Directing
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i. The opening scene of the shining uses an extreme long shot which tells the audience/viewers where the movie is taking place. The shot shows mostly nature in large open spaces. The long shot and the extreme long shot is used in this situation so that the audience can become familiar with the setting as there is more to see. This represents the effect of isolation with no one being around. Also combined with this camera shot there is music being used in the sequence, with the use of instruments such as violins, guitars, and piano. This music helps to emphasise the loneliness of the horror with the effect of hollow and echoes which represents emptiness and loneliness. The car throughout most of the opening sequence is miniature
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Caring about the characters- Horror films try to make you care for the characters in order to give you a better scare as you feel like you are going on the journey with the characters. Wendy and Danny are shown to be very nice people in the scene where Danny is eating a Sandwich which makes you more scared for them when bad things start to happen.
4. Relatable fears- A part of what makes the shining so scary is that it takes common fears, exploits them and acts upon them. The shining acts on the audiences fear. In the shining, Kubrick uses the idea of being trapped in and nowhere to run to.
5. Surprises and twists – The audience can’t be expecting what is going to happen so there must be multiple twists and turns which keeps the audience interested. One of the twists in the shining is that Jack was in the picture at the end of shining. This scene is connected to how Grady told him “you’ve always been the caretaker here”
Design
Costume design
Kubrick uses colour to reflect the mood his characters. Each character’s type of costume changes throughout the film, especially towards the climax of the film. Stanley Kubrick uses costume design to show Jack’s descent into madness shown by when he wears dark red towards the end of the
The Great Depression of the 1930’s caused widespread poverty, but the popular culture of the time did not reflect this. People wanted to escape from this harsh time so movies, dancing and sports became very popular. Radios broadcasted boxing matches and boxers became stars. The heavyweight champion James J. Braddock aka “Cinderella Man,” gained popularity. James Braddock gained fame by winning many fights and proving everyone wrong when they said he was too old and couldn’t win.
Part of making a horror movie horrifying, is efficiently capitalizing on the bizarre and supernatural elements of the story, while also making them relatable to the audience. “The Shining” uses both happenings of natural intrinsic psychic abili...
effect due to the basis of the film. This is used as an opening sequence
One of the most iconic horror movies of all time is arguably, The Shining directed by Stanley Kubrick, but preceding the movie was the novel of the same name written by Stephen King. Throughout the novel King intertwines symbolism and rhetorical devices such as hyperbaton and allusion in order to craft a complex and thought-provoking piece of literature.
An Analysis of the Opening Sequence from Alfred Hitchcock’s Psycho. Just like a building, a film needs a strong foundation in order to be successful, a foundation which is made up of the starting moments of the film. In Psycho, Alfred Hitchcock successfully uses the opening credit sequence to establish a foundation on which to build an interesting plot, including techniques to elicit involvement by the spectator, and the suggestion of a "Psycho" theme. A musical composition consisting of quick strokes on tightly wound violins, later used in the famous shower scene, starts to play at the beginning of the sequence. Names begin to slide on and off the screen in a series of horizontal and vertical lines.
On March 7th, 1999, Stanley Kubrick died in his sleep of a heart attack. He was 70 years old. The Shining is a typical example of the horror genre because it works by arousing irrational fear. Stanley Kubrick uses step down imagery to make the terror in the horror, controlled and not too over whelming for the audience, to make it seem more believable. The horror is a paradox because it presents a vision of terror to the audience but the audience try to fight everything the director is trying to achieve by telling themselves that, 'it is just a movie, its not real, you can't scare me.'
