Voice can be regarded as an expression that can be used to measure the innate strength of one self and their degree of freedom. With voice being seen as power, silence is seen as its complete opposite, portraying weakness and restraint. However, this interpretation of silence is proven otherwise in the popular novel Their Eyes Were Watching God by Zora Neale Hurston as the main protagonist Janie desires to have a voice of power but instead remains silent during imperative events that happen in her life. The path of the silence can be traced through the role it plays throughout the entirety of the novel as it begins with the purpose of symbolizing a lack of freedom such as with Janie’s grandmother and second husband Jody but eventually plays a similar role to the power of voice such as with Tea Cake.
To begin with, Janie is silent in the beginning of the novel during a conversation with her grandmother, Nanny. Nanny was forcing Janie to marry a man named Logan Killicks after she witnesses Janie kiss a boy named Johnny Taylor as she was worried Janie wouldn’t marry a decent man. In turn, Janie starts to argue with Nanny about marrying Logan as “The vision of Logan Killicks was desecrating the pear tree but Janie didn’t know how to tell Nanny that. She merely hunched over and pouted at the floor” (Hurston 14). In this scene, Janie recalls the pear tree and its symbol of finding love as she knew she wouldn’t find love with Logan and was clearly against her principle of love. Consequently, Janie also remained silent and if she had found a way to tell Nanny about her metaphorical symbolization of the pear tree, she could have instilled confidence within herself to rebuke Nanny’s idea as well as possibly convince Nanny otherwise for he...
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...s role from being a portrayal of weakness and lack of freedom to being a symbol of free will and strength.
In conclusion, the moments of silence performed by Janie prevented her from gaining any real freedom in her marriage. Despite the lack of liberty, as the novel neared the end, silence was illustrated to be as a representation of freedom in that marriage as Janie felt no need to speak up. Janie ultimately had the choice to voice her thoughts to Tea Cake and he would listen compared to what her relationship was like with Jody. Because Janie knew that her voice could be heard, she felt empowered to be silent in order to emphasize the strength of her silence. To sum up, Janie’s silence in critical moments of her life portrayed the different roles that it has played, with it being a symbol of weakness and restraint to its exact opposite of strength and freedom.
The pear tree, the ocean, the horizon, the hurricane are how Janie views nature. Hurston uses spring as a sign of fertility, blossoming sexuality, and a new start. The pear tree represents Janie blossoming into womanhood. In Janie’s eyes the pear tree represents beauty and freedom because she is able to reflect on her life, and her future. No one is telling her what to do when she sits under t...
In the beginning, the pear tree symbolizes Janie’s yearning to find within herself the sort of harmony and simplicity that nature embodies. However, that idealized view changes when Janie is forced to marry Logan Killicks, a wealthy and well-respected man whom Janie’s Nanny set her up with. Because Janie does not know anything about love, she believes that even if she does not love Logan yet, she will find it when they marry. Upon marrying Logan, she had to learn to love him for what he did, not for that infallible love every woman deserves.
Janie Crawford’s Quest in Their Eyes Were Watching God Janie Crawford, the main character of Zora Neale Hurston's Their Eyes Were Watching God, strives to find her own voice throughout the novel and, in my opinion, she succeeds even though it takes her over thirty years to do it. Each one of her husbands has a different effect on her ability to find that voice. Janie discovers her will to find her voice when she is living with Logan. Since she did not marry him for love, tensions arise as time moves on and Logan begins to order her around.
Janie does so by choosing her new found love with Joe of the security that Logan provides. Hurston demonstrates Janie's new found ‘independence’ by the immediate marriage of Joe and Janie. Janie mistakenly chooses the pursuit of love over her pursuit of happiness and by doing so gave her independence to Joe, a man who believes a woman is a mere object; a doll. By choosing love over her own happiness Janie silences her voice. The realization of Janie's new reality is first realized when Joe states, “...nah wife don’t know nothin’ ‘bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home()" Joe is undermining Janie, cutting short any chance for Janie to make herself heard. Joe continues to hide Janie away from society keeping her dependent and voiceless. As Janie matures, she continues to be submissive to her husband, “He wanted her submission and he’d keep on fighting until he felt he had it. So gradually, she pressed her teeth together and learned to hush (71).” Though Janie ‘learned to hush’, and suppress herself, Janie still urges for her voice. When the opportunity came for Janie to reclaim her voice, "But Ah ain’t goin’ outa here and Ah ain’t gointuh hush. Naw, you gointuh listen tuh me one time befo’ you die. Have yo’ way all yo’ life, trample and mash down and then die ruther than tuh let yo’self heah ‘bout
Janie Speaks Her Ideas in Their Eyes Were Watching God In life to discover our self-identity a person must show others what one thinks or feels and speak his or her mind. Sometimes their opinions may be silenced or even ignored. In the novel Their Eyes Were Watching God, the main character Janie would sometimes speak her ideas and they would often make a difference. The author, Zora Neale Hurston, gives Janie many chances to speak and she shows the reader outcomes.
At age sixteen, Janie is a beautiful young girl who is about to enter womanhood and experience the real world. Being joyous and unconcerned, she is thrown into an arranged marriage with Logan Killicks. He is apparently unromantic and unattractive. Logan is a widower and a successful farmer who desires a wife who would not have her own opinions. He is set on his own ways and is troubled by Janie, who forms her own opinions and refuses to work. He is unable to sexually appeal or satisfy Janie and therefore does not truly connect with her as husband and wife should. Janie's wild and young spirit is trapped within her and she plays the role of a silent and obeying wife. But her true identity cannot withhold itself for she has ambitions and she wills to see the world and find love. There was a lack of trust and communication between Logan and Janie. Because of the negative feelings Janie has towards Logan, she deems that this marriage is not what she desires it to be. The pear tree and the bees had a natural att...
