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The taming of the shrew gender roles
The taming of the shrew gender roles
The taming of the shrew gender roles
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“The Taming of the Shrew” and the movie “10 Things I Hate About You” have many differences. Differences can make or break how people feel about a movie or a play. A couple of the major differences are in the movie no one pretends to be anyone else. Also in the play Petruchio is just interested in taming Kat but Patrick likes to go out and do outings with Kate that she enjoys to get know her. Act 3 scene 2 Petruchio makes it clear that Kat is his property “I will be master of what is mine own. She is my goods, my chattels; she is my house, My household stuff, my field, my barn, My horse, my ox, my ass, my anything.
And here she stands, touch her whoever dare.” Even though there are many differences there are some similarities between them. One being that Bianca is not allowed to marry/ date until Kat does. “The Taming of the Shrew” consists of many people pretending to be other people. Hortensio and Lucentio bot disguise themselves as tutors so they can get close to Bianca in hopes to get her to fall in love with them. Also since Lucentio is suppose to be going to school during this time, Tranio his servant, dresses up as him and goes to his classes while he is with Bianca. Act 3 scene 1 Bianca tells her tutors she will learn from them how she wants and when she wants “Why, gentlemen, you do me double wrong, To strive for that
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Differences can make or break how someone feels towards a movie or play. In this case nothing really breaks one over the other. Bianca does not get as many tutors in the movie as she does in the play. Kat gets Patrick to actually love her and not just want to tame her without getting to know her. Everyone is falling in love with Bianca but she has to wait until her shrew sister finds a man to love her. Act 1 scene 1 Lucentio sees Bianca for the first time and falls in love with her “Tranio, I burn, I pine, I perish, Tranio, If I achieve not this young modest
The short story, The Shrew: Sharp Tongued Ts’ui-lien is a comical piece about conformity and societal expectations. Within the story we are introduced to a young woman with the disposition to talk relentlessly, and with a need to have all of her ideas heard. However, the societal expectations are stifling and are focused on obedience of tradition and decency. Through comedy, Ts’ui-lien upsets the balance and need to remove herself from society completely as the only viable solution for others to deal with her strong personality, the only solution that allow her to remain unchanged and unconfirmed to the demands of the society. Through this, the story’s position on the place of societal norms in this culture become clear, fall in line or remove
In the play, Taming of the Shrew, this character is known as Petruchio. In act 1 scene 2, Petruchio insists on meeting Kat no matter who tells her of his behavior, for he was only looking at one factor – that she had a rich father. Upon meeting Baptista, Petruchio insists on meeting Katherine. “Lucentio” and Petruchio battle, promising this and that to Katherine until Baptista finally chooses Petruchio. Upon meeting Katherine, she immediately is biting at his heels. With his quick wit he is responding with equal amounts of insults which frustrates Katherine. Every insult Katherine throws at Petruchio he manages to throw back a sexual innuendo. further along into the story with Kate and Petruchio. Petruchio
There are many similarities and differences between each of the characters. For example, in the film Kat (Katharina) used to be popular and kind, but ever since she slept with Joey because “He said everyone was doing it,” she decided she would “never do anything just because ‘everyone else’ was doing it.” In the play, however, she had been unkind, unpopular and smart-mouthed her entire life. Another similarity between the two versions of the character is her age. Bianca portrays a very similar character in both the film and the play. She is a smart, pretty, popular and kind girl who is frustrated with her older sister, constantly venting out that frustration by saying things like “I think you're a freak. I think you do this to torture me. And I think you suck,” to Kat. Another similarity between Kat and Bianca’s characters is their age. Kat was 17 in the play, and Bianca was 16, (in the era in which the play was written, girls got married at a young age). In the film, Cameron represents Lucentio. He is very similar to Lucentio, disguising himself as a tutor in order to gain access to Bianca. Joey, the other boy who likes Bianca, represents both Gremio and Hortensio. However there are a few differences between these characters, such as the fact that Joey is a popular high school student in the film, however in the play Gremio is an older man and Hortensio disguises himself as a musician to gain access to Bianca, and Joey
They choose to take a different path than the one that society feels they should take. At the conclusion of both plays, the concept of choice and free-will is applied to both characters. Katharina chooses to do what her husband asks her to do, while Beatrice chooses to marry Benedick. It is very important to note this when comparing the two characters.
In both Shakespeare’s “The Taming of The Shrew” and the 90’s film “10 Things I Hate About You”, there is a presence of societal expectations that affects the will of the shrewish female characters. Both have their will compromised; however a difference is found in the severity and process of change between Katherine at the start and the end of each story. Kat in Taming of The Shrew (TTOTS) goes through a more forced transition while fighting to submit, as Kat in 10 Things I Hate About You (TTIHAY) is more willfully changed, and done so with kinder methods. The men trying to court Kat also have to use what’s considered the most extreme means possible allowed for society with one being considered highly illegal in today’s society, and the other
and the events for the rest of the play during the first two acts. & nbsp; Although even her father calls her a shrew, Katherine has a deeper. character than the epithet would imply. From the beginning we see that she is continually placed second in her father's affections, and despised by all others. Bianca on the other hand, is identified as the favorite. playing the long-suffering angel, increasing Baptisa's distinction between. the two. As Katherine recognizes her sister's strategy, her reaction is as one can imagine how another would react suffering this type of bias for so.
