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“The fear of death is the most unjustified of all fears, for there 's no risk of accident for someone who 's dead.” – Albert Einstein
It is the great equalizer; the end of all things. Death, he who comes for all and spares not a soul. Such a powerful and unstoppable force is undoubtedly the root of all of the greatest fears of failure and of life in general.
“The first duty of man is to conquer fear; he must get rid of it, he cannot act till then.” – Thomas Carlyle
The role of death as an equalizer is not only evident in its power, but also in that it can bring people with significant differences onto the same plane of thought; this is an occurrence between the lowly Gravediggers and Fortinbras, Prince of Norway, in Hamlet.
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Fortinbras is undoubtedly wealthy with a vast amount of political power. Not only is he the prince of Norway with control over the armed forces or the country itself, he communicates (via messenger) with Claudius and the rest of the Danish royalty directly. The Gravediggers, however, are the exact opposite—they are peasants with undesirable jobs who have no political power or prestige. In fact, they don’t even initially recognize Hamlet upon his arrival to Ophelia’s grave with Horatio, and thus are shown to be completely removed from the socio-political spectrum, with no power over resources save for the shovels in their …show more content…
Such would echo common belief among Norse warriors of the ages before Shakespeare’s time, as they believed that the soul continued on after death—especially for those who fell in battle—that would then travel on to Valhalla or Fólkvangr, which were places of honor and pleasure for those who had been deemed to have died honorably (Willis). The finality of death is embodied in his address of death’s “eternal cell;” this is Fortinbras’ strongest connection with the Gravediggers, along with his recognition of the equality that comes from death: “That thou so many princes at a shot.” The Norwegian prince knows that upon death, a prince with all of the riches and wealth he could possibly want is no different from a peasant who worked an undesirable job, or from a jester, or any other great man who had walked the earth before
It could be perhaps argued that Hamlet's state of mind which has become debased, but this is until Horatio claims, "Something is rotten in the state of Denmark (I, IV, 90)." The notion of festering carrion being a metaphor for King Hamlets death epitomizes this notion. The ghost furthers this idea by stating at the moment of his death, his skin became "Most lazar-like with vile and loathsome crust all my smooth body (I, V, 72)." This attempts the elucidate on the feeling of death almost like becoming like a leper before death finally takes its toll.
The relation between these two characters is a lot like the juxtaposition with Hamlet and Laertes. Just like Hamlet and Laertes, Fortinbras’ father, King Fortinbras, was also killed but the way he died was in a battle with King Hamlet. Hamlet and Fortinbras’ circumstances are almost identical. Their fathers were both murdered, both their uncles are on the throne and they are both princes of their countries. Revenge is the motive for both of these princes because of their dead fathers, but the way and the reason they seek it is extremely different. Hamlet wants revenge because the ghost of his father told him to and Fortinbras wants revenge to reclaim the land that his father lost when he died. Fortinbras is more focused on the honour of his country, Norway, but all Hamlet cares about is killing his fathers murderer. Hamlet’s morals slow down the process of his revenge whereas Fortinbras’ firm attitude makes him act faster. Hamlet later develops some jealously towards Fortinbras, he says, “Rightly to be great/Is not to stir without great argument/But greatly to find quarrel in a straw/When honor’s at the stake” (Shakespeare 4.4.53-56). Hamlet is saying that if Fortinbras is taking such quick action for a little bit of land that means nothing then what does that make Hamlet? He says in order for him to be great like Fortinbras he must take violent action. Hamlet and Fortinbras are both equally rebellious
Fear motivates many people to act upon matters, right or wrong. This emotion has been important in many events in both works of literature, and in the real world. It has forced military geniuses into retreat, and influenced them to plan another method of attack. Fear can be both a positive and a negative acting force in one’s life, a quality that can motivate one to success as well as to downfall.
The Western philosophical tradition has developed numerous viewpoints on, and fostered various attitudes toward, our mortal nature. There was once a situation where people regarded death as a theme and we shall die. In Western Attitudes Toward Death and Dying (1974) Aries proposes that death itself has, from the early medieval period onward, undergone a series of gradual yet discernible changes, which he titles “tame death,” “one 's own death,” “thy death,” and “forbidden or wild death.” This fourfold division centers directly on how people experience and understand death. As such, it stands as a peculiar history, one that often eschews more visible changes (e.g., the Reformation) in favor of less discernible shifts present in literature, art (including funerary art), liturgy, burial practices, and wills. It is characterized by the use or assumption
Death is part of the circle of life and it's the end of your time on earth; the end of your time with your family and loved ones. Nobody wants to die, leaving their family and missing the good times your loved ones will have once you pass on. In the Mercury Reader, Elisabeth Kübler-Ross “On the Fear of Death” and Joan Didion “Afterlife” from The Year of Magical Thinking” both share common theses on death and grieving. Didion and Kübler-Ross both explain grieving and dealing with death. Steve Jobs commencement speech for Stanford’s graduation ceremony and through personal experience jumps further into death and how I feel about it. Your time is on earth is limited one day you will die and there are many ways of grieving at the death of a loved one. I believe that the fear of death and the death of a loved one will hold you back from living your own life and the fear of your own death is selfish.