As a result of Nanny’s desire to see Janie married to wealth, she forces Janie to marry Logan Killocks, an older black farmer who owns 60 acres and a mule. Janie does not love Logan but because Nanny pushes her into the marriage she believes love will follow marriage, but Nanny quickly says “You come head wid yo’ mouf full uh foolishness on uh busy day. Heah you got uh prop tuh lean on all yo’ bawn days, and big protection, and everybody got tuh tip dey hat tuh you and call you Mis’ Killicks, and you come worryin’ me ‘bout love." (3.17-20). Nanny believes a woman should be satisfied with her amount of property and Janie has trouble agreeing. Janie feels she has done something wrong by not being in love with L...
The flashback commences by recounting the years leading to Janie’s childhood through alluding to Nanny and Janie’s mother Leafy’s, life difficulties. Nanny is raised in slavery and was raped by her slave master, which led to Leafy’s birth. She had to flee in the night and hide in swamps during the war to protect her daughter. They go to live with a white family; the Washburn’s who are very accommodating. Once Leafy is older, she is raped by her white schoolteacher, leading to Janie’s birth. Leafy is absent through Janie’s life, so Nanny becomes her caregiver. Due to the abandonment of her parents, Janie is uncertain about her character and is lacking parental influence. Nanny raises Janie vicariously, so she will not encounter the same obstacles. Under a pear tree one day, Janie observes a bee pollinating a flower. She determines that this is how love is supposed to look. Love is passionate and never selfish or demanding. One day she kisses a boy named Johnny Taylor, whom Nanny does not approve. Nanny’s beliefs and authority on Janie’s life cause Janie’s abrupt marriage, before she can discover her true identity and spirit.
The beginning of Janie’s journey is with her marriage to Logan Killicks, a man with tons acres of land to his name, but to Janie’s knowledge, is just an ugly old bag that has a huge lack of any love or companionship for her. For example, when Janie talks to Logan one night about their relationship he only says “Considerin’ youse born in a carriage ‘thout no top to it, and yo’ mama and you bein’ born and raised in de white folks back-yard” (30). Logan is emotionally destitute towards Janie in the beginning of the marriage. She cannot relate to him in any way what so ever and they both know it as well. In addition, at a point later on in the marriage Logan asks Janie to help him with chores outside, she replies “you don’t need mah help out dere, Logan. Youse in yo’ place and ah’m in mine,” (31). Not only does Logan have an absence of emotion, he also has an absence of love and he expresses the exact opposite of it through his bitterness and anger for Janie. She can now understand that Logan sees himself as supposedly “higher” than her and she loathes it even more. The marriage between Logan and Janie isn’t equal...
Janie Crawford, the main character of Zora Neale Hurston’s Their Eyes Were Watching God, strives to find her own voice throughout the novel and, in my opinion, she succeeds even though it takes her over thirty years to do it. Each one of her husband’s has a different effect on her ability to find that voice.
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
In the beginning of the story, Janie is stifled and does not truly reveal her identity. When caught kissing Johnny Taylor, a local boy, her nanny marries her off to Logan Killicks. While with Killicks, the reader never learns who the real Janie is. Janie does not make any decisions for herself and displays no personality. Janie takes a brave leap by leaving Killicks for Jody Starks. Starks is a smooth talking power hungry man who never allows Janie express her real self. The Eatonville community views Janie as the typical woman who tends to her husband and their house. Janie does not want to be accepted into the society as the average wife. Before Jody dies, Janie is able to let her suppressed anger out.
Through her three marriages, the death of her one true love, and proving her innocence in Tea Cake’s death, Janie learns to look within herself to find her hidden voice. Growing as a person from the many obstacles she has overcome during her forty years of life, Janie finally speaks her thoughts, feelings and opinions. From this, she finds what she has been searching for her whole life, happiness.
Hurston uses the power of language and different narrative techniques to show Janie's transition throughout the novel. It is important to notice that in Janie's journey from object to subject, the narration of the novel shifts from third person to a mixture of first and third person; thus, the shift shows the awareness of self within Janie. Language becomes an instrument of injury and salvation and of selfhood and empowerment. The use of powerful language is exemplified well in the text when Janie is asked to say a few words as the new Mrs. Mayor. Joe, her second husband, quickly cuts in and says, "Thank yuh fuh yo' compliments, but mah wife don't know nothin' 'bout no speech-makin'. Ah never married her for not...
On Janie's journey towards self discovery and expression, progress is suddenly halted when she encounters controlling men. In respect for Nanny, Janie attempts to live her life through her nanny's expectations and desires. Nanny has taken the hard road in life, and tries her best to help Janie avoid life's unnecessary turmoils: “Yo' Nanny wouldn't harm a hair uh yo' head. She don't want nobody else to do it neither if she kin help it” (Hurston 14). Nanny has all the best intentions by setting Janie up with Logan Killicks, an older man who owns sixty acres of land. The man of Nanny's dreams does not match up with Janie's expectations, for Janie wants to be in a blossoming relationship that she is comfortable being a part of. Logan turns out to be a man of labor and “refuses to hear the real meaning behind [Janie'...