Jesus will return someday, to take us into eternal glory with Him. It was good that the poem concluded with the Dreamer feeling enthusiastic about the cross, looking forward to eternal glory, and desiring to share the good news with others. This is the way that
Death can both be a painful and serious topic, but in the hands of the right poet it can be so natural and eloquently put together. This is the case in The Sleeper by Edgar Allan Poe, as tackles the topic of death in an uncanny way. This poem is important, because it may be about the poet’s feelings towards his mother’s death, as well as a person who is coming to terms with a loved ones passing. In the poem, Poe presents a speaker who uses various literary devices such as couplet, end-stopped line, alliteration, image, consonance, and apostrophe to dramatize coming to terms with the death of a loved one.
Part I is particularly anecdotal, with many of the poems relating to the death of Trethewey’s mother. The first part begins with an epitaph from the traditional Wayfaring Stranger, which introduces the movement of the soul after death, and the journey towards the ‘home’ beyond. In “Graveyard Blues”, Trethewey examines the definition of “home” as a place of lament, in contrast to the comforting meaning in the epitaph beginning Part I, and the significance of the soul’s movement after death. The ‘home’ described in the epitaph is a place of comfort and familiarity, where the speaker returns to their mother. In contrast, Trethewey describes the ‘home’ she returns to after her mother’s death as a hollow place, the journey back to which is incredibly
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
For any educator that is searching for a poem to arouse the interest of students enlisted in upper level literature classes, the poem “In the Orchard” by Muriel Stuart, written in the early twentieth century, conveys the ageless theme of unrequited love. The poem has all the elements of making students understand how far back the feeling of unrequited love has been around. We can understand these elements better through the rhetorical strategies.
In the poem “After Apple-Picking”, Robert Frost has cleverly disguised many symbols and allusions to enhance the meaning of the poem. One must understand the parallel to understand the central theme of the poem. The apple mentioned in the poem could be connected to the forbidden fruit from the Garden of Eden. It essentially is the beginning of everything earthly and heavenly, therefore repelling death. To understand the complete meaning of Frost’s poem one needs to be aware that for something to be dead, it must have once had life. Life and death are common themes in poetry, but this poem focuses on what is in between, life’s missed experiences and the regret that the speaker is left with.
Death is a natural and inevitable part of life. Everyone will experience death, whether it is of a loved one or oneself. In W.H. Auden’s poem “Funeral Blues” (1003), he describes such a catastrophic event and the drastic effect that it has on his life. It is interesting how people choose to accept this permanent and expected event, death. Similarly, Emily Dickinson has written many poems about death, such as “The last Night that She lived” (843), which describes a family waiting for a woman or girl to die and the dreary and depressed mood that exists within the household. Mourning is considered a perfectly healthy reaction when someone who is deeply loved and cared about passes on, and this is illustrated in “The Memory of Elena” (1070-71) by Carolyn Forche. She writes about the events following a funeral and also flashes back to the actual moment that a wife has watched her husband die. W.H Auden’s “Funeral Blues,” Carolyn Forche’s “The Memory of Elena,” and Emily Dickinson’s “The last Night that She lived” are all poems which share death as their subject matter, but differ in the fact that they discuss death in a unique style with a variety of literary devices to make them more effective.
The narrator begins the second stanza mentioning a dream that is unclear. He then stops short and continues, seemingly describing the appearance of the tree. Referring to "head lifted out of the ground, / Not all your light tonuges taliking aloud / could be profound." Perhaps the speaker could be describing the vastness of the tree's height and width along with the magnitude of leaves. Comparing tongues to leaves is a possibility because, as the wind rushes through them, it causes a distinct sound. The speaker may even believe that the tre...