“The very conveyances of his lands will scarcely lie in this box, and must th’ inheritor himself have no more, ha?” Hamlet’s realization in 5.1.88 is one of great weight and resulted in more deep thought on the concept of death. Throughout Shakespeare’s “Hamlet” the subject is deeply considered and consistent breakthroughs and new realizations are revealed through Hamlet’s character. The primary evolution of Hamlet’s understanding stands with the coping, dealing with the finality of death, conflicts with morality and revenge in its intimate relationship with death as it applies to Hamlet.
Many people seem to fear death, but philosophers such as Socrates and Epicurus would argue that one has no reason to fear it. Socrates sees death as a blessing to be wished for if death is either nothingness or a relocation of the soul, whereas Epicurus argues that one shouldn't worry themselves about death since, once we are gone, death is annihilation which is neither good nor bad. Epicurus believes that death itself is a total lack of perception, wherein there is no pleasure or pain. I agree with Epicurus because Socrates doesn't give a sound argument for death as a blessing, whereas Epicurus' argument is cogent. I would also argue personally that death is not something to be feared because, like Epicurus, I see no sufficient evidence showing we even exist after death.
In the words of Bertrand Russell, “Fear is the main source of superstition, and one of the main sources of cruelty. To conquer fear is the beginning of wisdom” (Russell). Fear causes many problems in our lives. Fear influences many of a person’s actions and decisions. However, people usually regret the decisions or actions they made out of fear. Also, these actions and decisions can cause problems for those people in their future. Fear is a harmful emotion, for it clouds people’s judgement, disables them from taking action, and causes them to make decisions that they will regret later.
This famous soliloquy offers a dark and deep contemplation of the nature of life and death. Hamlet’s contemplative, philosophical, and angry tones demonstrate the emotions all people feel throughout their lifetimes.
When people ponder death they wonder about the unknown with trepidation. As a young man, William Cullen Bryant wrote the "Thanatopsis." His thoughts progress from the fear of death to the acceptance of the event. People should not fear death because everyone dies and becomes a part of nature.
Hamlet, after learning that his father's death was a murder and vowing to take revenge, wants to be certain that what he has been told is the absolute truth before he attempts to take revenge on Claudius. Even after Hamlet is sure beyond any shadow of a doubt that Claudius is the murderer, he hesitates to kill him. Fortinbras, on the other hand, has been taking action even before the play begins. As the play opens, the audience learns that Denmark is in a state of alert; the country has been preparing for a war. From Horatio, the audience also learns that the young Fortinbras is getting ready his "lawless resolutes"(I.i.111) for action against Denmark for the killing of his father and for the return of lands previously owned by Norway (I. i. 79-107). These differences between Hamlet and Fortinbras' actions are further mentioned in Hamlet's last soliloquy (IV. iv. 32-66).
In his famous “To be or not to be” soliloquy, Hamlet contemplates death and existence. To him, death is full of unknowns and existence is full of suffering and pain. Eventually, he decides to endure “the heart-ache and the thousand natural shocks/that flesh is heir to…” (Shakespeare 62-3) rather than face the possible horrors that might be revealed in death. Kumin’s “In the Park” agrees with Hamlet in the aspect that death and the afterlife is mysterious. Through the exploration of Buddhist and Jewish beliefs on death and the near death experience of Roscoe Black with a grizzly bear in Glacier Park, Kumin comes to a conclusion that death is inevitable and non-discriminatory. Her nonchalant acceptance of death contrasts with Hamlet’s fear of death. The attitude of both poems towards life further sets them apart. Hamlet is tormented and intimidated by the suffering and pains of existence while Kumin subtly appreciates the complexity of life and the possibilities it offers.
In the play “everyman” death is depicted as something that is terribly feared as no one seemed ready for it, death is perceived as something that takes one away from the pleasures of this world.
Returning home for his father’s funeral, Hamlet encounters many problems with the family leadership. The exposition in Hamlet is full of information, because the audience needs to comprehend the situation surrounding Denmark to appreciate some of the characters’ motives. The setting takes place at the King’s castle in Denmark, after a short war with their rivals in Norway. The conflict between these two countries is the background context for the tragedies that follow in Denmark. King Hamlet kills the King of Norway in a single ambush and upon his retreat home dies from a deliberate poisoning by his brother. Fortinbras, the prince Norway, in turn makes his own plans for revenge. Fortinbras gathers a group of evil men and sets out to return to Denmark to revenge his own father’s death. Opening scenes around the castle reveal the Demark guards on duty day and night, in fear of attack from Norway. During their watch a ghost appears as a symbol of trouble for the co...
Intro : Introduce the concept of death, and how the concept of death is shown to be something to be feared