In Act II, Kate comes in, dragging Bianca with her tied up. When first reading this, the thought of one sister tying up the other and dragging her is pretty funny. But when you stop to think about why Kate is doing this to her sister, you start feeling sorry for her. We see the immaturity of Kate and that she does not know how to deal with her feelin...
The Taming of the Shrew unravels to reveal a wild beastly Katharine lacking respect for her family, herself and others around her. Kate is a very outspoken and vulgar woman without respect to authority. Katharine, although depicted as a beautiful woman quickly becomes the talk of Padua. Kate has found that if she is loud and obnoxious she can have her way. She screams and grunts and pushes those who she does not get along with. The general character of Katharine seems to be that of a small child.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from each others' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58) Bianca and Katherine dislike each other feverishly. Katherine torments Bianca with words and physical harm. She binds her hands, pulls her hair then brings her forth to her father and the gentlemen callers. Bianca denies liking any of the visitors and portrays herself an innocent that merely wants to learn and obey her elders. She says, "Sister, content you in my discontent to your pleasure humbly I subscribe. My books and instruments shall be my company, on them to look and practise by myself." (1.1.80-84) Because Katherine speaks freely and asserts herself she is labeled as "shrewish." When Hortensio describes her to Petruccio, he spews out that she is "renowned in Padua for her scolding tongue." ( 1.2.96) He gilds the lily further by clearly telling of her fair fortune if suitable man comes courting and wins her hand in marriage. Petruccio sees dollar signs and rushes onwards in grand dress and fluently gestures to court the gracious "Kate." When he first begins his ritual of winning the family and Katherine to his love, he is seeking his fortune in her dowry. The mention of her being at all undesirable does not put rocks in his path.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from eachothers' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58)
"Women have a much better time than men in this world; there are far more things forbidden to them." -Oscar Wilde. This quote embodies the fight over gender roles and the views of women in society. Taming of the Shrew deals with Kate and Bianca, two sisters who are at the time to he married off. However, suitors who seek Bianca as a wife have to wait for her sister to be married first. Kate is seen as a shrew because she is strong willed and unlike most women of the time. In his 1603 play The Taming of the Shrew, William Shakespeare enforces traditional gender roles and demonstrates how little say women had in society. He accomplishes this through the strong personality of Kate, Baptista 's attitude towards his daughters as transactions, and
The Taming of the Shrew by William Shakespeare is a play that is ahead of its time in its views toward gender roles within society. Katherine is a woman who is intelligent, and is not afraid to assert her views on any given situation. She is paired with another obstinate character in Pertuchio. The Marriage formed between the two is a match made in heaven for two reasons. First Because Katherine is strong enough to assert her views, and more importantly, she realizes when she should assert them. The second reason the bond survives is that Petruchio is strong enough to accept the fact that Katherine has a mind and, more importantly he loves her for that reason. Petruchio cleverly weaves the relationship into the framework of society without compromising the integrity of the relationship. Petruchio does this by comparing Katherine’s at attitude to repulsive clothing. Carefully and calculatingly, Petruchio forges a relationship that is envied by all who witness it.
Throughout the play the multitude of characters in The Taming of the Shrew have specific social roles. These social roles carry with them, certain expectations to how that person should behave. The rules that govern how these roles are supposed to behave are firmly enforced by friends, family, and society as a whole. For instance, Katherine and Bianca are in the roles of upper class maidens in waiting, Lucentio occupies the
William Shakespeare's comedy, The Taming of the Shrew illistrates the difficulty of trying to tame a headstrong, stubborn, and a high-spirited woman so that she will make a docile wife. The one attempting to tame Kate, the shrew, is Petruchio. They contend with each other with tremendous vitality and have a forced relationship. In contrast, there is another romantically linked couple who seemingly possess an ideal relationship. These young lovers, Bianca and Lucentio, share a love that is not grounded in reality, but in fantasy. These two sub-plot characters are stock characters and Shakespeare creates the irony of the play through the differences between the two couples. It is through his use of stock characters and irony that the differences between the two couples are revealed.
William Shakespeare’s romantic comedy, The Taming of the Shrew, is an embodiment of the context in which the text was shaped, the Renaissance. The Renaissance period was a time of progression, primarily in the areas of art, science, humanism, religion and self-awareness. The Renaissance focused on taking elements of the past including religion, art and science and adapting them to make them better. "Humanists" advocated for the freedom of the individual's intellect through acceptance and celebration. This emphasis on “individualism” however, did not proceed to influence the highly sexist views of the time, which had transgressed from previous centuries and continued through to later centuries. Gender inequality was prevalent, with brides (and females in general) being viewed as merely commodities. Loyalty is presented as an essential quality for all “proper women” and male attitudes towards women are explored through the social repression of female characters.