Horror movies are one of the most fascinating genres of film that exists. They are unrealistic but at the same time, they are also realistic. This realism that they contain is what draws people’s interest towards them because viewers are able to associate aspects of their own lives with the film. Every horror movie, no matter how farfetched the theme or plot may be, contains an element that people can relate to. This element may not be observable to a conscious mind, but to an unconscious mind, it brings back memories of something that has been repressed earlier in our lives (Wood, 197). This recollection of suppressed memories is how horror films create a sense of fear and it is literally what Robin Wood means when he talks about “the return
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
Throughout the whole movie these elements help each other out to make the movie a great movie and fall in the horror genre. Each element helps each other by making the next scene better than the one before. It has the storyline come to live, and having people thinking what can happen next or who has the power in the movie. By seeing this movie it can make someone feel complete and satisfied for a long
With the setting in a hotel in the snowy Colorado Mountains, it is about a man taking a job as a sitter for the Overlook Hotel throughout the winter time frame. The father and husband Jack took his wife Wendy and son Danny with him to live while he takes care of the place even after finding out about the pass events that happened there. The film provides a visual output for the text of what the author was trying to say. Which could be the way the way that the readers could not have seen the text, even if they have read the book before. Carr said “The Shinning doesn’t necessarily come off as a horror film” (Critical Genre). It may be that way because of the beautiful scenery in the film, but many claim for the time that is being created it is better than the book. Which is for everyone to decide based on their own perspective. Faye Carr states that King “directs the audience towards a psychological explanation for the apparitions” (Critical Genre). The Shining is not like other horror films during its time. In the movie when Wendy said “It wasn’t your daddy trying to hurt me” and that it was “the Overlook has gotten into [him]”(The Shining). During his time at the hotel while trying to write his novel, Jack mind slowly starts to be submissive to both auditory and visual hallucination. That soon started to make him act in irrational ways to, showing why Jack went on the rampage in the hotel to kill his wife and
When most people think of a “slasher film” (Clover 1992) they tend to think of movies such as Friday the 13th, Halloween, and The Texas Chainsaw Massacre. These movies align with the basic necessities for a slasher film ,but at the same time, are repetitive. In 1984 A Nightmare on Elm Street was created and completely changed what was looked at as a “slasher villain”. In A Nightmare on Elm Street the viewer is introduced the evil omnipresent being known as Freddy Krueger. Freddy Krueger is a nightmareous malicious monster whose only purpose is to kill. He is the embodiment of fear and evil with immense power and abilities that some would dub as “Godlike.” In James Kendrick’s Razors in the Dreamscape: Revisiting A Nightmare on Elm Street and the Slasher Film Kendrick discusses A Nightmare on Elm Street’s originality as compared to other slasher films such as Friday the 13th, Halloween, etc. Kendrick presents an understanding of how A Nightmare on Elm Street fights common archetypes and tropes associated with the slasher genre by discussing the amalgamation of Krueger and his victims and how it ultimately emasculates Krueger and leads to his demise.
One scene in particular stands out as a masterfully edited moment in the movie. In this scene, Wendy and Danny Torrance leave the inside of the hotel to go outside and explore the giant hedge maze. Wendy and Danny both run around in excitement as they delve deeper and deeper into the massive maze. The scene then cuts to a shot of Jack throwing a ball around the lobby of the hotel in boredom. He walks up to a three-dimensional model of the maze that is on a table in the lobby. The camera then cuts to a close-up of the model of the maze, and the audience sees what appears to be miniature versions of Wendy and Danny exploring the many corridors of the hedge maze. The audience can hear Wendy and Danny talking, and this helps assist the allusion of Jack watching the two go through the maze.
The film begins with aerial camera shots taken from a helicopter that reveal the long secluded path to the Overlook Hotel. Kubrick did this to give a peaceful and calming feeling that misleads the audience about what is soon to be the winter home for the Torrance family. As the scenery changes, the different landscapes foreshadow the end of the film. The aerial shots make the forest look like the hedge maze next to the hotel, which is a huge part of the plot and where Jack ends up at the end. The idea of a maze is crucial to the plot, as well as the confusion and feeling of being lost that “The Shini...
Stanley Kubrick's The Shining (1980) initially received quite a bit of negative criticism. The film irritated many Stephen King fans (and King himself) because it differed so greatly from the novel. The Shining also disappointed many filmgoers who expected a conventional slasher film. After all, Kubrick said it would be "the scariest horror movie of all time."1 Kubrick's films, however, never fully conform to their respective genres; they transcend generic expectations. In the same way that 2001: A Space Odyssey (1968) is not just another outer-space sci-fi flick, The Shining is not a typical horror movie. The monsters in The Shining originate not from dark wooded areas, but from the recesses of the mysterious human mind-in broad daylight, at that. Perhaps Kubrick said The Shining is "the scariest horror movie of all time" not because it offers a bit of suspense, blood, and gore, but because it shines a light on the inherently evil nature of humankind on psychological and sociological levels.
PREVIEW MAIN POINTS: today I will discuss, some of the reasons we are interest, the chemicals in our bodies that are set off when we watch them and ways to be less afraid when watching these horrifying movies.